All right, jennifer kovacs is wondering what are some tips for when you might feel stuck in a certain poser situation and can't seem to think past it right move on you move and say okay, we're gonna try to angle tell the model to move to and you just both like start dancing again just I don't really if it's not working it's not working you just move on some photographers that I respect and actually love they will stay with something until it works and they'll even go back the next day and try and make it work um it's just not my personality to force something so and I like to keep myself spontaneous and creative and keep moving also challenges me I do boudoir pers I'm on a time clock I have to work fast sometimes and so I'm good in my habit of moving on sometimes I should maybe stay with it for just another couple frames but um I think it works better as a professional when you're trying to sell to get in the habit of moving on and I've had some people that take my online boudoir uh cl...
ass which is the six weeks class um some of them have really struggle with this and they'll spend in power shooting one thing it will have no variety so unlike set your iphone on a timer to go off every two minutes and you have to move on whether you nailed it or not you've got to move on every two minutes and that will break that habit that's a really good team yeah it's super fun to you got to do stuff like that to challenge yourself to make it interesting that's why you hire models or do a trade or have a neighbor or a friend because it's really fun to do stuff like that to shake it up for you and to help unstick yourself know what I mean? Yes, uh question is do you use? Do you have the models amuse things in their hands or do you prefer nothing actually in the hand perhaps um you know, sometimes I have a job for sure I love crops um I don't like toe always have it, but yeah, in fact, we should throw a crop in here. Oh, that's pretty e you say you haven't been checking in with myself as much as I normally dio because the whole tethered things thrown me up but, um that's kind of nice um I'm digging that ride share too with that green and the brick wall seen a cabaret situation happened before my eyes uh uh leg is wondering I'm going back to your light that you're using today is that just because you're in seattle and it's so great here we need extra light or is that something you regularly work with I've worked with this a lot before but normally it's like when it's getting late because in l a I never I always found like I had enough natural light and everything it's pretty big and open um so I had that luxury but we're in a winter in new york city has been like sure is dark s so I'm using it a lot now not just when it's getting dark out but just during the day when it's gray really helps and this is so nice because you can get just a little list fit you khun just dim it all the way down and sorry um this one oh, shoot I'm gonna have to double check but I like getting the one with barn doors the metal bar doors because then you could really spotlight it so if you want it to look like a spotlight or if you just wanna have like, a very high contrast um spotlight on the certain body part you can do that by using the barn doors question from moonlight dan how do you krista keep your energy level so high? Oh my god that's such a good question I'm just on the professional and I know that that's what I need that's what I need to dio how I do it is beyond me like literally the moment like the cameras turn off I'll be like sleep no seriously and take a nap um but you kind of have tio I feel like you know um honestly I wish all of you guys would raise your energy level up a little bit because that's what kind of needed I think that vitality and that energy on the shoot can you can feel through the lens and if we're all quiet and kind of slump e and I just can't work like that I think my image old images will be a little dead and stale so I like to keep my energy up how I do it I don't know we have a question yeah it's one by one light more than a strobe light uh they're two toasts are two totally different purposes so I don't like one more or less than the other this kinds in clutch when I need something super quick totally dimmable just a little bit and I need to move fast um the stroller I love and we're gonna work with tomorrow that's so much fun and it's a totally different look and it's gorgeous and I love it but yeah, they served two different purposes in my world I've tried using the strobe is phil or for something like this it's just it's too powerful and yeah, I don't love it so I only use it with a studio backdrop you have, for example, a perfect pose but the background or what you have behind the model it doesn't work right you take the shot or take the shot but then I'll move it and try and take it again we'll definitely take a shot takes a millisecond right um but yeah, that happens it's like wow that just really hit and if I you know I can do it in editing and that something was in the background like maybe someone walked by or whatever um there's an outlet right there lamp post or whatever then I can maybe retouch it um or if I have the luxury of time I can take a second remove it and then try and culture but like sometimes you just won't recreate the awesomeness that just was a moment ago so I'd rather kind of capture it uh glory um does have one more question about taking pictures above women in the bed okay do you actually stand on the bed with her todo air or do you use a stool ever ladder no I don't need a stool on the bed stand above her and this is again something I don't know as a man that you could get away with I get really close like this her say your head is right here I do this one often actually if I'm on the bed I'm standing above her and I want her just to kind of just relax and be all into herself and that's well, that's, another money shot, um, eleven life um, so that when I do a lot, but again, as a man, I don't know if you could do it. Maybe you can have her on the edge of the bed, and you are on a stool. When you're doing the same thing, I'm sure that will work. I kind of just for ease and quickness. Just jump on in there. It's so much more fun, teo like it on the bed, where you gonna shoot anymore? We're gonna, uh, no, we have about three minutes. I think we're gonna raffa.
Join Christa Meola for a hot workshop on the art and business of boudoir photography. Learn what you need to know about lighting and equipment, shooting on location and in the studio, building amazing client relationships, posing, post-production, pricing and much more.
The agenda will include hotly debated topics, business strategy, Q&A’s, portfolio critiques, and a series of live shoots. Take a front-row seat with Christa as she demonstrates how to work with women, from figure models to soccer moms, curvy gals and nervous clients. Watch as she relaxes stiff subjects, coaches natural movement, and captures gorgeous moments that allows each woman’s unique personality and beauty to shine.
This workshop is perfect for you if you want to learn all of the exciting aspects of the boudoir market, whether you’re just getting started or you’re already a seasoned pro and ready to take your business to the next level. Be a part of this exciting and intimate event with fellow photographers around the world focused on how to create a successful boudoir photography business.