Action Sport Photography with Red Bull Photographer Corey Rich

 

Action Sport Photography with Red Bull Photographer Corey Rich

 

Lesson Info

Building a Rapport with the Athlete: BMX Rider

And I can tell you this, straight away we're starting with natural light and as I look at the window light pouring in you know, I'm seeing it come and go but as a photographer I can't help but look at this light and think I want to figure out what Corey can do in these rectangles of light because it's really, really cool looking. Hey Corey when you're ready maybe roll over and we'll introduce you to Cameron. Figure out what we're doing. It's very rare that I get to work with another Corey. Hey man thanks for coming out yeah it's really a treat. So Corey I was just explaining to everyone that's watching online that this is not my wheelhouse. I'm not a guy, you know years ago I did one multi day BMX shoot for Sport Illustrated and it was with one of the greats in the BMX world, Dave Mira who sadly is- Oh God, yeah a legend. Who is no longer with us. Rest in peace. But I learned a ton on that shoot. I mean I watched him, I sort of went in totally naive and he sort of educated me a...

nd schooled me on what's possible and what's cool and but it's been a few years and now I'm gonna rely on you to kind of explain the same thing. Hopefully you don't have the same expectation levels. Aw come on, give me a break. Maybe one thing you can explain is and I'm sort of doing this dialogue one because I need to know but two I think it's important for anyone that's watching. You know all ideally Corey and I would have met up yesterday and had coffee or drinks or dinner and we would have actually sat and talked for a few hours where I get to understand who he is, he understands who I am and what we're trying to accomplish. And part of that is just it's just the comfort of the more time you spend with anyone the more comfortable you both become. Absolutely and that's totally true because you spend time with your photographers you know, throughout my career I've gotten a lot more comfortable with certain people that go on certain trips versus a new photographer coming on a trip and you're like, a little eerie about shooting something versus like I know this guy's gonna get it. I'm zoned in, I'm confident you know? And I think you make a really great point. In my world you know, turns out many of the athletes I've grown up with we've become best of friends and we've traveled the globe together repeatedly and it's that mutual comfort. You know as a photographer your responsibility is you better bring back the goods. Bring back the pictures or it doesn't matter how nice you are but if you can bring back the goods and the athlete likes you and there's a relationship it's sort of the winning combination. It's sort of you want to work with the people that you enjoy. Guarantee to get more work. For sure. Yeah partnership. So tell me, give me the top level view. You specialize in BMX street which means? Correct. I guess like technically that's what I'm labeled as as like a professional street rider. I grew up riding a lot of ramp stuff. Mostly smaller things like this and transferred into all street kind of thing roughly like eight years ago. That's just been my niche since then. I have a passion for filming so when I go out with friends and teams generally just collect footage and work on video projects and then we have a photographer along the way as well to capture the moments and behind the scenes and portraits and things like that. So normally I don't ride stuff like this but I enjoy riding it. Got it. You're sort of the normal days you're out in an urban environment and you're looking for cool features, man made features or natural features combined with man made features and figuring out what you can do, what's possible. Yeah like you know, what's possible. Correct. So for me, it's like I'm a street rider so I generally look for specific setups with handrails, stairs, wall rides, if you go to Europe a lot times you look at the architect there they just build things completely different. A lot of transitions. So I don't ride tranny that much to whatever compete and all that but I do enjoy riding a nice transition setup if you find one particular for you that you can be creative with. That's kind of what I do. I like to do that stuff but just rails, ledges I have fun on all that stuff even more urban street stuff. Cool. That's great.

Class Description


Being an action sports photographer is about more than getting freeze frames of famous athletes. It’s about documenting the experience of people for whom the line between passion and work is blurred. At his or her best, the action photographer tells compelling stories that show us at our most daring, fearless, and adventurous.

Corey Rich is one of the world's leading outdoor adventure and action sports photographers, adept at distilling the essence of extreme action sports and adventure travel and lifestyle.  In addition to documenting extreme sports for Red Bull, Corey has worked for many of the biggest brands in the world.  This is your opportunity to follow Corey as he prepares for a shoot on location, and learn how he evokes powerful brand stories like those he has made for Red Bull. 


Join us for this live class, and you will learn:

  • How to work with a client, and shoot with their brand in mind
  • How to prepare yourself and your gear for a shoot in an extreme environment
  • How to take photos of extreme sports pros, and work with variable light conditions

This class will stream live from the location of the shoot in Lake Tahoe. Corey will be shooting Red Bull athletes as they perform at Ski Mountain Terrain Park and at a nearby BMX park. There will also be a live session from a Tahoe cabin to discuss photo theory and Corey’s experience of building his photo practice and working for Red Bull. 

Lessons

1Class Introduction
2What Makes A Great Action Photo
3Conceptualize the Shoot
4Research Location / Wardrobe / Props for Action Shoot
5Safety Tips for Action Photographers
6What Gear Do I Need? Packing and Prep
7Workflow and Asset Management
8Ingesting and Organizing Files
9Editing Down Your Selects
10Post Processing Overview
11Working with Clients to Select Finals
12Retouching & Post Processing: Image 1
13Retouching & Post Processing: Image 2
14Retouching & Post Processing: Image 3
15Final Client Delivery
16Introduction to Snow Athletes
17Setting up the Shot: Using Natural Light
18Getting that First Action Shot: Snow Park
19Scouting Location for Action Shot: Snow Park
20Capturing Variation of Snow Park Action Shot
21Refining the Snow Park Action Shot
22Action Shot with Strobes Overview
23Shoot: Action Shot with Strobes
24How to Light Using Strobes
25Action Shoot: Snow Park with Strobes
26Refining the Snow Park Action Shoot: Using Strobes
27Capturing Variation with Snow Park Athletes
28Capturing Portraits: Snowboarder
29Capturing Portrait: Skier
30Shoot: Feature Jump Action Shot Afternoon Natural Light
31Introduction to Today's Shoot
32Building a Rapport with the Athlete: BMX Rider
33Scouting Location for Action Shot: Indoor BMX Park & Natural Light
34Getting the First Action Shot: BMX
35Conceptualizing the Action Shot: BMX
36Prepping Gear & Refining the Action Shot: BMX
37Action Shoot: BMX Athlete with Natural Light
38Setting up Remote Cameras
39Capturing BMX Action Shots: Remote Cameras
40Conceptualizing the Shot: Using Strobes in Indoor BMX Park
41Lighting with Strobes: Indoor BMX Park
42Action Shoot: BMX Athlete with Strobes
43Capturing Variations of BMX Athlete
44Shoot High Angle Action Shot: BMX Rider
45Directing an Athlete Portrait: Indoors
46Lighting a Portrait: Indoor BMX Athlete
47Portrait Demo: Indoors BMX Athlete
48Portrait Demo: Adding Atmosphere
49Transmitting Live from the Field
50Panel Q&A