Fine Art Photography: The Complete Guide

Lesson 7 of 138

Guided Daydream Exercise

 

Fine Art Photography: The Complete Guide

Lesson 7 of 138

Guided Daydream Exercise

 

Lesson Info

Guided Daydream Exercise

Now let's talk about ideas. So if we're gonna go find some ideas, let's do it. One is a guided daydream. Now please excuse me for a moment, as I become my most hippie self, and I tell you that this is what I do every single day of my life to find ideas. It's going to sound like something that maybe you don't wanna do. You may be like, "Nope, there Brooke goes, "off the deep end, and I'm not doing that." I understand, and this is exactly how I felt when someone told me to meditate. I was like, "I'm not meditating!" And then I wouldn't do it, 'cause I thought that it was silly. And then I started, what I did not realize was my own form of meditation. I did it unknowingly. And I started this guided daydream. Now this is something I've mentioned on Creative Live before, but I wanna actually take you through the process right now of a guided daydream. I call it a guided daydream because you're imagining yourself as a character in a story that you're creating. I take anywhere from one minute...

to five minutes a day to do this, it doesn't take a long time. But I can tell you that I have created photos from doing this, I've written children's books from doing this, I've had novel ideas from doing this. Like, actual novel, not like novel ideas, like novel book ideas. So many things from doing this. And over time, it changes how you perceive yourself as well. Not just the story, not just your art, but how you see yourself as a character in your own life. Which really is, is what story is to me. Is taking that inspiration. So we're gonna do a guided daydream together. You guys have to close your eyes. (chuckles) Okay, I will try to close my eyes, but I might fall over. You know how you get dizzy when you close your eyes and you're standing? Okay, so what I want you to do is imagine, and this is just how I do it, you can change yours over time. Imagine that you are on a ship. You're on a boat, but your boat is floating through the sky. So you're sailing through the clouds. And you get up on the edge of the boat, on this big ship, and you're going to jump off the side. And you're gonna fall through the sky, and you're going to land somewhere. So you imagine, you're on the side of the boat, and now you jump off. And as you're falling, you're imagining yourself falling through the sky, and as you're doing that you imagine what you're wearing, you're imagining what it feels like to be falling, you're imagining what the clouds feel like, if you go through a rain cloud or something like that. You imagine your surroundings, and by the time you hit the ground, you've chosen where you are. So you can fall for 10 minutes if you're like, "Oh, I don't know where I'm gonna be!" It's okay. So you're falling, and you're falling, and you're falling, until you get somewhere, and you hit the ground. So right now, maybe I imagine that I'm in this deep, deep hole that's in the ground, and it feels really wet and really muddy, and I'm just like sinking into this hole. And I'm trying to grab my surroundings to get out of the hole. And I'm thinking, what does it smell like? It smells like mud. What does it feel like? It feels wet and thick and I'm sinking, sinking, sinking, until I'm fully submerged by the mud. And I keep going until I drop out of the bottom. And I've dropped out the bottom, and now I'm in this dungeon. And I start walking, covered in mud, and where do I end up? And who do I meet, and what happens to me? And so the point is, that you're going through this experience, whatever you want. As you're doing it, you're imagining different things in the moment. And see where you end up. I have had the most beautiful daydreams based on this. And sometimes, after five minutes, I'm crying because of whatever's happened. Sometimes I'm laughing, sometimes I feel so stupid because I've just had the dumbest daydream, that like I've been rescued by a prince or something like, silly, silly things, you know? Depending on the day, depending on where your mind is at. But what a great way to just clear your mind, don't think about anything stressful, and just be a character. You know, think about what would you be wearing if you could be wearing anything? Who would you meet? What would you see? What do you sound like? What do you feel like? And I know that it sounds crazy, and it sounds like such a hippie thing to do, but it is the number one most important thing that I've incorporated into my daily practice to find ideas, regularly.

Class Description

Creating a great photo for a client is one thing - but turning your passion and ideas into a series that is shared, shown, and sold is a whole different business. If you do it right, you’ll be shooting what you love all the time. Learn how to choose which ideas to create, how to turn your concept into a production, and steps to getting your work seen and even sold in Fine Art Photography: A Complete Guide with Award-Winning Photographer, Brooke Shaden.

This is an all-inclusive workshop that provides the tools you need to run a successful and creative business as a fine art photographer. You’ll learn creative exercises to find and develop your ideas, how to create an original narrative, how to produce your own photo series, post production techniques and skills for compositing and retouching, how to write about your work, ways to pitch to galleries and agents, and how to print your pieces so they look like art.

This workshop will take you on location with Brooke as she creates a photo series from scratch. She’ll walk through every step for her photo shoots including set design and location scouting, she’ll cover techniques in the field for capturing your artistic vision, post-production and compositing techniques, as well as printing and framing essentials.

She’ll round out this experience by discussing all of the details that will help make your career a success like licensing, commissions, artists statements, social media plans, gallery prep, and pricing your work.

This comprehensive course is a powerful look into the world of fine art photography led by one of the world’s most talented photographers, Brooke Shaden. Included with purchase is exclusive access to bonus material that gives exercises and downloads for all of the lessons.

Lessons

  1. Class Introduction
  2. Storytelling & Ideas
  3. Universal Symbols in Stories
  4. Create Interactive Characters
  5. The Story is in The Details
  6. Giving Your Audience Feelings
  7. Guided Daydream Exercise
  8. Elements of Imagery
  9. The Death Scenario
  10. Associations with Objects
  11. Three Writing Exercises
  12. Connection Through Art
  13. Break Through Imposter Syndrome
  14. Layering Inspiration
  15. Creating an Original Narrative
  16. Analyze an Image
  17. Translate Emotion into Images
  18. Finding Parts in Images
  19. Finding Your Target Audience
  20. Where Do You Want Your Images to Live?
  21. Create a Series That Targets Your Audience
  22. Formatting Your Work
  23. Additional Materials to Attract Clients
  24. Which Social Media Platforms Will be Useful?
  25. How to Make Money from Your Target Audience
  26. Circle of Focus
  27. The Pillars of Branding
  28. Planning Your Photoshoot
  29. Choose Every Element for The Series
  30. Write a Descriptive Paragraph
  31. Sketch Your Ideas
  32. Choose Your Gear
  33. How to Utilize Costumes, Props & Locations
  34. What Tells a Story in a Series?
  35. Set Design Overview
  36. Color Theory
  37. Lighting for the Scene
  38. Props, Wardrobe & Time Period for Set Design
  39. Locations
  40. Subject Within the Scene
  41. Set Design Arrangement
  42. Fine Art Compositing
  43. Plan The Composite Before Shooting
  44. Checklist for Composite Shooting
  45. Analyze Composite Mistakes
  46. Shoot: Black Backdrop for White Clothing
  47. Shoot: Black Backdrop for Color Clothing
  48. Shoot: Black Backdrop for Accessories
  49. Shoot: Miniature Scene
  50. Editing Workflow Overview
  51. Add Fabric to Make a Big Dress
  52. Edit Details of Images
  53. Add Smoke & Texture
  54. Blend Multiple Images Into One Composite
  55. Put Subject Into a Miniature Scenario
  56. Location Scouting & Test Photoshoot
  57. Self Portrait Test Shoots
  58. Shoot for Edit
  59. Shoot Extra Stock Images
  60. Practice the Shoot
  61. Introduction to Shooting Photo Series
  62. Shoot: Vine Image
  63. Shoot: Sand Image
  64. Shoot: End Table Image
  65. Shoot: Bed Image
  66. Shoot: Wall Paper Image
  67. Shoot: Chair Image
  68. Shoot: Mirror Image
  69. Shoot: Moss Image
  70. Shoot: Tree Image
  71. Shoot: Fish Tank Image
  72. Shoot: Feather Image
  73. View Photo Series for Cohesion & Advanced Compositing
  74. Edit Multiple Images to Show Cohesion
  75. Edit Images with Advanced Compositing
  76. Decide How to Start the Composite
  77. Organize Final Images
  78. Choosing Images for Your Portfolio
  79. Order the Images in Your Portfolio
  80. Why do Some Images Sell More Than Others?
  81. Analyze Student Portfolio Image Order
  82. Framing, Sizing, Editioning & Pricing
  83. Determine Sizes for Prints
  84. How to Choose Paper
  85. How to Choose Editions
  86. Pricing Strategies
  87. How to Present Your Images
  88. Example Pricing Exercise
  89. Print Examples
  90. Licensing, Commissions & Contracts
  91. How to Keep Licensing Organized
  92. How to Prepare Files for Licensing
  93. Pricing Your Licensed Images
  94. Contract Terms for Licensing
  95. Where to Sell Images
  96. Commission Pricing Structure
  97. Contract for Commissions
  98. Questions for a Commission Shoot
  99. Working with Galleries
  100. Benefits of Galleries
  101. Contracts for Galleries
  102. How to Find Galleries
  103. Choose Images to Show
  104. Hanging the Images
  105. Importance of Proofing Prints
  106. Interview with Soren Christensen Gallery
  107. Press Package Overview
  108. Artist Statement for Your Series
  109. Write Your 'About Me' Page
  110. Importance of Your Headshot
  111. Create a Leave Behind & Elevator Pitch
  112. Writing For Fine Art
  113. Define Your Writing Style
  114. Find Your Genre
  115. What Sets You Apart?
  116. Write to Different Audiences
  117. Write for Blogging
  118. Speak About Your Work
  119. Branding for Video
  120. Clearly Define Video Talking Points
  121. Types of Video Content
  122. Interview Practice
  123. Diversifying Social Media Content
  124. Create an Intentional Social Media Persona
  125. Monetize Your Social Media Presence
  126. Social Media Posting Plan
  127. Choose Networks to Use & Invest
  128. Presentation of Final Images
  129. Printing Your Series
  130. How to Work With a Print Lab
  131. Proofing Your Prints
  132. Bad Vs. Good Prints
  133. Find Confidence to Print
  134. Why Critique?
  135. Critiquing Your Own Portfolio
  136. Critique of Brooke's Series
  137. Critique of Student Series
  138. Yours is a Story Worth Telling

Reviews

April S.
 

I tuned in for most of Brooke's lessons in this course and watched some of them more than once as they were rebroadcast. First I want to say that Brooke is a very good instructor. Her easy-going, friendly, down-to-earth, somewhat quirky manner cannot be mistaken for unprofessional. She is very prepared, she speaks well (not a bunch of hemming and hawing), she is thoughtful, she is thorough, she is very relatable and at ease, and she is definitely professional in her presentation. I really thought when I first tuned in that it would mostly be background noise while I was at work, sound to keep me company. Not because I didn't like Brooke but I really didn't think I was into fine art photography nor did I think I cared about the business side of things much. Not now anyhow. I was really wrong. Brooke sparked a deep interest in me to delve into fine art photography, to consider creating images for myself, from my imagination. In fact, I realized that this was something I'd been thinking about for a couple of years though I hadn't put a name to it (the idea of creating pre-conceived images based on my own creative goals). I gleaned many little treasures from her about image sizes, working with printers, different types of paper, selling, interacting with galleries, and so much more. I may not need all of what she taught right now because I'm definitely headed in another direction at the moment, but she planted ideas and information in my head that I know will be useful at some point. Things I may not have thought of on my own, but that seed is in my head now so when the time comes, I'll know. I'd really like to buy her course but at the moment, with the holidays right around the corner, it's not in my personal budget. I'm grateful to have caught the live and rebroadcast lessons though, and her course is on my list to own. I think it's a great reference to be consulted over and over again, not watched once and forgotten. Kudos Brooke for really putting together an excellent course.

Ron Landis
 

I'm retired now, but spent decades in the people and training business. Brooke is extraordinary! Even though this course is extremely well organized and she's left nothing unattended, she moves through it with friendly conversational manners and without a sense of it being stilted. It's as though we are all her friends, not students, as she shares her heart and passion with us. What a joy it is to listen to her. And what a clear, unambiguous command of her subject. Wow! She explains it with such ease using explanations and techniques that won't overwhelm artists just starting their portfolio or the Photoshop-squeamish among us; but despite its simplicity her resulting art is breathtaking and beyond original. I wish more of my professors at school were as engaging. This was by far my best buy at Creative Live yet.

a Creativelive Student
 

What an amazing 20 days this is going to be! Brooke is so enthusiastic and has such a lovely manner. What a bargain for all of the information Brooke will be sharing with us. So excited. Thanks Brooke and Creative Live. :)