Small Details with Brushes
Now we're gonna talk about some adding small details. And this is an ambient brush. I'm in love. I'm in love with this brush so much I can hardly tell you because there's something about the flow of it that is so beautiful. And it's called the dust brush, but you can use it for clouds, you can use it for white, for environmental, if you're trying to get some atmosphere in a room. And I just wanna demo it real quick. Here is, on the canvas here, what you're gonna see is I showed you what the dust brush looks like. I'm gonna go ahead and delete that. And what I have here is a little image. It's just a boy with some color correction, some blurring going on. And then I started painting dust over the top. And some color correction. I'd like to show you how the dust brush works. So what I'm gonna do is just delete the dust that is there in the picture. And I'm gonna go to my brushes. My favorite dust brush, by Lisa Carney. It's gonna be a children's book. (audience laughing) Totally kidding.
And whatever color you choose to use, I'm gonna use white. I'm gonna do it in the dark, just so you guys can see it on the screen. Now, I know you guys can't see anything. Do you wanna know why? It is the most beautiful, subtle brush. And it allows you to start building it up. It's a little small for this document, so here's what I'm gonna do. I'm gonna make it a little larger, just so you can see it. I am barely touching, the percentage is 70 to 10. The beauty of this brush makes this a really crappy demo and you're just gonna have to hear me out. What's beautiful about this brush is how gentle and how subtly it layers in dust. 'Cause you know people put atmosphere in files, you go, I know you've seen it on those Photoshop fail, where it's just blobby. This is subtle, you paint it in, it's so pretty. I think it's pretty. You know why it's pretty? I'm gonna tell the truth. True confessions of Lisa Carney. There are some retouchers out there who many of you probably know, who have such a beautiful, gentle hand when they paint. They're subtle, they can push gently. I'm not, I am a freight train, I'm a bull in a china shop. I am (growling), full, full, always. And I'm, I know that's shocking you, here in the room. I know that. (audience laughing) I'm gonna put that flow up to 100%, just so you can see this. What happens with this brush is it--
Make it white.
Oh, sorry, thank you. What happens with this brush, is this kinda controls me. See, that's how I brush. I brush (explosive breath). Let's run for the walls. This brush will bring me in and say, girl, you need to relax. I'm gonna make it big, just so you can see it. I'm gonna keep it white. See, I'm pushin'. I'm pushin', it ain't coming. Okay, here it comes. And for some of us, it might be helpful to have a system that slows you down a little bit. Cool! Well, I hope you find that, it's just a tiny little brush, but before I wrap this up, I just want to say what you can use this for. So you can add it to add atmosphere on top of an image. If you have a road scene and you're trying to make it look misty, a river, a lake, and you're trying to add mist on top of that, this is perfect for that.