Travel Photography: Creative Storytelling

Lesson 3 of 9

Location Assessment

 

Travel Photography: Creative Storytelling

Lesson 3 of 9

Location Assessment

 

Lesson Info

Location Assessment

So when you first enter a place, you want to keep your eyes wide open, take it all in, enjoy the sounds of the dishes, and try to figure out what it is that you're actually going to try and shoot. You want to shoot a wide shot, you don't just wanna have details of food, or portraits, or the chef cooking, but you wanna make sure that you actually show the whole interior of a place too. Because the purpose is to work your way wide from the outside to the inside, and then work your way closer into the details as you go. So I'm gonna walk through, and as I'm walking through, I'm also paying attention to the small things that might give it a sense of character, looking at the lights, and the way the silverware is lined up, the way the booths are lined up. And I'll probably shoot as I go. At ISO 800, I'm in a hand hold. And just slowly walk through the scene, take pictures, try to figure out what might work, and what might help an editor when they're trying to get a final layout. So it's a p...

retty cool place, it has great atmosphere, a lot of lot of natural light, which works nice, and you're able to really get a sense of it. The only thing I would probably do differently when shooting on assignment for a magazine is to actually have some people in here, have them different booths, different places. And again it's very important to have a conversation with people, such as the manager or staff at the time to ask, "Can I come in, can I take a few shots?" But generally speaking, if you're shooting on assignment, you really wanna try to get that extra press for people and their restaurant, and most people will be glad to have you in there. But not everybody always likes a fork up to their mouth in photographs, so just be cognizant of what it is you're getting. Be respectful, but obviously try to tell a story as best you can. We're on the other side of the restaurant, and it has a completely different look. It still captures the same sort of character and feel as where we began, but the turquoises are here, we've got some bar stools. We've got in general a little bit of a different feel, and so if we really wanna capture the whole place and give our editors the best opportunity to show the Salmon Bay Cafe, then it's important that we capture this part of the story as well. And a little later, we're gonna sit down with Ken, and he is the proprietor of this place, and talk to him a little bit about what he thinks the character is.

Class Description

Whether you are an outdoor adventure photographer or you specialize in weddings, travel photography can round out your portfolio giving you a new creative outlet while adding new revenue for your business. Traveling is more than just seeing a beautiful skyline or view, it's about immersing yourself into the culture. In this unique course, outdoor photographer and filmmaker Ian Shive explains how to tell the story of your travels while capturing the daily details of your experience. He'll show you everything from capturing the mood of a cafe to photographing the people at the heart of the city, town or destination you are visiting. When it comes to travel photography the journey really is the destination.  

Reviews

Chris Miedema
 

I guess travel photography means different things to different people. I understood exactly where Ian Shive was coming from in this presentation and I found the information was extremely useful. I guess if you are looking for a video on how to photograph the Eiffel Tower, when traveling with family, this is not for you. If you wish to take back a deeper memory of a place, or wish to submit an article for travel publications, this series of videos would be more to your liking. I enjoyed watching Mr. Shive go through the process of documenting the cafe, its owner and its patrons. His general advice and strategies were useful to hear and see in action. He did provide some technical information on settings, although I did note he was in a well lit establishment. It would have been interesting to see how he would handle a place with less than ideal light. Overall, that is a small criticism. I very much enjoyed the flow of the videos and recommend them to anyone who is interested in seriously documenting the interesting locations they come across in their travels.

Marwa Elchazly
 

as the title is "travel photography" what came to my mind is walking through the street of a city, but it wasn't ... Ian Shive took "Salmon Bay Cafe" as a case study for traveling photography, through which he gave good tips for traveling/ magazine essay / telling a story in general. I've learned a lot about the effect of ISO and "handholding" the camera, tips for how to get the authentic story of a place and tell it with photo... It's not all you need about traveling photography, but it gives a good start and lots of valuble tips

Daniel Clifton
 

I really enjoyed this course. I know some folks have criticized it as not being “travel,” but I would disagree. I think Mr. Shive offered us a look at how to go into a setting - in this case an restaurant - and pull the pieces together to find the images to best tell its story. In the way Mr. Shive demonstrates his method, I feel like I can go into a number of travel scenarios and come away with photos that really show the story. I can focus on single businesses or locations, or pull back and get a more comprehensive piece for a town or section of a town. With a little adjustment, I can see this providing a marketable service to local businesses.