so voiceover. I don't always use voice over, but sometimes it's a good way to bring the story together. This is especially useful for when you didn't quite get good intros or Segways into one subject to the next. And, um, you you want your story to make a little bit more sense. So sometimes you do need a little bit of a voiceover to just kind of explain or intro whatever is happening in the story. So I did that in this video. Um, now we'll go over how to add the voiceover everything super simple. So that one's not gonna take a long time. So now let's go into the voiceover, uh, voice of So here, see this line here? That is like it says voiceover. Um, so that is one of the voiceovers that I added, Um, the thing with how do you add voice over and have it sound good gets tricky. I definitely use a mic for this one. Use the mic me, l and I made. I was in my closet so that either echo and there's no outside. Nor is I don't have a sound booth. I have a closet full of clothes so that works rea...
lly well. Eso That's what I did. I was in a dark closet narrating, inventing my phone. Um, but it's good toe, have audio that's clean and clear. And you definitely using Mike, I put in the I put the wind muff on, actually, so that, um, my peas, You know, just so, like, some of the wind that doesn't get caught because I was fairly close to the mic. Uh, how do you add a voiceover? So let's go here. Um and I time it. So I add the voice of her last and I usually watch whatever is happening. The story. And then I time it and I move my, um my play head to the part where I want to start the voiceover. So here, let's say I wanted to add some things. Let's see what's happening here in the studio environment locally on many places. So, actually, what I'll do is I'll I'll delete this so here, or go here through here. Okay, so this is kind of think is a good place to put an intro, right? And two, Okay. Oh, you know, we're in San Francisco and global law the way to add a voice overs. He hit that plus over there and make sure your play head is at the right place because that's where the voiceover is going to start. And then you hit voiceover, and then you see, there's, um, circle. So if I hit circle, which I won't, um, it's going to start recording, and then you just talk, talk, and then when you're done, you hit Stop and then you can listen to it and see if you're happy with it. And if you decide to keep it, you check and say, Okay, I'll keep it, Um, so, yeah, it's really easy. And then if you find that you know what, I don't like the voiceover. You can delete it or even move it around like you would anything else. So let's listen to the voice over that I did here. When you first walk into Phanom and Marta's studio, you're struck by the eclectic mix of rooms. But that's exactly why they've been so successful as an industrial design studio. What led us to start it was good Segway into them talking about studio, so like I said, you can move it, so I think did it start too early? Too late So I can move it around and put it wherever I want. Or I could also delete it if I want to redo it. I redid this several times. Um, and I What will make life easier is if you write down what you're going to say, Um and then to the voiceover, Um And then I did it. Over here is well, so Phanom is talking about are exposed to the world of luxury phenoms, exposure to luxury and her sense of style and branding can be found in her own line of handmade leather goods as well as in all the products she helps design. So that was kind of explaining some of that. So that's the voice over.
AFTER THIS CLASS YOU’LL BE ABLE TO:
- Create a video entirely on the iPhone, from shoot to edit
- Master advanced video apps on the iPhone
- Learn how to use iPhone video accessories like gimbals and mics
- Build a story arch and shot list for your film
- Capture pro-level audio in an interview
- Shoot supporting b-roll
- Master iPhone video editing using apps
- Record and add a voice over
- Export and share your video
ABOUT CIELO'S CLASS:
Who says you need expensive video gear to create movie magic? In this course, Cielo de la Paz breaks down capturing effective and high-quality films with gear that can fit in your pocket -- the iPhone. She’ll walk through the importance of pre-production and crafting your story ahead of your shoot. Learn how to use a variety of iPhone video accessories and apps while exploring the technical side on how to get the best shots.
By going in the field with Cielo, you'll learn to navigate real-world scenarios, from problem-solving to prioritizing your shot list. While the iPhone may be a smartphone, she'll walk through every element of capturing pro-quality video from a simple device, from recording audio to using add-on lenses. Capture shots that make the videographers with the bulky cameras jealous by using the iPhone's small form factor to your advantage.
But the iPhone isn't just a video camera -- it's a powerful tool for editing videos anywhere. Cielo will then take you back in the studio and walk through one of the best video editing apps for iPhone and iPad out there while explaining how to piece together your story into a cinematic success. Add your own editing style to raw footage to create a story worth sharing. There is a lot of magic and ability in the camera that is always with you -- learn to use its capabilities to capture and create great video.
WHO THIS CLASS IS FOR:
- Beginner to intermediate mobile filmmakers
- Beginner filmmakers
- Social media influencers
- IGTV producers
- Beginner to intermediate vloggers
- Anyone interested in making videos with their phones
iOS apps LumaFusion 2019, FiLMiC Pro, and Hyperlapse
ABOUT YOUR INSTRUCTOR:
San Francisco-based mobile filmmaker and photographer Cielo de la Paz first found success with a Shot on an iPhone billboard. Since then, Cielo has been teaching others to find the same success using just a smartphone. The founder of TheStoryographist.com, Cielo teaches iPhone film and video classes at Stanford, as well as sharing techniques at conferences, private events, and even with government agencies. Over the course of her online and in-person courses, she's helped thousands to capture their own stories using the simplest video gear. Along with those Shot on an iPhone billboards and commercials, you can also find her work in Business Insider, USA Today, National Geographic, and House Beautiful. Her creative approach to iPhone filmmaking helped her earn the Gold Cannes Lions Award, as well as honors from the Mobile Photography Awards and iPhone Photography Awards (IPPA).