Shoot: Row Boat in Fog Set Tour
So today we are continuing on in our female renegade sailors in an unknown time period roughly 40 or 50 years ago. So we have incredible row boat and what I want to create is a scene of one of our subjects rowing through this mysterious kind of swamp or bay really early in the morning. And so how do we do that in a studio when we don't have water and we don't have anything really that we would see in an actual swamp or bay. So what we did was we started by finding this row boat that we rented from a boat facility that rents out boats and you can take a boat out on the lake and everything. So we arranged that with them and we got this here and basically it's just propped up on some sand bags or concrete bags so that it doesn't tip over when our model is in there. And then we also have just some potted grasses that we got from I think probably Home Depot. And there's a few up front here really close to the camera that will be blurry in the foreground to kind of give a sense of depth. And...
then we've scattered them around also throughout the boat we'll probably have to move them as we get going. And then if you can see it, it's kinda hard to see in here we have a seamless behind the boat and it's a regular nine foot seamless but that wasn't quite wide enough for this scene. So we ended up cutting it and we had to Hollywood it in or I'm sorry we had to basically, that just means we're doing something in a very creative MacGyver sort of way. So we taped up one width of the seamless and then the other side was still on the roll and then there's obviously a seam here but because of our final element which I will get to hopefully that you won't see the seam. But that's how you create a 16 foot seamless. And then we also have two fog machines and I think one or two hazers. The hazer is what gives us this smoky room look. It's just it creates atmosphere and so we're gonna have a hazer here to create atmosphere and then we're gonna have a fog machine which tends to clump and be more defined and it stays lower. And so the fog machine is going to be what hides the ground and the edges of the seam not even the edges of the seam it's all the seamless and it's gonna blend in. So hopefully what we have in the end will be this boat that looks like it's just kinda going right through early morning fog on water and the grass will help kinda give you that idea. And ultimately we're not gonna see any water at all. And if we do it right your eye and your brain won't tell you something's wrong. Even though you don't see water you should feel like everything is exactly where it should be. So this is going to be a lot of probably plates with smoke and fog and haze and all that kinda stuff. It's really hard to like direct it exactly where you want it, tends to just go where it goes and so we're gonna be shooting on tripod today so that the main elements the subject and the boat will be in the same place and then we can just cut plates in post. It's more post work than I'd like to do but it's probably the best approach that I can think of at least on how to do something like this. So we're gonna just shoot a whole bunch of stuff and have to experiment and move lights around and probably move grass around and things like that. And we're still not totally set like we've been working on this one for quite awhile and we have a little more work to do. So hopefully that will be interesting to see us struggle with all that.
Connect to your photos
Don’t capture another picture that says nothing of your own style. Grow your confidence in creating or styling a portrait that pops and, more importantly, resonates. Recognize that you’re tired of feeling disconnected to your photography.
Tap into your artistic vision
Establishing your creative voice and finding the inspiration and support to stay with it are essential skills for a career in photography. Commit to mastering the technical elements so you can save time in production, focus on creating images with emotion, and start making the pictures that express your creative vision and ultimately resemble what you want to get paid to take.
Learn from the authority: John Keatley
John’s photos have filled the pages of Rolling Stone, Wired, and the New York Times Magazine. He’s covered celebrities from Anthony Hopkins to Macklemore, and even had the rare opportunity to photograph Annie Leibovitz. He’s also passionate about education and supporting artists to find their personal style.
In this one-of-a-kind class, John breaks down how to conceptualize, produce, style, light and fine tune your ideas. He leads you through the creation of an environmental portrait series, showing you how to make a vision come to life with any budget.
What you get out of this exclusive shoot:
- Find inspiration and execute your vision
- Research and create desired environments for set design or location scouting
- Cast for portrait and direct subjects on set
- Build a team of support around your project
- Lighting and styles to make the background and subject work together
- Creative ways to build your vision, regardless of budgetary limitations
What our students are saying:
“The amount of information John gives is mind blowing. To see the process from beginning to end, the road map to creativity...you cannot help but to be on the right road to success. He gives you steps to take and shows you how it's done.”
- Lorenzo Hill
Commit to your creativity
Are you ready to push the boundaries and find your unique voice? Get the hands-on tools to flex your creativity, collaborate for results, and carry out your vision.