Review of Location Composite
Yesterday we did a bunch of shooting on location. Where we are basically taking the location and turning it in to something else. So the whole point of this course is to take whatever's available to you. So whatever those skills are. If you don't have a studio. Like yesterday we went through how to composite stuff shot on location. And then today we're gonna be doing stuff that's shot in studio to create a composite. So that looks like it was shot on location and to make it as realistic as possible. So, that's kind of where we're sitting at right now. So that, like I said this is yesterday and we're gonna go on today and we're gonna do the studio stuff. So I preface every single one of these classes but sometimes not all composites turn out the first try. (chuckles) So even yesterday, like when you're going through the coloring and everything like that I was like pushing through the color and some of it was sitting there and I was like, "I'm not really feeling it, you know?" It wasn't ...
doing the thing that I liked and then sure enough towards the end just. (snaps) It all kinda fell together and it fell together quite quickly. So hopefully we're gonna do some of that today. Well not hopefully. We're gonna do it today. (laughing) It is happening. So what we're gonna go through today. I'll just leave that open for another minute. Is we're going to, I'm gonna show you guys some videos. Basically we went out and reshot a bunch of relocation plates and so it's all filmed. Kind of some of the thought process that goes through it. And then we're gonna start going through some of the styling ideas, the location. And see some pre-visualization artwork. So like I said, yesterday as well. Or on the previous class, I can't show you the mood board because I don't have permission to use those images on media. So we're gonna pretend. (laughs) And we're gonna fake some stuff together and then we're gonna sit there. I'm gonna open up Photoshop. Use some of the files that we shot. And I'm gonna do some previous sketching on kinda what's going through my head when I'm working on this and how we're gonna build the lighting set up for it.