Creating Your Reality with Composite Photography

 

Creating Your Reality with Composite Photography

 

Lesson Info

On-Location Sky Capture

Alright so a total bonus is that we actually have some really cool clouds, but this is a composite course. So we're going to pretend that the sky sucks and we happen to go to another location where the sky was totally awesome. What we have here is shooting the sky isn't just like taking pictures of random clouds, because if you're gonna be shooting a horizon line, like we just did for our background piece. We want to make sure that the clouds and the sky are gonna match up with it. So if we took pictures of the sky straight up and then used that to replace the sky on a horizon like landscape shot. It's not gonna make any sense. So we wanna make sure that we shoot the sky with the right perspective and a similar camera lens. Similar aperture, everything that's gonna make sense. So it's once again shooting for more options so you have the information to make your composite as believable as possible. That's photographing skies. I will actually run out where I live. We get incredible storm...

s in summer. So we have amazing skies that happen a lot. So I'm very thankful that my camera is quite weatherproof, because I'll be out there and just soaked. From head to toe because the rains just coming down. Hiding under trees so I don't get hit by lightning photographing these incredible storm clouds. Yeah, I like photographing skies. I think that's actually one of my favorite things. You can just sit there and wait, and the clouds are gonna move. You want the time lapse with the sky moving. You just sit there and you can photograph, you know, 500 gigs of skies in an afternoon just by hanging out. So, it's kind of fun.

Class Description


With the right Photoshop know-how and studio shoot experience, you can merge fact and fiction into a reality that lives up to your imagination. Renee Robyn has made a career of turning everyday photos from her travels into eye-catching images. Robyn will teach you how to add people and other elements to your existing landscape photos using ethereal custom effects.

Join us for “Creating Your Reality with Composite Photography” and you’ll learn:

  • How to choose or set up a shoot for your background image
  • How to direct posing during a shoot, and work with directional light in studio to make your subject fit into the background image
  • How to composite your subject into your image using Photoshop

Photo compositing allows you to breathe interesting ideas into your photos. Open your hard drive, walk into your memory, and turn past experiences into fantastic new realities.

Lessons

1Class Introduction
2Why You Should Sketch Your Composite
3What to Look for in Your Background
4Posing Your Model
5Communicate with Your Team
6Elements of Compositing
7Learning from Failure & Criticism
8On-Location Safety Tips
9How to Nail the Right Perspective for Your Composite Photo
10Gauging Light & Exposure On-Location
11On-Location Posing
12Cliff Shoot Location Final Thoughts
13Tips for Culling Images
14Culling Images Q&A
15Preparing Your Image for Composite
16Composite Image Cleanup
17Adding Background Image to Composite
18The Difference Between Flow & Opacity
19Composite Sky Elements
20Using Curves to Color Match
21Adding Atmospheric Depth to Image
22Using Color Efex Pro to Manipulate Color
23Using the Liquify Tool
24Color Theory & Monitor Calibration
25Adding Smoke Layer to Image
26Selective Sharpening
27Crop Your Image
28Goal Setting for Digital Artists
29Review of Location Composite
30Understand Angle & Height for Your Base Plate Image
31Base Plate Focus Point
32Base Plate Lighting Tips
33How to Use a Stand-In for Base Plate Image
34Capture On-Location Base Plate Image
35Student Positioning Demo
36Base Plate Sketching
37On-Location Sky Capture
38What to Look for in a Base Plate Model
39Building Composite Model Lighting
40Composite Model Test Shots for Angle Matching
41Composite Model Shoot: The Art of Fabric Throwing
42Composite Model Shoot: Working with Hair
43Composite Model Shoot: Posing Techniques
44Composite Test with Final Shot
45Lighting Setup Overview
46Culling Model Shoot Images
47Adjusting Skintone Colors
48Merging Background with Model
49How to Mask Hair
50Creating a Layer Mask with the Brush Tool
51Creating Shadow Layers
52Removing Visual Distractions with Stamp Tool
53Replacing Sky with Layer Mask
54Drawing Hair Strands and Atmospheric Depth
55Creating Contrast in Your Composite
56Adding Atmospheric Elements
57Using Particle Shop
58Selective Color Adjustments
59Cropping, Sharpening, & Final Touches
60Closing Thoughts