So let's launch kind of right into the sensor and what Canon Log, you know, is. Canon Log is one of the profiles that exist in the C100 or the C300 or the C500, which are all part of Canon's Cinema line, and it's a profile that is, through your eyepiece is actually incredibly flat. It's a very scary thing to shoot with at first, because I came from the 5D, which has a lotta contrast, which has a very kind of punchy, great feel, especially in low light. I always think of it almost as like the way card counting works, the way people do this in Vegas, is that a card counter doesn't sit there and actually memorize every single card that comes through. It's that a card counter, when they're good at it, just kind of comes up with a system, and they say from seven down is a low card and from, you know, eight up is a high card, and every time they see a card, they're just kind of assigning it to one of two categories. That 5D sensor in some ways is kind of like that, which is that when it sees...
low light, but it sees a little bit of highlight, it starts kind of separating things out. It says this is low, so I'm gonna make this kind of blocky and dark, and this is a little bit of a highlight. I'm gonna give that to the highlight section. And that's what kind of creates that look that has a lot of contrast, but also allows you to see in low light by really kind of separating out the dark from the light, and so you can see these lines and these types of shapes in low light, but there's not necessarily a ton of information there. What the Canon Log profile does is it basically takes everything and gives it this very flat profile. It keeps everything right in that kind of medium section. So instead of saying seven, you're basically considered a one, I'm gonna assign you to something low, and eight, you're basically up there at the kings, it kind of keeps a lot of the information right in that middle category. And what that means later is that you can kind of really start, just like any kind of curve, when you've got a lot of information in your histogram, that's when you have a lot of flexibility later on. What it means when you're looking at it, when you're shooting with it, is that it looks really, really flat, and so at first, when you're used to a certain kind of punchier look of some of the DSLRs, it can be a little intimidating, 'cause you're like, oh God, everything all of a sudden just looks kind of washed out. The colors don't look strong. But it means that while it's recording, it's doing this flat profile so that later on you'll have a lot of flexibility.
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Jessica has traveled the world in the pursuit of powerful stories. Her work has been published in publications like the New Yorker and Time, and has been exhibited in galleries around the globe. Her skill with a camera allowed her to pivot into videography, where she created music videos, short projects and feature films. Becoming a filmmaker as well as a photographer opened up a new form of media for her stories - and doubled her day rate. Draw in new clientele and start expressing your creativity in new ways!
- How to storyboard to create a strong narrative
- How to properly capture sound and voiceover while on a shoot
- How to shoot for an editor and to think with the edit in mind