Portrait Photography Fundamentals

Lesson 10 of 61

Keys to Posing

 

Portrait Photography Fundamentals

Lesson 10 of 61

Keys to Posing

 

Lesson Info

Keys to Posing

So let's get on to some keys of posing a female. And so let me just give you some brief guidelines through this. And so the first one, what you're doing is when you're trying to pose, is you are maximizing a person's beauty, right? Beauty sells. Now, a lot of people ask me, "How did you earn "$10,000 plus for weddings?" Well, it was simple. The more glamorous I made the bride look, the more money I got paid. And once I started doing that, it's like more and more money came. So I know for a fact that that technique works. You make people beautiful, the more money you're gonna make. It's plain and simple, and that's what posing does, is it maximizes a person's beauty. Every great pose starts with a realistic and organic emotion. So, you always hear about, ooh, what's the story of the photo? Well, when it comes to a portrait, a lot of times the emotion, that is the kernel of a story. Because without emotion there is no story. But if you wanna have the very essence of a story, it's actuall...

y the emotion there. And so you have to... They have to look natural, it has to look organic in front of the camera and so you need to break those walls down. If there's some trepidation there by the subject, or they feel uncomfortable or whatever, you have to make sure that they look comfortable. And that's really important. Okay, posing is both technical and emotional. I didn't realize this until five years into my career. 'Cause guess what? I was a math major. Ooh, surprise, right? And so what is math? Formulas, right? I would always... So I'm approaching it, okay, turn the hip here, pop the hip, look over there, where's the light, this way. I was so robotic in my thinking. I thought it was just a technical thing. But once I started to realize that the pose first starts with an emotion, and then the way you pose it's actually... That's the technical that wraps around the emotion. So, for example, if I said, "Oh, pretend you're a princess." I know that's weird but, just for posing sake, right. Oh, okay. I'm a princess. It's the feeling. And then the pose wrapping around the feeling, that's really gonna give you some juice there. And so remember, it's just not technical, but it's the emotion first and then how do I maximize that emotion and make this person look beautiful. Okay, must get subjects to buy into your story or your emotion or whatever. They have to buy into what you're trying to do in your vision. And if they're not buying into you, you're gonna get this confused look on their face. They're not gonna be into it and they're not gonna give you essence of that shot. You might have everything technically right, the lighting, the composition, and everything, but they have to buy into you. Both have to buy into what you're doing and a lot of that is confidence with you. If you're not sure about what you're doing, then it's gonna rub off on your subject, and you're not gonna get it. So you have to really... They have to buy into you and that means going out and fake it until you make it. Even if you don't feel confident, pretend you are. And that's gonna go a long ways to getting you the imagery that you want to do. Failure to pose correctly produces inconsistency. And we know that. Sometimes when we're with a model and... Like Elena, she's awesome right? Shoot, I'm on fire, man! Oh shoot, I can't go wrong! And then you get another subject and let's say they're not great at posing and you're struggling and you just feel like the whole session you're not getting into that groove. You been there? And then you're results are gonna be up and down. And you can't build a business without having consistency. That is huge. You've got to be consistent. And so you gotta learn how to pose. Okay, create a positive environment. That is so important. And I think that's actually, besides everything, I think that's one of my assets. I might not be the tallest person and get great angles by shooting down 'cause I'm tall, or whatever, but I do have a positive energy about me. And so we have to look at ourselves that way. Yeah, we do have some negatives, but we have positives too. And go with what positives you have and mine is definitely an energetic personality and I use that to my advantage. And so that is so huge. And I'm gonna tell you right now, that is really... If the one thing that I've had success in my career is just literally the energy level that I bring to a situation. That's gonna take you somewhere. And so when you come with that positive energy with your subjects, your subjects are gonna come alive for you. They're gonna smile. They're gonna work for you harder and that's so necessary.

Class Description

Want to be able to go into any situation with your camera and have the confidence to know you’ll get the shot? Award-Winning photographer Scott Robert Lim goes in-depth on the four foundational elements you must conquer if you want to develop your creativity and style.

Scott will give you the guidelines you need to master:

  • Lighting
  • Posing
  • Composition
  • Post-Processing

Once you master these fundamentals of portraits, you free up your mind to get creative and ultimately get the shot.

Lessons

  1. Class Introduction
  2. 5 Shots That WOW
  3. Four Fundamentals of Photography
  4. Create a Visual Impact with Composition
  5. Importance of Foreground and Background
  6. Create Depth in Landscape Images
  7. Photos Don't Always Follow the Rules
  8. Composition Practice Exercise
  9. Composition Critique of Student Images
  10. Keys to Posing
  11. Shoot: Classic Elegance Female Pose
  12. Shoot: Modern Female Pose
  13. Shoot: Rollover Female Pose
  14. Female Hands & Arms Poses Overview
  15. Shoot: Hands and Arms Poses for Female
  16. Seven Posing Guidelines
  17. Headshots Poses with Male Model
  18. Shoot: Headshot for Male Model
  19. Shoot: Sitting Poses for Male Model
  20. Shoot: Leaning Poses for Male Model
  21. Shoot: Standing Poses for Male Model
  22. Keys to Couples Posing
  23. Shoot: Couples Posing
  24. Couples Transitional Posing Overview
  25. Shoot: Transitional Posing
  26. Keys to Group Posing
  27. Accordion Technique with Groups
  28. Shoot: Accordion Technique
  29. Shoot: Best Buds Pose
  30. Shoot: Talk with Your Hands Pose
  31. Shoot: Lock Arms and Hold Hands Pose
  32. Run at the Camera and Dance in Your Seat Poses
  33. Shoot: Pod Method Pose
  34. Posing Critique of Student Images
  35. Introduction to Lighting
  36. Soft vs Hard Light
  37. Difficult Lighting Situations
  38. Bright Light Techniques
  39. Overcast Light Techniques
  40. Low Light Techniques
  41. Lighting Techniques Q&A
  42. Drama Queen Lighting
  43. Laundry Basket Lighting
  44. Make it Rain Lighting
  45. Smart Phone Painting with Light
  46. Mini LED Bokeh Lighting
  47. Choose the Right Lighting System
  48. Hybrid Flash System
  49. Innovative Accessories
  50. Gear Overview
  51. Theatrical Post-Processing
  52. Ten Keys to Post-Processing
  53. Essential Skills to Post-Processing
  54. Headshot Post-Processing
  55. Bright Light Post-Processing
  56. Flat Light Post-Processing
  57. Low Light Post-Processing
  58. Introduction to Fine Art Post-Processing
  59. Light & Airy Fine Art Post-Processing
  60. Dark & Moody Fine Art Post-Processing
  61. Post-Processing Critique of Student Images

Reviews

Vitor Rademaker
 

This course is amazing! Scott is extremely straightforward. He goes directly to practical problems, tips and etc. He explains every thing very clearly, and he is also very funny and charismatic, making you laugh as you learn. He shows that you don't need a lot of expensive gear to make very nice pictures. So I have saved some money as well, cause I was about to buy some gear that I wouldn't need right now. It is for sure one of the best photography courses I have ever attended to! I highly recommend! Thanks a lot Scott! You are the best!

user-9994d2
 

I have purchased a number of classes, this being one of them. The quality of the information was good and the level at which Scott spoke was appropriate for me. Having a course sylibus would add greatly to the value, which usually is not part of the programs I've purchased including this one, unless I've missed it. I believe the speaker should be required to provide one. After watching the videos, much of material can be recaptured by seeing it in writing. I would like to hear back from Creativelive their thoughts. In sum, good topic, good speaker, good technical audio and video quality by Creativelive

user-b48fe5
 

Another fantastic class with Scott Robert Lim! The combination of his knowledge, willingness to share, passion & entertaining personality makes him a top choice for photography education. Learning not only the "what", but the "why" & "how" can transform one's entire approach towards MAKING pictures. A constant inspiration to get better & better through practice.