Mastering Photographic Composition and Visual Storytelling
Lesson 28 of 50
Color in Camera
Mastering Photographic Composition and Visual Storytelling
Lesson 28 of 50
Color in Camera
Lesson Info
Color in Camera
before I move on from color, I want to mention something relating to how digital cameras deal with color. Now we tend to think of colors. Objective readies. Red green is green. In reality, as anyone who's color blind will tell you, color is subjective. And just as you and I see color differently so to our cameras. Now, to show you what I mean, have a look at this image on the face of it, this is a great elephant in a green field. But I know from experience that in that skin there is too much blue, and that's because it was shot on a camera. In this case, a nick on where the sensor is biased towards blue Show you exactly what I mean. I'm going to go into the saturation adjustment. I'm going to select the Blue Color Channel and take the saturation slider and drag it all the way across to the right. And there you can see exactly what I'm talking about. I spend a lot of time in post adjusting color. Now there's no right or wrong. Remember, color is subjective. It's just something to be awa...
re off so you could deal with it if and when you need to. Another thing relating to color and cameras When shooting in J Peg mode, where the images processed in the camera violent menu, you can set different color treatments, depending on the subject you're photographing. For example, there will be a portrait mode, which is biased towards red, to get accurate skin tones on the landscape mode, which will change the bias towards green again. There's no right or wrong here. It's all subjective. But because color is such an important part of composition, it's worth getting to know precisely how your camera deals with it.
Class Description
WARNING: THIS COURSE CONTAINS ARTISTIC NUDITY
AFTER THIS CLASS YOU’LL BE ABLE TO:
- Compose a shot consistently and effectively
- Create artistic, powerful images quickly
- Gain confidence in building narrative
- Identify what stories you’re drawn to photograph
- Brainstorm and develop concepts for creative shots
- Trust your instincts when approaching a subject
ABOUT CHRIS' CLASS:
CreativeLive is partnering with Chris Weston to offer you his Complete Photography Master Course. This is the second class in the series.
Today, everybody has a camera, but that doesn’t mean everyone’s a photographer. Chris Weston will show you how to do all the other stuff – how to “see” an image, tap into your creativity, and compose a photograph that makes the subject look as good in print as it does in real life.
This class isn’t about cameras, it’s about you – the photographer. It will break free your creative mind, get you thinking about narrative rather than object, and show you how to apply simple artistic skills that turn that next click into a powerful photograph.
Learn how to approach photography like a pro and start creating great pictures straight away. With in-the-field lessons, case studies and powerful tips and techniques, you’ll quickly unleash your creativity and gain confidence in expressing yourself through your camera.
WHO THIS CLASS IS FOR:
- Beginner photographers
- First time DSLR or mirrorless camera users
- Any photographer who wants to hone their artistic skills
ABOUT YOUR INSTRUCTOR:
Named one of the world's most influential wildlife photographers, Chris Weston takes a contemporary approach to photography. After launching his career in 2001, the Fujifilm ambassador's images have graced the pages of top publications like BBC, The Times, Outdoor Photography, Practical Photography, and Digital Photography. As a photography educator, Chris has written over 20 photography books, along with leading photo tours and online workshops.
Lessons
- Your 10,001st Photograph
- Camera Gear
- Piece of Gear We Always Forget
- Be a Storyteller
- Finding Ideas For Photography - Know Your Subject
- Cae Study - Why Are Zebras Black and White Striped
- Photograph What You Love
- See the Extraordinary in Ordinary Things
- Have an Opinion
- See With a Child’s Eyes
- Tell Your Story
- Find a Needle in the Haystack
- Lions Hunting Under Star Trails
- Ansel Adams and Visualisation in Practice
- Keeping an Open Mind and Thinking on Your Feet
- Case Study - The Maternal Bond
- Don’t Tell the Same Old Story
- Relevance
- #1 Reason Photographs Fail
- Getting Rid of Clutter
- Post Capture Cropping
- The Elements of Design
- Elements of Design
- Elements of Design - Shape
- Case Study - Shape
- Elements of Design - Color
- Case Study - Color
- Color in Camera
- Pattern
- Texture
- Seeing The Elements of Design
- Gestalt Theory
- Case Study - Cove
- Case Study - Hat
- Light and Contrast
- Light and Form
- Light and Depth
- Perspective
- Lenses and Perspective
- Rule of Thirds
- Centre of Frame
- Case Study - Positioning the Subject
- Positioning the Subject - Dynamic Symmetry
- The Horizon Line
- Should the Horizon Line Always be Straight and Level
- Other Lines
- Rhythm, Balance, and Visual Weight
- Negative Space
- The Two Most Important Controls on Your Camera
- Training the Mind
Reviews
Edmund Cheung
Perhaps the style of presentation and simple, short, and direct messaging does not "jive" with some; but others may really love this. Yes the production of each episode is stylized and perhaps a bit formal (like a TV Show?), but there is something to be said about it. Perhaps this is not meant for professional photographers? I think of myself as decent amateur / high level photographer. I found lots of great nuggets of wisdom and inspiration from this. Especially when I an in a rut for creativity. Yes I have heard all these concepts and ideas before. BUT it is always great to hear and see a different way of presentation and voice. Please do NOT take the naysayer reviews as the end all. You should judge for yourself and watch a few episodes. If the style and content click for you, I would highly recommend this course.
Kai Atherton
While I am perhaps more advanced in my photography then this course. It is always great to be able to go back to fundamentals and remind ourselves of the basic principles, and even camera function. I thoroughly enjoyed this course and Chris's other. It is a great motivational jumpstart when lacking fresh creative idea's.
Silvia Garcia
Excellent ! Will see it many times to digest all the messages here. Important info on composition theory. Very well explained. Go to the essence of photography. Thanks, Chris !