Sets and Props
So this is the crap aren't we were just talking about this is what I could not get off the wall it's one of the only painting that wasn't able to remove and it was just like it's actually, this hotel in san diego, it was like marina themed like boats and stuff, and I was like, I was actually teaching this was during a workshop and I was just like, okay, we can't move it, you've got to integrate it into the shot unless he cover it up, I'm not going to photo shop, and I'm gonna work with it, so I was just like, I don't know off the top of my head, this is kind of what I would do. Okay, so you gotta incorporate it. You got to make it part of the shot if you can't remove it. Um so sets what is the story? So, um, in anyone seen anyone vignette in any one area, you've got to pick a story? Do you know what I mean by that? Be picking on you. Really? Okay, so what kind of this beautiful set back here we're gonna work in later is the perfect example. So there are a lot kind of going on and for m...
e, like, I like to keep it clean and minimalist, and I like to only tell one story at a time so for this it's kind of like uh I'm either gonna focus on the chandelier and have her working you know I'm sorry and the mirror and have her working with that but I'm not going to try and get all this stuff you know what I mean in one shot maybe for one master but I like to focus on one element really? So sometimes I love shooting with chandeliers o or any kind of lights in the background because like instant boca right take eighty five do a close up with that in the background it just sex is it up? Um so I love working with chandeliers so that's why I requested this so we'll play with this later um so I just like when I say sets what's the story what's the story here it's a very specific right using the set in a very specific way um keep it simple covered that already include one two three quality elements okay, so I feel like when you guys are building your home studios, everyone goes a little crazy and they buy like a lot of different stuff and they cheez it out crap it up with budget I mean budgets fine, but I mean you're throwing like a lounge chair and like paisley backdrop, you know, I'm thinking of every cheesy thing I've ever seen all that stuff and you're trying to create this a tufted headboard like a pink final and you know all that stuff it's like let's keep it down till it's first of oil, prioritize our investments, keep it toe one, two, three quality items and focus more on the woman um and even when you're on the set like when the budget hotel I'm trying to get rid of stuff like I'm shooting down into the bed so all I see is white space and her because if you don't have expensive boutique hotel, don't try and make something out of nothing does that make sense? Um be creative? I don't even, um so yeah, when you get to some place I have used coffee table um in this one hotel florida sailing windows was gorgeous and there is a gorgeous couch and I just thought that so expected the nice this glass coffee table I'm not sure if the pictures in here actually it is when we get to light room tomorrow, I put this glass coffee table in front of the, um windows and it was backlit and basically she had likes just arched over it and was just looking smoking. So all this expensive furnishing that was super gorgeous, I didn't even wind up shooting know what I mean, I took the freaking coffee table pushed it up against the window that was it just those elements so for me, if I'm not like, I'm no set designer and I'm a mon business owner, so I'm not hiring a set designer to design sets it's not my are like my dad always said, if you don't, you're playing someone who's smarter than you remove as many pieces off the board, so it's like how I kind of like all right, I can't make this into a gorgeous set there's too many elements here, some removing most of it, including just one or two hot items does that make sense to you guys for a mayan thing? All right, be creative, honestly be resourceful bring stuff that you can work with the black muslim comes and key for me a lot and also don't forget you can shoot down the carpet sometimes is gorgeous in hotels um or it's super hardwood floor is really great because sometimes I love the light in the glare coming in, um and love the reflections off the hardwood floor, so don't forget about the floor and shooting down like frame tight that's such an easy solution. But, you know, I didn't really want to see the wall and the windows they're so screaming pretty tight and work your angles that kind already talked about that sometimes I'm shooting down for the whole time because everything else is ugly. Props and questions about steps we're gonna move on the props, props or superfund I did bring a lot of my fun props we have here and we'll play with um um they add variety super easy to throw in a prop and then she'll definitely get it um it relaxes nervous clients like I said, this is an easy set up to start with kind of a field hidden you know um it enforces your brand and style get to be known for something I'm kind of digging I dig the mass I have a bunch of this one cat mask I throwing everybody um and it's fun to see people act differently with that on um but I know you know there's a photographer is known for uh placing crowns on everybody's head or whatever your thing is, um whatever is meaningful teo um you can personalize the chute easily. So this is where you knew doing your homework and giving them some some tips beforehand asking what they're favorite things are like when we did celeste like I didn't just come up with all your shoes those props she just had eight million shoes she brought my well, you really loved shoes, huh? Why don't we do something where you're like on the capitoline play put all your shoes and it was so sexy and fun um so we're almost to q and a, so I'm just gonna finish up with this, and it creates a cool story to be sold as a set aside, kind of mentioned about with the necklace. Sometimes you could just play with the prop for a siri's of shots, and that makes her really nice spread in an album, and they're super fun there. So how can you take yourself seriously wearing a mask? Come on and important, only a handful of prop shots or useful, yes, I don't burn an hour on a prop, don't, you know, spend a lot of time. You're not gonna want a whole album with just one problem, right? So just kind of, like, make it a five minute thing. Super quick thing.
Join Christa Meola for a hot workshop on the art and business of boudoir photography. Learn what you need to know about lighting and equipment, shooting on location and in the studio, building amazing client relationships, posing, post-production, pricing and much more.
The agenda will include hotly debated topics, business strategy, Q&A’s, portfolio critiques, and a series of live shoots. Take a front-row seat with Christa as she demonstrates how to work with women, from figure models to soccer moms, curvy gals and nervous clients. Watch as she relaxes stiff subjects, coaches natural movement, and captures gorgeous moments that allows each woman’s unique personality and beauty to shine.
This workshop is perfect for you if you want to learn all of the exciting aspects of the boudoir market, whether you’re just getting started or you’re already a seasoned pro and ready to take your business to the next level. Be a part of this exciting and intimate event with fellow photographers around the world focused on how to create a successful boudoir photography business.