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Nikon Z7 & Z6 Fast Start

Lesson 2 of 15

Photo Basics

 

Nikon Z7 & Z6 Fast Start

Lesson 2 of 15

Photo Basics

 

Lesson Info

Photo Basics

Okay, this next section is Photo Basics. It's for anyone who's kind of new to interchangeable lens cameras, who just, you know, doesn't mind brushing up on some of those basics a little bit. This is a mirrorless camera, but we have interchangeable lenses like we've had on cameras for quite some time. In the lenses is an aperture that can vary the size of the opening, which is good for exposure reasons. You can let in more light or less light with the different F-stops that you choose. Each one of these F-stop settings is either gonna double or cut in half the amount of light that you let in. Beyond controlling the amount of light, it also controls your depth of field, or how much is going to be in focus in the field in front of you. So, 1.4 is gonna give you very shallow depth of field. Those red lines over on the right-hand side of the screen are showing you an indication of the front edge and the back edge of what is in focus. As we stop the aperture down, we get more and more depth ...

of field, until we get down to f/22, which is gonna be the maximum depth of field, at least on this lens. Some lenses will stop down beyond 22. It's gonna vary from lens to lens. Once light comes in through the lens, it needs to get to the sensor, but before it can get there it needs to get past the shutter. The shutter has two parts: a first and a second curtain. Now, with a mirrorless camera, in order for you to see and frame up your subject, these shutters need to be open so that light can get back to the sensor so you can see what's going on either on the LCD screen on the back of the camera, or through the electronic viewfinder with your eye, camera held up right up to your eye. What happens with the shutter is kind of interesting because with the mirrorless camera we start with it open, and then it needs to close so that the sensor can charge and be ready to capture an image. And then it opens, this is your exposure, and then the second shutter comes down. The sensor turns off, captures the image, and then the shutter opens again so that you can see and compose for the next shot. The shutter is important for controlling light, it's the primary thing, and then secondary, it also helps control how sharp or blurry moving subjects are going to be in the frame. So you would choose appropriate shutter speeds to what you're trying to do for a particular photograph. Those are the key elements in this mirrorless camera. Now, one of the most important things in any camera is the image sensor, and specifically the size of the image sensor is very important. This camera uses what is considered to be a large sensor. There are larger than this, but it's still, in the general sense of things, a pretty large one. It's based off of 35 millimeter film in size, and there are many other cameras out there that have smaller size sensor. This one is known as full frame 'cause it's the same size as 35, and as I say, there are many other cameras that do have smaller size sensors. In general, the larger the sensor, the better quality images that you will get from that camera. So, if you would like more information on cameras and photography, as I mentioned, I do have a couple of classes that you might wanna check out if you haven't seen them. The shorter one called The Photography Starter Kit for Beginners, it's about three, four hours or so, and gets you through all the most important basics very quickly and clearly. Then if you wanna dive in more deeply into all of the subjects and have lots of additional topics to go over, my full Fundamentals of Photography is a very in-depth class that will take you and explore all different aspects of photography. So, you might wanna check both of those out here at CreativeLive. Okay folks, it is time to get into the deep part about this class into the camera settings. We're gonna be going through a tour of the camera. We're gonna talk about all the buttons and dials, and everything you can see, and turn, and press on the camera itself. So let's talk about some of the basic controls that we're gonna be using for a little bit of everything. Obviously, turning the camera on is gonna help out going through this class. When you turn the camera off, the camera goes through an automatic sensor cleaning, and what it does here it tries to knock all the dust off the sensor. Any dust on the sensor will manifest itself as black spots. You'll notice it most like on a bright sky. It'll just be a black dot. At first it looks like a bird, but then you go in and you realize, "Oh, that's a round bird." That's probably a speck of dust, and I'll talk about cleaning the camera a little bit later on. That is something the camera will do on its own. The shutter release for taking photos, also for waking the camera up. The cameras, all cameras tend to like to go to sleep to conserve battery power, and just pressing halfway down on that shutter release will wake the camera up. The main control dials on the back, which is the main control dial, and on the front are called the sub command dial. I will probably forget these names throughout the class, and I'll just call it the back dial and the front dial. We're gonna be using those for changing shutter speeds, apertures, going through the menu system, and doing a whole host of different things on the camera. We do have a major control for switching between photo and video. We will talk more about this as we get into the class, and so if you wanna take still photos or you wanna shoot movies, very different modes 'cause the camera kinda remembers what you're doing in these two very distinctly different types of scenarios. The multi selector on the back of the camera is another name that I will probably forget, and it's the up, down, left, right control, usually used for navigating the menu system and selecting items in there. You can also use it for moving the focusing point around. The OK button is the confirmation button, so when you select a new feature that you wanna enable, you're probably gonna go up, down, left, and right, navigate to it, and then say, "OK," that, "Yes," this is the one that you wanna do. We do have a second controller, the sub-selector. It's primary duty is moving the focusing point, but you can also use it for doing other things in the camera as well, in some cases, so be aware of that. Finally, we have a touch screen, so this is something that you can use to focus, you can take photos, you can navigate the menu system, you can scroll through images and playback. It's a pretty responsive system that works quite well in most every single mode on the camera. If you don't like it because maybe your nose hits the screen when you're holding the camera, you can disable it so that it's not being used. Now, a quick word about some of the Nikon buttons, specifically the ISO and the exposure compensation button. On these buttons, the way they work is that you need to hold them down while you are turning the main command dial, the dial on the back of the camera. This is kind of a safety protocol so that you don't accidentally press the button and do something that you didn't intend to do, and so it's a two-finger affair in order to do this. If you do not like that two-finger affair, there is a way to get in and change it. If you go into the menu system, the custom setting menu, group f for controls, f6 to be exact, there is a feature called release button to use dial. In this case, what you do is you press down on the button, and then you release the button, and then you have pretty much as much time as you want to turn the dial and make that change. That way you only need one finger at a time. This little box that you see on screen here is something that you will see repeatedly throughout this class, and it's called a short cut. It's for those of you who are watching the class and you are wanting to go in and make that change right now. I'm gonna give you that short cut step so that you can go in and change your camera as we go through the class. If you just kinda wanna follow along and you don't wanna jump ahead, don't worry. We're gonna come back and we're gonna cover that particular feature when we get into the menu system, specifically the custom menu and the control section, we will talk again about this particular feature. The shutter release, obviously used for taking the photos, actually controls a number of other features as well. By pressing it halfway down, it wakes the camera up, if it's been sleeping. Also, if you are in the menu or you're in some other place in the camera and you're thinking, "I just wanna back outta this thing "and I wanna take a photo." Press halfway down on the shutter release and it automatically kicks you back to the start, you might say, and gets you out of whatever menu you might be in. It's also gonna start the metering system, and then when you press all the way down, obviously you're taking a photo. So, just be very familiar with that halfway position on the shutter release. One of the things that has become quite popular is something known as back-button autofocus. This is where you are pressing a button on the back of the camera to focus, and when you press the shutter release, the only thing it does is take a picture, probably turns on the metering system, but doesn't have focusing associated with the shutter release. Now, putting this camera into back-button autofocus is really, really simple. You simply go into custom setting menu a, a7 to be precise, and you turn off the AF activation that is associated with the shutter release. So when you press down on the shutter release, it will no longer activate the autofocus system. You'll have to use the AF on button on the back of the camera, and this can be a great way for just giving yourself a little bit more control over the camera so that you can specifically focus in one case and just take pictures in the other case, and not have the two combine. It's really nice when you wanna focus on a subject but you wanna move the camera around, and you don't wanna have to refocus every time you end up taking a photo. It's a feature that I use and I really like on my cameras, and so I encourage you to give it a try if you wanna have a little bit more control on the camera.

Class Description

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Easily navigate the controls, menus, modes, and settings on the Z6 and Z7
  • Shoot with confidence in full manual mode
  • Utilize advanced features like focus stacking
  • Use the 4k film options for incredible video performance
  • Adjust camera settings to shoot in challenging situations, such as low light
  • Master the autofocus system and different autofocus modes
  • Understand the camera's strengths and limitations
  • Choose the right lenses and accessories for the Z series cameras

ABOUT JOHN'S CLASS:

The Nikon Z6 and Z7 wrap several advanced features in a compact mirrorless system -- but as first generation full-frame cameras, there's no precedent to get a jump start on exactly where all those features are. Covering both the Nikon Z7 and Nikon Z6 with nearly identical control schemes, this Fast Start class quickly brings you up to speed on using Nikon's new full frame mirrorless cameras. These mirrorless digital cameras offer 4K UHD video recording, superb in-body image stabilization, and excellent low light capabilities. But the Nikon’s long list of features is just money wasted if you don’t actually know how to find them and put them to use.

Skip the floundering through menus and join photographer John Greengo exploring the camera’s many features, from customizing the camera to understanding subject-tracking focus. Locate the controls, find hidden features, and put the camera's advanced features to use, whether you are new to interchangeable lens cameras or have shot Nikon DSLRs for years.

This class is designed for photographers using either the Nikon Z7 or Nikon Z6, from those just pulling it out of the box to photographers that just haven’t found all the camera’s features yet. The class can also serve as an in-depth look if you’re not yet sure if the Nikon Z6 or Z7 is the best camera for you. The Nikon camera class covers the camera from the exterior controls to the menu.

What's packed in this Nikon camera Fast Start? Learn the vital information in less time than it takes to analyze the menu -- and have more fun doing it too.

WHO THIS CLASS IS FOR:

  • New Nikon Z6 or Z7 camera owners
  • Nikon DSLR shooters moving to the mirrorless system
  • Photographers considering buying the Z6 or Z7
  • Photographers, from beginners to advanced
  • Videographers and vloggers

ABOUT YOUR INSTRUCTOR:

With more than 50 classes exploring the features of interchangeable lens cameras across half a dozen brands, John Greengo is one of CreativeLive's top instructors. His class list includes Fast Starts for Canon, Nikon, Sony, Fujifilm, and Panasonic, as well as classes covering photography basics and beyond. Shooting his first Nikon in the 1980s, the award-winning photographer is intimately familiar with the ins and outs of different cameras and different camera brands. When he's not teaching, he's building on his three decades of experience as a travel and landscape photographer.

Lessons

  1. Class Introduction

    Get acquainted with Nikon's new full-frame mirrorless cameras. In the first lesson, see what's so different about the Z series, look at lenses and the FTZ adapter, and gain an overview of the class.

  2. Photo Basics

    In this lesson, John explains several basics for photographers picking up an interchangeable lens camera for the first time before diving into the controls on the Z6 and Z7. Quickly learn basics -- or gain a refresher -- on aperture, shutter speed, and image sensors. Then, get acquainted with the physical controls on the camera body.

  3. Exposure Control

    Dive into the different exposure modes on the Z6 and Z7. Locate where the essential exposure details are inside the electronic viewfinder or EVF. Learn to shoot in aperture priority, shutter priority and full manual mode, as well as digging into unique options like bulb.

  4. Camera Controls: Top Deck

    Continue the tour of the camera at the top. Find the ISO controls, including understanding the high ISO limits and turning auto ISO on and off. Dive into ISO performance and how the image quality stacks up between the Z6 and Z7 from the base ISOs and ISO 100 to high ISOs. Learn to adjust exposure compensation, record a video, and understand the top control panel.

  5. Camera Controls: Back Side Control

    At the back of the camera, explore the electronic viewfinder and tilting LCD screen with Live View, learn to read the different symbols, and customize the settings displayed on the EVF. Then, work with the physical controls at the rear of the camera.

  6. Camera Controls: Back Side Control Continued

    Continue exploring the back of the camera. Dive into the different options in the quick menu or "i" menu. Adjust colors and contrast with camera picture controls for JPEG images. Set the compression for shooting in RAW, link with Wi-Fi and SnapBridge, turn on continuous shooting with burst mode and more using the quick menu.

  7. Left Side & Right Side, Bottom and Front

    Move to the sides, front and bottom of the camera. Locate the different ports, XQD memory card slot, and other features. Dig into the different accessories for the camera, from microphones to battery grips, and learn the limitations of the EN-EL15b battery life and the differences between XQD cards and CFexpress. Finally, take a look at the full-frame sensors and the difference between the higher-resolution Z7 and the faster Z6.

  8. Lenses

    The Z series is compatible with F-mount lenses (and DX lenses cropped) using the FTZ adapter -- but the cameras also launched with its own new Z-mount lenses. Learn the controls that are located on the Nikkor Z lenses themselves instead of the camera and the new Z lenses available so far, like the Nikkor Z 24-70mm f/2.8 S and Nikkor Z 50mm f/1.8.

  9. Menu Functions: Image Quality

    Decipher the menu on the Z6 and Z7, starting with the playback and photo shooting menus. Customize your camera's playback displays, organize files, and choose the image quality such as 12-bit or 14-bit RAW. See real-world examples of what the different image quality settings look like.

  10. Menu Functions: Shooting Settings

    After setting the image quality, work through the different available shooting settings located in the menu system like white balance, flicker reduction, metering, flash controls, and other advanced controls.

  11. Menu Functions: Focus Settings

    Tackle focus stacking using the built-in focus shift shooting feature on the Z6 and Z7. Then, choose between the mechanical and silent shutter and learn the pros and cons of each.

  12. Menu Functions: Movie Settings

    Ready to capture video with the Z6 or Z7? Learn the ins and outs of the different video settings, from video quality to slow motion frame rates and white balance. Master the difference between AF-C and Full-Time Autofocus.

  13. Menu Functions: Set Up

    Inside the custom setting menu, the Z6 and Z7 allow you to customize the camera for your shooting style. Work through the different available options, beginning with the phase detection autofocus options.

  14. Menu Functions: Playback Menu

    Fine-tune the way the camera works with the setup menu. Pick up advanced tools like AF fine tune, recording N-Log with HDMI output external recording equipment and more, along with basics like setting the time stamp.

  15. Camera Operations

    Finish navigating the camera menu with a quick overview of the retouch menu with in-camera RAW processing. Then, make the most frequently used settings easy to find by building a custom My Menu. Finally, go through a pre-shoot checklist for prepping the camera and note suggested settings for different scenarios.

Reviews

Edward Luczak
 

I love all of John Greengo's classes. Now he is a Canon man but he gives the Nikons a fair review and his lessons on them are excellent. I have the Z6 and I picked up a several pointers I had not run across yet, so this course has paid for itself already. The only negative I have, and hopefully this is because the course was streaming, but the camera focus was off when the video was zoomed into the Z camera. John may need to give the creative live camera operators a lesson on focusing. Great informative course at an excellent price.

John Taylor
 

John does an excellent job of going over the Z6/7 cameras and this course is very good at helping to understand the different functions of the many options on these great cameras.

Dr James Williams
 

I used John Greengo's class to learn my Nikon D810 a couple of years ago. It seemed a no-brainer to purchase his class for the Z7. He did not disappoint. This is a perfect class for one with a new camera, or one who has had his camera for a while, but has only scratched the surface. There are SO MANY things to know about the Z7, and John addresses virtually all of them. I highly recommend any of John's classes, but I firmly believe any of his introductory camera specific classes to be a must to anyone moving into a new camera. He is an incredible instructor.