I am so excited about this class. This is probably for me one of the largest changes in Photoshop or most important changes for me that has happened in a really, really long time. And Photoshop's had some upgrades and it's gone along, but now with brushes and the way they've organized the brushes, it is so much more approachable and easy to achieve painterly effects. And I have to say, I think I've got a little bit of this, like I always wanted to be a painter, and I was never really a good renderer. You know what I mean? I just wasn't good at drawing, I wanted to be. I went to school for illustration for a while and they went, yeah, you know what? How about the photo department? And I ended up going to photography. And retouching has always been kind of a combination of those two, but I've never really been able to paint. And what's happened in brushes now is they have mastered the brushes and encapsulated it in such a way that someone like me who can't render very well, can actually ...
really get in there and paint. And I mean, paint some really cool stuff. And in addition to that, the organization is exquisite. Now, what we're gonna look at, we're gonna look at a bunch of different styles. I'm hoping to show you a bunch of different effects and looks you can do with brushes, so you can find your own style. I'm not trying to impart a technique on you, other than, hey look, if you do this, you can try that. Look, this looks like this. And much like many of the other courses here, I'm gonna severely suggest, I mean, strongly, strongly, strongly suggest that you all practice off jobs. Find some samples of work. Go to the museums. Go to the museum websites. Find some paintings, find some images that you wanna emulate and practice. Because what happens when you emulate work and you try to actually follow a roadmap, you actually can get to a technique. So for example, using a brush as a mask, which is something we're gonna go through, if you try to emulate that, you will learn more doing that than oh, I'm just playing and ooh, I have a happy accident, and I've discovered something, because that happy accident might be cool, but do you remember how you got there? And can you reproduce it? In this way, if you're actually emulating some art work or a style, so for example, that kind of watercolor look down there, if you try to emulate it, you're gonna try different brushes actually looking for a result which will have you understand the brushes a lot better. So I'm hoping y'all will join us on that. There's a huge handout on this. It's 90 pages, something like that. The companion hand-yen, it'll go along with this. It'll have a lot of data and a lot of pictures to help you along the way. But this is the kind of thing I'm talking about. Can you take an image and make it a watercolor? And this takes minutes now, I mean minutes, which is both frightening and fantastic all at the same time. So I hope you'll enjoy the process. We're gonna start with some kinda technical stuff, management, looking at what the new system is. It's a little dry at the beginning in that sense. And then we'll get into actual painting, but we kinda all have to get on the same page.