Lesson Info
13. 10 Wrap-Up
Lessons
10 Pre-Show
10:06 2Why Panoramas are Awesome Part 1
41:37 3Why Panoramas are Awesome Part 2
29:33 4"Rules" Of Panoramic Photography
38:39 5iPhone Demo: Panorama and HDR Apps
36:30 6Digital Darkroom: Starting on Panoramas
21:52 7Digial Darkroom: Enhancing Images
40:11 8Digital Darkroom: Stitching a Panorama
17:35Lesson Info
10 Wrap-Up
Thank you so much. Welcome. Thank you. Thank you for three. Thank you for three wonderful days. You started off off day before yesterday, digging into that that backbone of creativity outlining the class on. Been the last couple of days. Of course, Infrared. Fantastic Panorama is so good. I want to hit you up for one last thing before we start rolling out July 31st. Hdr um HDR high dynamic range imagery means different things to different people. It could mean over the top super process, you know, grungy, almost illustrative look to it. Or can simply be extending the dynamic range oven image. So what the human eye perceives that the stops of range that we can see because we're constantly changing as we look around the world is not what the camera can see. We have a limited number of stops in a single image. So what we're gonna be doing is focusing on two ways of extending that dynamic range one by shooting a series of bracket. It sets of shots to create literally trillions of potential...
tones that we're gonna be able to map inside of something like model became a raw to pull out the detail that we want. In that case, it can be a subtle as just pulling out of you. That doesn't look, you know, it doesn't scream hdr The flip side of that is this idea of of tone, mapping and image. So we actually are. We're doing an expressive interpretation of the scene based upon our manipulation of the tone, which is another whole angle of HDR photography, which I like as well, which oftentimes we could do with a single shot. So whether we're doing it to do the beautiful, luscious, you know, delectable, perfect landscape to get the best dynamic range, whether in color or black and white. That's a really nice thing about HDR. Photography is when you put it into the area of black and white. Because we are. We're doing an interpretation of the scene. Any time you see a black and white, you know it's an entire on artistic interpretation of the scene. You can get away with a lot more tonal manipulation again, even things like Ansel Adams. What he would do in the sense was exaggerating that dynamic range of the scene because of all the magic he could do in the dark room, so we'll be doing it from Settle to extreme, and I think it's gonna be a kick in the pants. It's It's a lot better than it's been in the past. We would use a lot of specialized software. Now it's gonna be done a lot, a lot simpler, but giving us a lot of time with the tools, trips, tips and techniques of a CR light room that we have at our disposal. Great. And folks, thank you. We'll see you next time here on Creativelive. That's a wrap for now.
Class Materials
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