Frans' Studio Tour & Final Thoughts

 

The Art of Seeing: Macro Techniques for Flowers and Plants

 

Lesson Info

Frans' Studio Tour & Final Thoughts

I started photographing decades ago when photography was an activity that was almost like alchemy. We literally practiced alchemy, cause we would capture images on film and then you would disappear into a darkroom, and you'd be there messing around with chemicals in the dark. It was a somewhat mysterious process, that was practiced by not so many people, and not so many people looked at the pictures either. Since photography became a digital activity we've seen an explosion. Now many, many, many more people now practice the art of photography. Instead of this being something that is held close to your chest. It's become an open activity, it's a shared activity. The process of making images is just the first step. We now have the ability to instantly process pictures. You can have the satisfaction of looking at your own images. But then you take the next step, and you put them online and you begin to share them. Or, you create images together, in the course of a workshop, and then the w...

orkshop, in our case, always culminates in an image with you and it becomes a shared creative opportunity. It is no longer photography processed along your own sidelines. There is a point where you intersect with others. It's a totally different activity from what it was 30 years ago. That is the reason we are all here, and that is the reason why thousands and thousands of people are connecting with us online worldwide. This is a miraculous new expression of photography, and I'm so happy you're all here in the audience. I'm so happy that Kate and Doug had a chance to spend a day with me. And I'm also so happy that all of you who are out there beyond our horizon are also enjoying the experience with us. I just wanted to get that off my chest. [Computer Technician] It's awesome, thank you. Alright, do you want to set up this final video, or do you just want to roll with it. Sure, we did this workshop five minutes from where I live, and five minutes where we have our studio in Santa Cruz, California along the magnificent California coastline. And at the end of the day, after we played with plants at the UCSC Arboretum, we went back to our studio. Which is the home base for Chris Eckstrom, my wife, and myself. In this next video you see a little glimpse of what we come home to after the end of our travels. This is also the place where we host our workshops. Lets roll the tape. [Computer Technician] Great. Welcome to the studio, come in. When I'm not traveling someplace around the world this is where I come back to, this is our home base. In Santa Cruz, California we have a gallery here where we put the images on display. These are panels from one of our exhibits about the history of life on Earth. I'll take you on a tour through the rest of the studio cause back here is where all the work happens. This is where we process the images from my assignments and from all the other events that we produce. We still have a film library, these are the crown jewels from the past. All digitized now. (cabinet clanks shut) And this is where we store the fine prints that we make for collectors. Prints are very important to me. Even though I love digital photography, I can do so much more now than I could when was capturing images on film. There's still something about the physical expression of an image on a piece of paper that I love. I'm gonna share some things with you about that. We have work stations here, this is where our staff processes the images. This is where we deal with all the communications with our clients around the world. We have a publications library here. All the stories I've published in National Geographic. The features in magazines in many different countries. All the books that we've put together. I've been doing this for quite a while, for more than 30 years so you accumulate a lot of stuff. And this is where it's all gathered. Then in the back is all the rest of the gear that we need for our travels. Cause we travel about six months of the year, and I say we because it's me and my wife. She's not here at the moment, but we really work together as a team. And here we have some freshly produced prints. These are generated by one of our printers that we have in the studio, it's an Epson printer. And I would like to invite two special people to come here and join me to admire them. Kate and Doug. I wonder if you would like to turn it over. Wow. What do you think of that? It turned out really really nice. This was early morning in the arboretum. When we were talking about how to apply selective focus. And you did an amazing image there, look at it. Look how soft the foreground is and then we've got one flower in the middle and then it just kind of slowly and beautifully trails off into soft focus in the background. Nice, I like it. This one's for you. Oh, thank you. Yeah. Kate, would you like to turn that one over? Ah, cool. I'm so proud of you. You did this on your own. You snuck outside when we were dealing with the creating of a set. And you found these plants, which happen to be among my favorite of all plants in the arboretum. These are aeoniums from the Canary Islands. You applied a lensbaby effect. You have very soft ethereal focus and you turned it into a gorgeous image. There's almost nothing sharp in there but that's the whole idea behind selective focus. We lure you into an image where there's just a hint of sharpness but for the rest there is a suggestion. I love this image, I hope you're really proud of it. Oh thank you, no I love it too. Thank you, thank you so much. So both of these are made on premium luster paper made by Epson and they're perfect for framing. Definitely, definitely. Now, if you take these away, or if I can take them away for you. We'll put them to the side. More, another one? Lets turn it this way. This is another image that you made this morning. Yes. After we finished talking about the applying of selective focus I said "Lets get a little bit "more experimental, lets see how we can capture texture." That's when I introduced you to how you can generate multiple exposures, layering frames. In this case it was three frames right? Three frames. Look at the effect, it's dazzling. It is. At least to me this is dazzling, and I think you did it really well considering that this is something that you hadn't done much before. Yeah, I had not done at all. So look at the result. It's beautiful. So everything is there, layers of the white flowers on top of the yellow flowers and the orange flowers. Are you pleased with it? I'm very pleased with it yes. Kate, how about this one? ( Kate laughs) Nobody will appreciate the fact that this was done indoors unless you tell them this cause this is an abstraction. This is one of these amazing flowers from Australia, a banksia. We set it up in the studio, we created a lighting set. And at first we brought all the detail into the image by closing the aperture all the way down, and then you decided to take it in the other direction. You applied soft focus, aperture wide open, and I'm so happy that you did it because that was the ultimate frame and now we can really appreciate it. It's one thing to see it in the back of the camera, or to see it on the screen of a computer. I think this is the ultimate expression. So this is a print that is suitable for framing, and because it's printed on that wonderful paper that Epson makes it's gonna last for decades and decades. I can't wait to get it on my walls. So these are yours to take home. Thank you so much. (applause) So Frans, we're at that magical time once again here at CreativeLive. Just gonna ask you for your final thoughts. Yeah I would like to come back to the comments I made not so long ago. Where I philosophized a little bit about how photography has changed from its analog days to its current digital identity. It's really fostered a new community that is many times larger than it use to be. That is, I think, the magic power of photography. It really is a universal language that can be shared by people no matter what kind of cultural or political backgrounds they have. That's the reason we are all here, and that is the reason so many people are watching this live around the world. I hope that you can all express that power of photography, and I hope that I've provided you with some inspiration, and I hope that I've given you some tools so that you can all carry out and express flower power in your own unique way. And to all those people who are watching with whom I've crossed paths with in the past. No matter whether you've helped me, or whether you've joined us on a workshop or on a trip, I hope our paths will cross again. Thank you. (applause)

Class Description


The beauty of nature runs deep. Every growing thing hides whorls, patterns, and subtle shadings of color that escape the cursory glance. Macro photographers are driven to capture these secret details, but it can be hard to master the techniques that allow them to truly evoke nature at its best.

Join renowned National Geographic photographer and naturalist Frans Lanting for this class as he walks you through the Arboretum at the University of California at Santa Cruz.
You’ll learn:

  • How to take great impressionistic shots freehand
  • How to use combinations of natural light, flash, and light modifiers
  • How to set up beautiful and controlled images
Frans Lanting has documented wildlife from the Amazon to Antarctica, and has made a career of recording the beauty of nature in vivid, transporting imagery. In this class, you’ll learn how he has distilled the quiet joy of discovering hidden beauty, and bring it home with you. Best of all, you'll be able to apply these macro photography approaches and techniques in the field or even at home with a bouquet of flowers on your kitchen table.