Color in Camera
Lesson 28 from: Mastering Photographic Composition and Visual StorytellingChris Weston
Color in Camera
Lesson 28 from: Mastering Photographic Composition and Visual StorytellingChris Weston
Lesson Info
28. Color in Camera
Lessons
Your 10,001st Photograph
03:24 2Camera Gear
03:03 3Piece of Gear We Always Forget
03:47 4Be a Storyteller
03:09 5Finding Ideas For Photography - Know Your Subject
06:59 6Cae Study - Why Are Zebras Black and White Striped
01:30 7Photograph What You Love
02:00 8See the Extraordinary in Ordinary Things
01:31Have an Opinion
01:46 10See With a Child’s Eyes
02:34 11Tell Your Story
08:46 12Find a Needle in the Haystack
01:38 13Lions Hunting Under Star Trails
04:21 14Ansel Adams and Visualisation in Practice
03:20 15Keeping an Open Mind and Thinking on Your Feet
02:47 16Case Study - The Maternal Bond
02:42 17Don’t Tell the Same Old Story
02:38 18Relevance
01:06 19#1 Reason Photographs Fail
02:57 20Getting Rid of Clutter
03:59 21Post Capture Cropping
02:04 22The Elements of Design
02:31 23Elements of Design
01:38 24Elements of Design - Shape
02:21 25Case Study - Shape
02:11 26Elements of Design - Color
01:55 27Case Study - Color
01:50 28Color in Camera
01:42 29Pattern
01:54 30Texture
02:24 31Seeing The Elements of Design
08:52 32Gestalt Theory
05:10 33Case Study - Cove
01:36 34Case Study - Hat
02:09 35Light and Contrast
01:54 36Light and Form
01:26 37Light and Depth
03:48 38Perspective
02:28 39Lenses and Perspective
02:47 40Rule of Thirds
02:48 41Centre of Frame
01:36 42Case Study - Positioning the Subject
01:48 43Positioning the Subject - Dynamic Symmetry
03:20 44The Horizon Line
02:52 45Should the Horizon Line Always be Straight and Level
02:13 46Other Lines
04:57 47Rhythm, Balance, and Visual Weight
02:59 48Negative Space
02:29 49The Two Most Important Controls on Your Camera
03:41 50Training the Mind
04:26Lesson Info
Color in Camera
before I move on from color, I want to mention something relating to how digital cameras deal with color. Now we tend to think of colors. Objective readies. Red green is green. In reality, as anyone who's color blind will tell you, color is subjective. And just as you and I see color differently so to our cameras. Now, to show you what I mean, have a look at this image on the face of it, this is a great elephant in a green field. But I know from experience that in that skin there is too much blue, and that's because it was shot on a camera. In this case, a nick on where the sensor is biased towards blue Show you exactly what I mean. I'm going to go into the saturation adjustment. I'm going to select the Blue Color Channel and take the saturation slider and drag it all the way across to the right. And there you can see exactly what I'm talking about. I spend a lot of time in post adjusting color. Now there's no right or wrong. Remember, color is subjective. It's just something to be awa...
re off so you could deal with it if and when you need to. Another thing relating to color and cameras When shooting in J Peg mode, where the images processed in the camera violent menu, you can set different color treatments, depending on the subject you're photographing. For example, there will be a portrait mode, which is biased towards red, to get accurate skin tones on the landscape mode, which will change the bias towards green again. There's no right or wrong here. It's all subjective. But because color is such an important part of composition, it's worth getting to know precisely how your camera deals with it.
Ratings and Reviews
Edmund Cheung
Perhaps the style of presentation and simple, short, and direct messaging does not "jive" with some; but others may really love this. Yes the production of each episode is stylized and perhaps a bit formal (like a TV Show?), but there is something to be said about it. Perhaps this is not meant for professional photographers? I think of myself as decent amateur / high level photographer. I found lots of great nuggets of wisdom and inspiration from this. Especially when I an in a rut for creativity. Yes I have heard all these concepts and ideas before. BUT it is always great to hear and see a different way of presentation and voice. Please do NOT take the naysayer reviews as the end all. You should judge for yourself and watch a few episodes. If the style and content click for you, I would highly recommend this course.
Kai Atherton
While I am perhaps more advanced in my photography then this course. It is always great to be able to go back to fundamentals and remind ourselves of the basic principles, and even camera function. I thoroughly enjoyed this course and Chris's other. It is a great motivational jumpstart when lacking fresh creative idea's.
Abdullah Alahmari
Thanks a lot to mr. Chris Weston This course is great and It is a 🌟 🌟 🌟 🌟 🌟 course for me. Beside the other course ( mastering the art of photography ) both courses are Complementing to each other and highly recommended.