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Getting Started in Music Photography with Red Bull Photographer Todd Owyoung

Lesson 22 of 24

Photo Pit Etiquette

 

Getting Started in Music Photography with Red Bull Photographer Todd Owyoung

Lesson 22 of 24

Photo Pit Etiquette

 

Lesson Info

Photo Pit Etiquette

So there are some unspoken rules of the photo pit, and this is mostly intended for newer photographers who might not know. Some of these are more obvious, some of them are less obvious. Basically, the golden rule of working in a photo pit is don't be a jerk. The second rule, silver rule, is to respect everybody. Respect security, respect the rules, and overall, I feel everyone is equal the photo pit. There is no place for judging someone based on their camera, what they wear, if they're dancing, if they have a photo pass, it means that the publicist has approved them, they have the same access as you, they have the same level of clearance and someone thought it was a great idea for them to be in the pit, just like you. So, again, don't be a jerk, don't judge people. Judge people on their images, not on if they're shooting even with an iPad, because they're there with a purpose, seemingly. Other elements we'll cover will be behavior, movement and space, hail mary's, and using a flash in...

the photo pit. You have to respect the security, the fans, and your fellow photographers. This is kind of a golden rule, and it's gonna serve you well, because people want to work with people if they're easy to work with, they're gonna want to give you more access if you're obeying the rules. The momentyou're stepping out of line, not respecting others, is when you're gonna get flagged, you could get pulled out of the photo pit, you could even get the entire photo pit cleared if you're being disruptive. Rule of thumb: be respectful to every single person. You don't know who the tour photographer is going to be, or who might know who, and you know, music photography and the music industry in general is very small, so respect everyone under the assumption that maybe they can do a you a favor in the future. Second rule, mind your gear. Being that the photo pit is often a narrow space where you're not going to have a lot of room to move around, you don't want to enter it with a big, bulky backpack, or cameras that are on really long straps where they're swinging all over the place. You want to be able to keep your gear as close to your body as possible, to shoot with the smallest footprint possible. You know, keeping camera straps is one way to do that. Moving and holding your cameras is another. Third point, the courtesy tap. Simply tapping someone on the shoulder, or on the middle of the back, if you need to get by them, will let them know, without being too disruptive, that you need to pass, as opposed to just barreling by, bumping their camera, getting in their shots. Just take a minute to assess your surroundings, know who's around you, tap them if you need to get by, and move when the timing is right. This relates to the second point, stash your backpack. When you have limited space, you don't want to be moving with a huge backpack in the pit. You should have all your camera gear on your person, as much as possible. If you need to use a sling or something, where you can have the camera bag in front of you, that's better, because obviously if you're shooting in this position, you're not taking up additional room front and back with your lens projecting in your front, and the backpack behind you. So simply stashing your backpack, getting all your lenses that you need out, is going to be ideal. If you need to stash your backpack off to the side of the stage and you can't carry everything you need to at the time, just make a trip to the side of the stage, change lenses if you want to, and then come back to the action. Shoot or get out of the way, this one is pretty self-explanatory. There's gonna be a limited time, limited space, get your shot, and if you're not shooting, if the spirit moves you to dance, if you just want to take in the show, it's your favorite artist, just move to the side, move to the back of the pit, if it's a festival and there's space. But don't stand in the prime spots, don't just stand there kind of looking at the band. Be there with a purpose, and if you're not shooting, move out of the way. Move with purpose. If you're moving, move conscientiously, move with respect, move politely so you're not hitting people, you're not getting in someone's way. Just overall be mindful, be respectful. Now, the use of hail mary's, or holding your camera above your head to get that shot. Let's say you're shooting with a wide angle lens, or a fisheye, or the stage is tall. Sure, sometimes we've all done that, you need to get a shot, you need to get above somebody, but it's really disrespectful to do that at the front of the photo pit, when you're getting in someone's way potentially, and certainly if your MO is to do this constantly, if you're not looking through the viewfinder at all, you might be doing something wrong. You might rethink the way you photograph a concert, and if you must do this, move to the back of the pit, to the side of the pit, so that if you're raising your camera above your head, you're not blocking someone's shot. Because I think any music photographer who's photographed shows knows how disruptive this can be, so it all goes back to that number one rule of being respectful, to your fellow photographers in this instance. And also to the fans, if you're constantly putting your camera up, you're blocking someone's view, whether it's a photographer's or fan's, so just try to do it as minimally as possible. Along the same lines, if shooting with a speed light on your camera, again, for the most part, three songs, no flash, you're not gonna be using flash in the photo pit unless you have special access. And even then, if you're a tour photographer, just take your flash off, because it's gonna add that six or eight inches of height above you, and it's gonna block someone's view, especially if you're a taller photographer. So, be mindful, be respectful, take your camera flash off if you're not using it, and stow it in your bag. And everyone else will thank you for it. This tip: when in doubt, wear black. Music photographers, kind of famously, or humorously, wear all black. And it just goes back to a notion of stage black, and this is if you've noticed at a concert, all the roadies, the guitar techs, the stage hands, they're wearing black, and that is to minimize and reduce their visibility for a show. You know, if you're working a show, you're part of the crew, you're part of the press, even if you're just a photographer, you want to be as discreet as possible, and wearing black is simply a way that can help accomplish that. It's not going to distract the artist, it's not distracting the fans if you're moving in front of 'em, and especially if you're a tour photographer, or have all access, you're not on stage wearing, you know, dayglow yellow or a white t-shirt and really standing out. You're gonna be discreet, you're gonna blend into the shadows, and just not be part of the show. So, wearing black, music photographers, just do it.

Class Description

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Learn how to price and license yourself as a music photographer
  • Work in even the darkest of venues
  • Capture variety with a band during a short set with limited space
  • Utilize speedlights within a performance
  • Work with performers to pose portraits that capture their music
  • Post-processing techniques to take your image to the next level

ABOUT TODD'S CLASS:

With the lights, energy and creativity behind each concert- it’s no wonder that music photography continues to be a dream career. In this course, created in partnership with Red Bull Photography, Todd Owyoung walks through how to get into the music photography business by working with bands, venues and albums. He talks through licensing and pricing your time and your images to publisist, venues, magazines and more. This course goes in the field with Todd and three different bands to walk through how to capture a variety of images in a small amount of time. He teaches how to set up and direct portraits with the band in green rooms and between sound checks. Todd explains how to make even the smallest and grungiest venue make a band look mainstream. This course will teach you composition, working with flash and natural light, directing the band and performers and things to never forget when photographing a live event.

WHO THIS CLASS IS FOR:

  • Music Photographers
  • Event Photographers
  • Beginners

ABOUT YOUR INSTRUCTOR:

Todd Owyoung is a music photographer with over a decade of experience specializing in music lifestyle, musician/celebrity portraits, and concert photography. If it rocks, he shoots it. Based in New York City.

He’s obsessed with nailing those rockstar moments, the images that fans love to see of their favorite bands. Whether the venue is a 200-capacity club or Madison Square Garden, shooting for a major brand or on tour, his images place you in the front row.

His clients range from bands and festivals to magazines, lifestyle brands and ad agencies. In 2012, Complex Magazine named him #3 in their list of the "Greatest Music Photographers Right Now".

He’s a Nikon Ambassador for Nikon Camera

Reviews

Alexandra U
 

I highly reccomend this class for any one who would like to get started or dip their toes in the concert photography scene. This class has many useful tips and trick for any level of photographer, not just beginners. I have been in the music scene for over 10 years and I was able to gather so much information in every chapter. Watching this video boosted up my confidence as a photographer because it validated that I am already succeeding in my concert career. Thank you for this amazing stream. It sparked my creative soul once again.

Kris Comer
 

Wow, this was awesome! I have been a concert photographer for almost 3 years now and I still learned some great tips! I loved that he covered different ideas for promo shots which is one of my weaknesses. Any beginner should definitely check out this course! It is straight and to the point with all of the most important steps.

Mark Balmer
 

This is a really great course! I would highly recommend it to anyone interested in this type of photography. It is presented in an easy to understand way. Todd gives clear and informative tips and shows how to set up lights, poses etc! I found it very helpful, and will definitely put what i've learned to work. Thanks, Mark