Lesson Info
26. Using Color As A Cohesive Tools
Lessons
Class Introduction - Three Steps To Creative Photography
03:48 2Firing The Creative Mind - Part 1: The Camera Points Both Ways
03:10 3Firing The Creative Mind - Part 2: Letting Go Of Judgement
06:53 4Firing The Creative Mind - Part 3: Detaching From Outcomes
04:12 5Practicing Mindfulness In Photography
02:43 6Finding The Visual Narrative
02:39 7Behind-the-scenes: Naples
07:52 8Seeing Beneath The Surface Of Things
02:30Finding Inspiration
03:19 10Slowing Down
03:57 11Three Reasons To Shoot RAW
02:29 12Choosing the Right Frame Format
03:52 13Don’t Be Limited By The Shape Of Your Camera
05:07 14WYSIWYG
04:15 15Choosing Lenses
05:02 16Perspective
02:44 17Considering Foreground And Background
03:10 18Two Out Of Three Ain’t Bad But Three Into Two Is Better
03:43 19Separate And Isolate
02:32 20The Art Of Creative Exposure
06:38 21Focus On The Story
04:20 22The Passage Of Time
03:00 23Creating A Visual Sense Of Mood
04:24 24Color vs. Black & White
03:09 25The Decisive Moment
03:00 26Using Color As A Cohesive Tools
01:51 27Photography Is A Two-Part Process
06:55 28Case Study: Recreating The Art of Sumi-e
07:04 29Case Study: Making Something Out of Nothing
04:32 30Case Study: Moody Blues
03:29 31Image Reviews
03:02 32Image Review: The “Thinking Man”
01:55 33Image Review: The Golf Course
02:32 34Image Review: Dreamstate
02:38 35Image Review: Gone Fishing
02:24 36Image Review: Promenade
01:47 37Image Review: Sky and Reflections
01:57 38Image Review: Grass and Field
02:20 39Final Word: Show Me What The World Looks Like To You
04:44Lesson Info
Using Color As A Cohesive Tools
there's another aspect to color. I want to touch on here not so much in relation to the single image, but in terms of how to build a cohesive portfolio of work, a unified set of images through consistency of color palette. Now, sometimes I set out with this intention in mind, and I create each image specifically to match my color theme, choosing specific times of the day or contributing weather conditions to shoot in. But you can also create a unifying color palette across a collection of images in post capture. Because my project photographing Japanese cranes was intended for my gallery, it was important I create a unified color palette across all images. Now, even though the images were shot over several days, each was photographed under almost identical overcast lighting conditions, and this helps to balance contrast across the set. I used the same exposure technique for all the images, setting an exposure compensation of plus three, and the timing of each shot was planned. So the b...
irds are always against a backdrop of snow, and in every case, I was mindful of making sure some amount of the red Crown was visible in the shot so that a splash of color can be seen in every frame. And finally, I process the images as a set to create a continuity of tone when they are viewed hanging on a wall. Together. We do tend to think of photography in terms of the single image, one off frames and desperate moments in time. But there are times when we might want to bring a set of images together into a single body of work in the professional world. For example, I have done this for exhibitions, and many of the photographic competitions around today have portfolio categories. In both examples, color is a powerful tool at your disposal.
Ratings and Reviews
Glenda
I loved this course - in particular the latter part of it in which he demonstrated how post processing lets you really tell the story of the image. Another fabulous course. Thanks Chris & thanks Creative Live.
Abdullah Alahmari
Thanks a lot to mr. Chris Weston This course is great and It is a 🌟 🌟 🌟 🌟 🌟 course for me. Beside the other course ( mastering photographic composition and visual storytelling) both courses are Complementing to each other and highly recommended.
Charles Ewing
Fantastic course. Great photographer, teacher and storyteller!