Refining Your Edit: Replace Edit
The last edit we're gonna talk about is the replace edit. Which is, if I, say, it's a great head nod there, but I found a better one. (chuckles) Could be for another clip, but let's see if I can go ahead and see if I have much better reaction. Don't I ever smile? (chuckles)I'm crushing your head there. Okay, there we go, there's a smile. Yeah, yeah, I like me there. Okay. (class laughs) So there I have my end point... Oh, you know what I did? I love making mistakes, I said that before. I'm working with the clips in the timeline. So, I can't change that in and out point because, it doesn't want me to mess myself up. I have to go bring the original clip back in. I just did that with one keyboard shortcut, and I'm going to tell you what that is. I knew I wanted to find the original clip of this, from here, without digging. It's something called a match frame. If I'm on a clip in the timeline and I hit the magical match frame shortcut, I'll give you a guess, it's going to be either M or F,...
and we know M is used for marker, so if you hit F for Frank, it will load this clip, or it'll find this from here, so it's a brand new instance, into here and I can do stuff with it. It's great cause lets say you say, oh I'm going through all my footage and I need to find this shot, and I have 4,000 shots, and I don't know what this one is; select it here, hit the F key, loads the original into your source monitor to work with. And it loads it at the exact frame where it was parked. Which is good, maybe you need to, oh I deleted my audio by accident, and I wanna bring the whole thing back again, have to find it. So that's what I did, I found that, had to find that wonderful reaction shot again. Here we go. Mark an end point. And now I have an in and an out point. I want to mark an in and and out point and we haven't talked about this, hopefully this will work. I'm going to test this, yes it does work. Okay, you like that? I'm going to tell you how to do something, let me make sure it works, cause it's less embarrassing to do it that way, right? But, we could mark an in and an out point by going to the beginning and marking an in, and going to the out and marking an in, and technically, that actually would be wrong, cause they're like, oh I mark and in point, and then I'll use the down arrow key and I mark an out point? I'm going to overwrite the very first frame of this clip, and it'll lose 1/30 of a second. Now, it might not be a big thing, but you know, you're cutting a commercial, 900 frames, every frame counts. So what I really want, is I want to step back, and mark that as my out point. That's a lot of keyboard strokes, right? Let me go ahead. And I'm not going to tell you how I move this. I is in, O is out. What do pirates do when they hide their buried treasure? They dig a hole, they put it in, and what do they do?
Mark and X.
They mark an X! X marks the spot. So, winner! (class laughs) I place the playhead over there if I hit the X key, it marks an in and the out over the range of that clip. Very easy to do. Option X, by the way, removes both the in and the out at the same time. So now I mark my in and my out point, and I want to do a replace edit . So I'm dragging this over, there's a couple ways to do this, and let's see if I let go, if I let go, that probably won't do what I want. I need to hold a modifier key down. So it allows me to teach you another trick that we haven't learned about. That's what I love about this, lots of tricks. If I drag from left to right, look at this complex thing that's happening. These are popups that let me do a variety of edits, without having to remember a keyboard shortcut or anything. Okay, and I'm going to zoom in there, so you can actually see them when I pull this over. So, if we drag it into the middle, that would be an Insert edit. Let it go there. Overlay. This is something we haven't talked about, and this is something that's new, insert before, insert after. So let's say you're really lazy, and your playhead is in the middle of the clip, and you know you want to put something in before that clip. It inserts it at the edit point prior to where your playhead is parked, and the same thing for the insert after. Mkay? And then, here we go, we have replace, which I had completely forgotten where the keyboard shortcut was. So I let go, so it would freeze here, on this insert because of my four points, but lets bring it over here, do a replace, and if everybody is happy and angels are looking over,
The graphs, but I've set up really great--
So there I was smiling, so that allowed me to do the replace edit.
This is the class I've been waiting for! Learning the software is one thing, but to watch an experienced editor at work is priceless. It also helps that Abba is an incredible teacher. He's able to hold my attention and explain things in a way that I actually retain the information." - April, Creative Live Student
Join one of the best editing instructors, Abba Shapiro, to learn how to work effectively in Premiere Pro®. In this series, you'll learn the tools that allow you to build a story with video.
Abba will cover essential topics such as creating time lapse videos, building a rough cut, working with audio and incorporating motion and titles in your videos. Abba will show basic color correction techniques as well as incorporating filters to enhance the look of your final video.
- Understanding Editing
- Tour the Interface
- Building a Rough Cut
- Refining Your Edit
- Working with Audio
- Filters & Effects
- Motion and Animation
- Titling and Graphics
- Speed Changes
- Color Correction
- Finishing: Prepping for Output
- Sharing and Exporting
- Ingesting Media
- Media Management & Archiving
- Multi-Camera Editing
- Creating Timelapses
- Advanced Editing Techniques
- Thinking Like an Editor
- Green Screen, Warp Stabilizer and other Special Tools
By the end of this class, you will feel proficient in creating video with this complex program. If you've been paying for Adobe®'s Creative Cloud, this is your guide to understanding and using one of the best tools within your subscription. You’ll be able to bring your images to life, organize your media and begin to build stories to share with your family, friends and clients. If you’ve been thinking about expanding your business to include video, this class will give you the tools to successfully start creating quality products that will impress!
For more interaction with Abba during the bootcamp, you can join his Facebook group:
Abba Shapiro CreativeLive Facebook Group
"Great class -- wasn't ready to take the leap into Premiere Pro until I had a framework. Not only did Abba give me that framework, but he gave me the tools to manage and balance the story, the editing process, and the start to-finish workflow to create a finished product. And it was fun!" - Creative Live Student
Software Used: Adobe Premiere CC 2017