Nikon® Wide Angle Lenses


Nikon® Lenses: The Complete Guide


Lesson Info

Nikon® Wide Angle Lenses

Let's dive into the world of wide angle so there's a number of different lenses dedicated to shooting wide angle both full frame and with the crop frame sensors. So for the dx or cropped frame users we have two choices the ten to twenty four and twelve to twenty four which in my opinion are a little too similar for some people to make a logical choice between the two of them. The twelve to twenty four is a little bit older and I am attracted to that because it's an f four constant aperture I do like that the newer ten to twenty four well it's, much newer technology and I always like that does it on average it tends to be a little bit better, but they are pretty similar in price, so ten to twenty four three five to four five it's a relatively lightweight lands if you want to shoot landscape photography travel photography for the uh, deac shooter this is probably going to be top on your list as far as what you want to look at and so nice compact lands gets into that really ultra white te...

rritory. This is as why the lands as you can get with nikon when it comes to dx lenses. If you do a lot of manual exposure, you might appreciate the constant f four aperture in this it's not quite as wide at twelve twelve multiply that out. Gets us up to eighteen. That it's still in ultra white territory. So it's not quite as wide, but the aperture on it could be a little bit more convenient for people using manual exposure. Good quality, land's, nice range. A little bit weak optically in certain areas, I think the ten to twenty four, maybe optically, a little bit better, partially just because it's newer technology. So with small little tradeoffs and the twelve to twenty four. Because of that constant, therefore aperture apathy is what is going to make that one cost a little bit more money. Let's, move into the category of full frame. And here this is one of the advantages of full frame is that you get mohr choices on lenses, especially when it comes to a wide angle. Be true when it comes to the primes are next section here, but here we have an interesting collection of lenses that should be, in my opinion, pretty easy for you to pick one it's very seldom, that someone's going to be kind of wavering, back and forth between one or the other partially because there is a huge price difference in some of these lenses. First lands is the eighteen to thirty five, and I think this is just a wonderful little lens for somebody who has a full frame camera that wants to do landscape photography gets you nice wide angle and you're not really shooting wide open when you're doing landscape photography maybe even architectural photography you're not gonna be shooting wide open here you're going to be stopping it down to eight eleven sixteen and so forth so that wide aperture doesn't really matter to you it's a very lightweight lands we had it have one over here and it's just look this is it's under one pound in weight and one pound is kind of a break point for me where it is that's a very lightweight lens if it's less than one pound and I think this is very good sharpest for the price and so I think this is a really good value lands for a lot of people out there well hello old friend seventeen to thirty five this has been ah lend suspended has not really been around that long but it feels like it's been around longer than this seventeen to thirty five is kind of part of the three big dragons until it kind of got replaced by one that will talk about in just a moment this would be very good for news photographer who wants to shoot wide angle and wants that two point eight aperture I do like it for a lot of different types of photography because we can still add filters onto it and we're not gonna be able to do that in a moment on some of the wider lenses, and so you would get this lands if you really need the two point eight aperture if you want to be able to put filters on it if you want to reach up to that thirty five millimeter range so street photography around thirty five twenty eight is very popular, and so a travel lens might be very good as well in this category, no vibration reduction we didn't have vibration reduction on the previous eighteen to thirty five, either one of my favorite new lenses that nikon has introduced is sixteen to thirty five. This works great for travel photography because you may not have your tripod with you, but you want to shoot this wide angle shot of this beautiful mosque and big open square, but you've got to be hand held because you don't have a tripod with you here we have vibration reduction in a wide angle lens for the first time from nikon, and so if you want to shoot wide angle, you don't want to use a tripod, and I do highly recommend using a tripod, but I know there's certain cases where you're not allowed or where you just don't have it with you this allows you to shoot hand held at very slow shutter speeds, so sixteen to thirty five very valuable range and this is because it's part of the air force aries they call it the three little dragons and so there'll be a number of f four lenses that fit in here now, to be honest with you, this is a bit big and bulky for what it iss for thirty five millimeter f four lens it's very big and bulky compared to some of the other thirty five millimeter lenses, but it is a collection of lenses in there and so bit of a trade off, but I think it's a very nice lands for landscape architecture, travel, photography and then we get to the legend the legend in its own time the fourteen to twenty four millimeter lands man when this one hit the streets, people just went nuts, especially after they saw the testing on this because this is one of those things where is like, ok don't don't tase me in theory, that sounds great, but how good is it? And in reality it might just be the sharpest wide angle lens ever made. Zoom or not, it has been phenomenal in fact, people who use other brands that rhyme with cannon there's, different spellings that have adapted this lands to work on their cameras because it was better than anything in their stable of lenses for wide angle now the downside to this is, of course, that you cannot add filters to this so you can't add polarizing filters, you can't do indie filters, at least you couldn't when it first came out, and so some of the aftermarket manufacturers developed very large filters. So if you want to filter this it's not that you can't, but it is very challenging to add filters to this because the filters are very large, they're very expensive. The holders get to be very large and cumbersome and awkward. And so if you found that you really like to use filters, I would say, just back off to the sixteen to thirty five f or now, unless you need the two point eight aperture. And so the two pony an aperture is interesting, because why do you need two point eight fourteen? Because typically you're not shooting sports and action at fourteen millimetres it's occasionally nice for that wedding photographer who wants to capture everybody dancing on the dance floor at the same time. It's also very popular with people doing star shot photography nighttime astro photography so you're trying to shoot a bit of the landscape and as much as the sky as possible. You need that two point eight aperture because it's really dark and you're trying to let in light so that the stars are moving in the sky. Using the right shutter speeds. And this is a key lynn's, fantastic best on the market for doing that sort of thing. But it is a two point, two chunk of weight. It's, very front heavy and walking around town with that hanging off your hand is going to cost some risk pain by the end of the day. And so it's it's a big chunk, but it's unique. There is nobody else that makes a fourteen to twenty four two point eight. And so it sits in a unique position in the photography world, and so the whitest of their zooms, the one with image stabilization, the one that has a faster aperture and you can use filters on and the one that's kind of reasonably priced and does a lot of those things all in one. And so you can see that you're going to pay a premium for that extreme range and fast aperture and it's. A lot of that fast aperture glass is what you're paying for in that case.

Class Description

The world of interchangeable lenses can be both exciting and confusing to all levels of photographers. Nikon® Lenses: The Complete Guide with John Greengo will help you choose the right lens and get the most out of all of your lens investments.

John Greengo is the master of making complex photography concepts easy to understand and in this class, he’ll bring all of your Nikon® DSLR lens options and operations into focus. You’ll learn about:

  • Focal length and aperture
  • Nikon® zoom lenses
  • Which lens accessories to buy
  • Third-party lenses
  • Maintaining a lens system
John will cover the full range of Nikon® lenses, from ultra-wide to super-telephoto, zooms to primes, fisheye to tilt-shift. You’ll learn how to match the lens to your needs and get insights on the best ways to use it.

Whether you are looking to buy a new lens or just want to get the most out of what you already have, John Greengo will help you to become a master of the Nikon® lens.


1Nikon® Lens Class Introduction
2Nikon® Lens Basics
3Focal Length: Angle of View
4Focal Length: Normal Lenses
5Focal Length: Wide Angle Lenses
6Focal Length: Telephoto Lens
7Focal Length Rule of Thumb
8Aperture Basics
9Equivalent Aperture
10Depth of Field
11Maximum Sharpness
13Hyper Focal Distance
14Nikon® Mount Systems
15Nikon® Cine Lenses
16Nikon® Lens Design
17Focusing and Autofocus with Nikon® Lenses
18Nikon® Lens Vibration Reduction
19Image Quality
20Aperture Control and General Info
21Nikon® Standard Zoom Lenses
22Nikon® Super Zoom Lenses
23Nikon® Wide Angle Lenses
24Nikon® Telephoto Zoom Lenses
253rd Party Zooms Overview
263rd Party Zooms: Sigma
273rd Party Zooms: Tamron
283rd Party Zooms: Tokina
1Nikon® Prime Lens: Normal
2Nikon® Prime Lens: Wide Angle
3Nikon® Prime Lens: Ultra-Wide
4Nikon® Prime Lens: Short Telephoto
5Nikon® Prime Lens: Medium Telephoto
6Nikon® Prime Lens: Super Telephoto
73rd Party Primes: Sigma
83rd Party Primes: Zeiss
93rd Party Primes: Samyang
10Lens Accessories: Filters
11Lens Accessories: Lens Hood
12Lens Accessories: Tripod Mount
13Lens Accessories: Extension Tubes
14Lens Accessories: Teleconverters
15Macro Photography
16Nikon® Micro Lens Selection
17Fisheye Lenses
18Tilt Shift Photography Overview
19Tilt Shift Lenses
20Building a Nikon® System
21Making a Choice: Nikon® Portrait Lenses
22Making a Choice: Nikon® Sport Lenses
23Making a Choice: Nikon® Landscape Lenses
24Nikon® Lens Systems
25Lens Maintenance
26Buying and Selling Lenses
27Final Q&A
28What's in the Frame