we're going to educate you on taking black and white portraiture. Now, a lot of this stuff that we talked about today can be translated. Obviously, the color eso just don't think black. I'm just showing you black and white because I love black and white and we're going to show you how to do some cool stuff with it. But you can also translate this into color. You can also translate this into other types of photography, not just portrait photography. You could translate a lot of what I'm gonna say into product photography or still life photography or even stuff outdoors. Landscape photography. There's a lot of stuff we're gonna talk about here today that you can translate. So think beyond just portraiture when we're talking because I always get that person that is like a pet photographer. And then if I'm talking about something other than a pet, they can't translate. You know the idea, and it's if I'm talking about file naming, it doesn't matter whether you're taking a picture of a human...
or a pet. It's all the same. Lighting is actually the same two. It doesn't matter if I'm photographing a statue or a person or a thing. It's all the same. The lighting principles are the same. All right, so just kind of expand yourself outside of the one thing we're talking about and see the possibilities of what we're talking about. Okay, so the first thing that we want to do is cover up some equipment ideas. Some things that way need to get right before we can actually start the portraiture. Eso I'm gonna introduce you to what we're using here, so you get an idea of how we're gonna operate here. So, um, I am most of the time outside, taking pictures at weddings and things like that. Um and so I'm moving around a lot, which keeps me awake, and I like it. That's why I'm a photographer, because I couldn't sit behind a desk my whole life. But when I'm in the studio, I'm gonna shoot tethered. And the reason I shoot tethered in the studio is that the back of the camera is not a really accurate place to gauge anything, right? The hissed a gram tells you the truth, but everything else is difficult to gauge on a little tiny three inch screen. And so when I'm in the studio, I'm gonna take advantage of tethering so I'm attached via cord. You can also tether WiFi, but it's a lot slower. So tethering via chord. This is the Canon five D Mark four. And so it's a USB three connection, so it's a lot faster. Um, and then that's gonna go to the computer here, and it's gonna straight in the light room. And the advantage of that is, then I can actually have my client involved in the decision making process. So by the time they leave the studio, they already have their selections made, and then I can get toe working on them. So it's a lot faster process, so the images will We will shoot, will go from here into light room. We can make the selections here, and light room can actually be adjusting the images as they go in. So I don't have any post production work to do. So there's a lot of advantages to working tethered like this. Okay, so we're gonna be shooting to the computer from the canon five D mark four. Um and we're also going to be using some pro photo lighting gear. Um, and we're triggering that here with an air remote
Black and White portraits are not simply photographs without color. Making a great black and white portrait requires a completely different mindset and a different set of techniques. Jared Platt will walk you through the process of creating beautiful, classic black and white portraits. From shoot through post-processing, you will learn every step of the process: lighting, camera settings, exposure, editing, retouching, and printing.
- How to see in Black & White for a portrait shoot
- Reading exposures -Lighting for Contrast
- Classic Black and White Style
- Basic Black and White Adjustments in Post
- Getting More Out of Your Black and White Image
- Going Dark Room Crazy in a Lightroom World
- Printing in Black and White
Software Used: Adobe Photoshop CC 2017, Adobe Lightroom CC 2015