Incorporating Pets Into Family Photos
Everybody knows pets are important. I'm a pet addict. I find that beds are the best places for pets. We kind of talked about this before. Sofas are fun for pets too. I've had Dad's try to do airplane with dogs. I don't recommend it. But there are some people that the dog was the first kid, especially with Dad's. There's a lot of family's, this is what I'm finding, they were dating before they got married, and the Dad had the dog. So the dog is like really Dad's dog. So during the sessions Dad's are always like, can I get a picture with my dog. And it's my dog too. But really it's always Dad's dog you know. So Dad's are trying to do crazy thing with dogs. But pets are important. Make sure you capture them. A lot of people want to have them in their kid's bed's. So the kitty cat we did earlier, that was her cat. So we went into her room because that's special to her. We're not just gonna put the cat in her parents bed with her, because that's not her bed. I wanted it to be special for he...
r okay. Yeah.
I love this photo it's so clean and beautiful. And I know you talk about moving furniture a lot. And I'm curious do you ever move wall art off?
Yeah? And they're okay with that?
Yeah they are. This was not this bright. This is a lot of Lightroom stuff going on. It was dark that day. I think my ISO is probably at 6400. I mean it was pretty high. And then the sun came out as I was leaving, 'cause why wouldn't it. But I kind of blurred some of this in the background because actually the wall was kind of yellow and it was matching the dog too much. So I decided to kind of do a painterly type of effect in Photoshop. I just thought it looked smoother. This is, you know we talked about getting those portfolio type shots in the home. This is one of them, making something beautiful. You know what I mean. And I only do that for a handful of photos that I think can handle it. Especially with lifestyle shoots 'cause it's not really a portraity shoot, but when you're a portrait photographer too, you love this too. So I like to try and do that when I can. And that dog's name, what was the dog's name?
Poundcake, the dog's name's Poundcake. I mean seriously.
Miss Fota what were the edits that you did.
I used clean start one on this one
That's it. So it's increasing the exposure, increasing the contrast. I probably brightened the shadows a little bit because we did have some significant shadows and masked some of that off, and then I added some matte finish.
But you didn't use a brush or anything?
No Photoshop I did, you mean for the background effect? Yeah, so for Photoshop what I do is I color sample and then I paint that on. Yeah for that. There's Poundcake again because who doesn't want Poundcake right? Sometimes the dog just needs to be the main focus, okay? Look at his teeth, right? That's what I wanted to capture was his teeth. I'm like those poor people who have dental bills. There's another one, same thing. Right, dog is the main focus. Why do you think we went on this bed? Why do you think I chose this room for this shot? The blue wall, right? I found something compositionally awesome, right. Took the family in there. It wasn't the biggest bed, right? Made it work, I was obsessed with that blue wall. I have a few clients with blue walls actually. Yeah it's fun, made for a fun shot, okay. Another dog shot, okay. Backlighting, don't forget about your composition though okay. With composition with this if I would have stepped too far this way, or too far this way, or tilted my camera. That would have been a nightmare with those windowpanes. It would have been crooked. So when you have lines like this you have to really make sure everything is eye level. As lax as I am about everything, I am not lax about stuff like that. That will drive me crazy. Those lines, oh gosh, that would drive me nuts. So you have to be straight on. It drives myself crazy when I get back and I'm editing, and I'm like how was my head so crooked. I don't know why I did that. You know we all do it, we get excited and it's life. Okay, another dog one, another perspective from up above. This shot took about 40 minutes to get but I was on a mission. So we were pretty much done and I'm like we're getting this dog shot. Because these dogs were there before the baby and mom really wanted a picture with the baby and the dogs. And I feel like it turned into the best shot. We got the dogs to lie there and we had a bone. And I'm like here's the bone, oh wait here's the baby. It sounds terrible but they loved the baby. So we put the baby there and then they were looking at the baby, licking the baby. But this was my favorite one and the baby was fascinated. It's the same baby as this one. They are fascinated with this baby. So it's fun to see that and to remember that, even with newborns. And we're always spotting them of course. And you know not all dogs can do that. It's not safe to leave them with all dogs clearly. That's up to the parent. These are the most gentle creatures and mom's right there.
Could you just clarify for ego what's the difference in batch editing versus syncing on a photo to all other photos in Lightroom or is that the same thing.
Same thing, batch editing is Photoshop and syncing is Lightroom. When you batch, it's kind of a broad term, you edit a batch of photos at the same time. And when I do that, I just want you guys to know, I'll do that for say 20 pictures. Not really any more than that just because after that, then I go through each one, and kind of adjust individually if I need to adjust any sliders, crop anything. Takes two seconds though. You know and I go through that, okay 20 done. Get rid of those and I do the next 20.
A question from a person who says I'd be so worried that the family would feel weird about me standing on top of their bed to shoot from above. Do you ask them to do it? Do you just do it? Is this part of your pre-consultations?
We always ask, always ask. Yeah and you guys didn't see that in the video, but I said, I'm like, hey is okay if I get up on your bed? Is it okay if I'm standing over you? 'Cause that could get creepy. So yeah, 100% ask and we always do. And I do that before each setup too. You know, like I always take my shoes off when I get there. And I'm like oh this is the couch we were gonna move. Is it still okay if we move it? You have to be professional.
And in that bed scenario, someone had asked do all the people you shoot have white bedcovers. Do you bring a different cover?
So I ask people? People email me all the time and say hey, so I really want to do something in my bedroom, but I don't like my comforter. But I love everybody else's that I see in your pictures. I'm like do you have a white sheet? Or people will go buy it if they want that look. That's something that we discuss at pre-session consultations.
It's up to them. I do a lot of dark ones too. I just have an affinity towards bright.
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Capturing a family dynamic and each individual's personality in one photo can be a trying task to say the least. Emily’s been there and done that, as a photographer who sets up life inspired moments to let her clients get comfortable in front of the camera quickly, making lifestyle photographs that turn into memories. Learning to use natural light and developing a connection between clients and your camera are essential in expanding your in-home family sessions, and now you can learn how to develop this type of photography into a business that will be profitable as well as rewarding.
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Creating images that capture moments to remember is what defines family lifestyle photography. Join Emily as she shows you how to develop this type of photography into a business that will be profitable as well as rewarding.
How to prep for an in-home lifestyle family shoot for activities and lighting
How to photograph families in real moments and capture the in between moments
How to be comfortable in your client's home and make space and lighting work for you
How to find a pricing solution that works for you and your market