Edit and Share Your Images: Street Photography
Lesson 18 from: Storytelling with Mobile PhotographyEd Kashi
Edit and Share Your Images: Street Photography
Lesson 18 from: Storytelling with Mobile PhotographyEd Kashi
Lesson Info
18. Edit and Share Your Images: Street Photography
Lessons
The Power of Mobile Photography to Tell Stories
17:32 2How I Define a Cultural Event
08:07 3Aesthetic Considerations when Photographing a Cultural Event
07:02 4Interact with People when Photographing a Cultural Event
06:22 5Capture a Portrait at a Cultural Event
18:52 6Edit and Share Your Images: Cultural Event
20:31 7Cultural Event Smart Phone Photo Critique
20:47 8How I Define an Intimate Event
11:53Aesthetic Considerations when Photographing an Intimate Event
11:50 10Interact with People when Photographing an Intimate Event
06:28 11Capture a Portrait at an Intimate Event
10:17 12Edit and Share Your Images: Intimate Event
24:38 13Intimate Event Mobile Photo Critique
15:09 14How I Define Street Photography
21:23 15Aesthetic Considerations when Shooting Street Photography
17:51 16Capture a Street Photography Portrait
15:02 17How to Create a Double Exposure
13:30 18Edit and Share Your Images: Street Photography
05:29 19Street Photography Smart Phone Photo Critique
11:35 20Skype Interveiw with Pei Ketron
14:27 21Where Mobile Photography Can Take You
03:25Lesson Info
Edit and Share Your Images: Street Photography
This is a different shot from that scene. Alright, and this was at the very end after the scene had broken up, where the dad was next to him, and they were looking at something. But then I thought, oh I really like this. It's a little simpler. But you know, in this case, the back, the sun, the left side of the frame's a little bright. So, I'm gonna go to selective. I'm gonna, stick that thing right there, and then, let's go right like that. I'm gonna show you something that's really cool and new. So I'm gonna go right to left, to make it darker. And then, look at this. If you, if I press on that blue B dot, it disappears. Now, if I (laughs), so you see, it gives me the opportunity to copy it. Got that? So the move I just made, I've copied. Now, I go down to the bottom. I make another, I make it live again, and I put another dot, there. Alright. And I've copied that, and I do it again. Press on the bottom. Put another dot there. Now I'm gonna do it one more time, pressin' the bottom, an...
d put another dot there. So now what I can do, is that-- So I'm gonna, whoop, stay there. Two on the bottom, and I'm gonna go even a little darker. You guys see what I'm doin'? Okay. Alright. Come back, come back. So you see the difference there? So I've just got it, so that, so that your eye is. You know it would be ideally, maybe. I was waiting for like someone, to go, to be walking down the street. So I would have these, sort of two planes of two, like realities. Now I'm gonna go, to an image. I'm gonna go to ambiance. I'm gonna give it a little separation there. And then the other thing I wanna do, and this is a really interesting thing to think about is, it looks much darker on my phone, but. Sometimes, if I want to draw attention to this part of the frame, by lightening this part of the frame a little bit, I actually do that. And it's lightening it just enough, so its almost, like it creates, it creates like a front, an entry point into this area. 'Cause I don't want them to go here. So this is something I want you to think about when you look at your pictures, and you work on them post-production. How, you know, sometimes it's not about lightening, the element that you want to draw attention to, it's about lightening around it. So it makes sense? Mmkay. So let's go here, and go selective. So you see? And then there's a little more of a balancing between this area, and that area. Mmkay. Alright. So. I think we're good, I'm gonna save that. Are we posting this? Yes. Oh my God. (laughter) What a dictator, okay. (laughter) I love you Ken, I love you. Alright so, I'm nothing without you. Okay. So, (laughter) I am like going down hill right now, I know. (laughter) Alright so, there's the picture. That's full frame. So I'm gonna go to next. I'm gonna do that magic clarity button. Yeah, it just gives a little more pop. I don't know, it's hard to tell on this screen. And then, I'm gonna go next. And again, go back to notes. Aww, there's my son's baseball, oh stop it. (laughter) Sorry. I'm encourageable. If you hadn't noticed, okay. So go to notes. Where are you? (clears throat) And then, copy it, and we'll paste it. Any questions guys? I know I'm going a little fast, but. There we go. We're alright. Again, on to Facebook. And share. Alright, and we're up and runnin' again. And there we go. So. So, so far what do we have here? Nice. Well we broke a thousand with the little boy, huh? The dancers, not eh, it's not a big, it's not a popular one, okay. Anyway, alright. So cool, thank you.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
a Creativelive Student
I was not interested in this class and just decided to tune in. This is one of the Best classes I have watched on Creative Live! I love his total "attitude" about how to treat people, what to do and not to do to engage in more courteous ways and polite ways. I found him inspiring and engaging, creative and providing lots of information in what I watched. (I did not watch the entire course.) I am certainly going to check out other classes he might produce in the future. I very much enjoyed what I did watch and found him a wonderful instructor! Lots of valuable tips as well. Thanks for allowing me to preview it today!
belinda leung
ed kasha did an amazing job taking us through his creative process. practical tips helped me immediately spot things to help improve my photos immediately. I downloaded and started using the apps he recommended right away. thanks creative live and ed kasha!
Lynn Hernandez
Very inspiring seeing Ed Kashi's excitement for the creative process. Seeing the final photo and then watching a video of what happened to make the photo was really helpful. Have a list a new apps to try for photo-editing and double-exposures. Loved the class.
Student Work
Related Classes
Mobile Photography