Understanding the Basics of Color
So we're gonna start with a really basic thing which is the color wheel. On the color wheel we have the red, blue, and yellow, which are considered your primary colors. And the reason why they're considered primary colors because you cannot break them down further. It's like a prime number. So there's red, there's blue, and there's yellow. But there's not just one red, one blue, or one yellow. This is a particular blue. It's kind of almost the color of my shirt. But the blue of your shirt is also a primary blue and it's not the same color. Yours is a warm blue. Mine's a cool blue. So that's something I want to demonstrate when I show with the painting that there's different types of blues and they function differently with the other primaries and secondary colors. Which gets me to the secondary colors which are green, orange, and violet. And there are many different greens, oranges, and violets that can land between those primaries. But basically they're made from two primaries. That's...
how the secondary is created. The next thing is called a complimentary color. It's I think one of my favorite aspects of color by the way compliments work with each other. And we'll talk more about that through the keynote and then the demonstration. But basically a compliment is the color that's opposite the color on the color wheel which is yellow violet, blue orange, and red green. And what makes them really potent as color is they're absolutely contrasting opposites. When they sit next to each other, they vibrate like crazy. And if one is on top of the other, they tend to neutralize or cancel each other out. So it's a really interesting aspect of color. But we'll talk more about that later. Now tertiary colors, I don't have an example here, but basically is all your browns and your grays. And those are made in two ways, either by mixing all three primaries, or by mixing all three secondaries or two compliments that makes browns and grays or neutralized color. So the next thing I wanna talk about is value. And value is the relative lightness or darkness of a color. And you can see here there's a scale that goes from black all the way to it's nearly white. But we want you to be able to see it against the white. And generally speaking, value is one of those things that people are really, really comfortable with. Most people can work in pencil or they can work in marker, and they understand a value system. So that's where we're starting. And in a piece, you typically wanna have a nice value range, which just means you have tones that go all the way from your darkest to your lightest color.
Is that kind of like whatever tool you're using? Like how much like what percentage of it you're using or--
Like the hardness of a pen or pencil or saturation or is that what the value is?
Actually, when you talk about value, and I'm showing a piece. This is one of my pieces from The Wind In the Willows. It's called The Piper at the Gates of Dawn. And I am showing it here in its color form. And this is in all in value in the blacks to the grays to the whites. And it can be affected. You're adjusting value, whether you're on a digital like a Wacom tablet where you're using traditional materials by pressure. The harder you push that pencil on that surface, the darker that pencil mark will be. So pressure is an issue with value. 'Cause saturation is a definitely different issue, but we'll talk about that. So in this image, value variation is what allows us to discern the image. In this illustration that I created for this tale, I've tried to establish a solid range of values to make various parts really distinguishable. So you can see the goat figure is clearly a separate element from the sky in the background or the hoof color or the trees in the back. Each of these elements, these parts of the whole piece, are different values. So light and shadow affects a very light form like the goat a little differently than say the ground. And that's really important to consider. And we'll talk a little bit more about that.
This class will give you an overview of color principles and demonstrate how to apply them. Instructor Mary Jane Begin is an award-winning illustrator and author of children’s picture books, a Rhode Island School of Design graduate and professor in the Illustration Department.
In this class she covers:
- The elements of color, including value, temperature, saturation, hierarchy, complements, light, harmony, and contrast
- The use of color complements in image making
- The relationship of color to the medium and expression
Through a series of demonstrations, you’ll learn how to work with color and ultimately make better color decisions. This class covers color theory foundations that applies to all image making, in design, art, illustration, photography, and beyond.