Keeping an Open Mind and Thinking on Your Feet
Lesson 15 from: Mastering Photographic Composition and Visual StorytellingChris Weston
Keeping an Open Mind and Thinking on Your Feet
Lesson 15 from: Mastering Photographic Composition and Visual StorytellingChris Weston
Lesson Info
15. Keeping an Open Mind and Thinking on Your Feet
Lessons
Your 10,001st Photograph
03:24 2Camera Gear
03:03 3Piece of Gear We Always Forget
03:47 4Be a Storyteller
03:09 5Finding Ideas For Photography - Know Your Subject
06:59 6Cae Study - Why Are Zebras Black and White Striped
01:30 7Photograph What You Love
02:00 8See the Extraordinary in Ordinary Things
01:31Have an Opinion
01:46 10See With a Child’s Eyes
02:34 11Tell Your Story
08:46 12Find a Needle in the Haystack
01:38 13Lions Hunting Under Star Trails
04:21 14Ansel Adams and Visualisation in Practice
03:20 15Keeping an Open Mind and Thinking on Your Feet
02:47 16Case Study - The Maternal Bond
02:42 17Don’t Tell the Same Old Story
02:38 18Relevance
01:06 19#1 Reason Photographs Fail
02:57 20Getting Rid of Clutter
03:59 21Post Capture Cropping
02:04 22The Elements of Design
02:31 23Elements of Design
01:38 24Elements of Design - Shape
02:21 25Case Study - Shape
02:11 26Elements of Design - Color
01:55 27Case Study - Color
01:50 28Color in Camera
01:42 29Pattern
01:54 30Texture
02:24 31Seeing The Elements of Design
08:52 32Gestalt Theory
05:10 33Case Study - Cove
01:36 34Case Study - Hat
02:09 35Light and Contrast
01:54 36Light and Form
01:26 37Light and Depth
03:48 38Perspective
02:28 39Lenses and Perspective
02:47 40Rule of Thirds
02:48 41Centre of Frame
01:36 42Case Study - Positioning the Subject
01:48 43Positioning the Subject - Dynamic Symmetry
03:20 44The Horizon Line
02:52 45Should the Horizon Line Always be Straight and Level
02:13 46Other Lines
04:57 47Rhythm, Balance, and Visual Weight
02:59 48Negative Space
02:29 49The Two Most Important Controls on Your Camera
03:41 50Training the Mind
04:26Lesson Info
Keeping an Open Mind and Thinking on Your Feet
to pretend that the full visualization process I used to create the image of the lions that I described in less than two of this module is what I do for every picture I create would be disingenuous. Now it's true that for many of my images, it's my starting point. If I was to restrict myself to this technique alone, I'll be closing the door on spontaneity and creativity. And let's face it as photographers. That's not something we should do whenever I'm out with my camera, either for work or for fun. I'm always on the lookout for the candid moment, but here's the thing. What I found is probably because I've been doing this for many years. Even when I'm making snap decisions in photographing spontaneously, I go through exactly the same visual ization process. It's just that because I'm so familiar with it now I do it subconsciously. What I mean by that is before I press the shutter, I'm asking myself the question. What's the story? What is it I want to say here one of my feeling and what...
do I want to express? And it's from the answer to that question. I get the image. A simple way to practice visualization is when you're looking through the viewfinder on before you press the shutter, ask yourself the question. How would I caption this image if the only answer you can come up with is a common noun, a landscape, a beach, a seal, then stop. That's a record shot on. Let's be honest, the world doesn't really need any more of those. So let's play a quick game on the screen. I'm going to play a slide show. What I want you to do is come up with a caption for each of the images and take your time and pause a video if you need to. So how did you get on? You probably found with the 1st 4 images, it was pretty easy. The final image was probably a bit more of a struggle, but don't worry. It was meant to be because the last image was a snapshot, a record shot, and it was there to illustrate the point. Now, to show you how you can put this into practice in the next lesson, I'm gonna tell you about an amazing French woman I had dinner with or photographing orangutans in Borneo. No
Ratings and Reviews
Edmund Cheung
Perhaps the style of presentation and simple, short, and direct messaging does not "jive" with some; but others may really love this. Yes the production of each episode is stylized and perhaps a bit formal (like a TV Show?), but there is something to be said about it. Perhaps this is not meant for professional photographers? I think of myself as decent amateur / high level photographer. I found lots of great nuggets of wisdom and inspiration from this. Especially when I an in a rut for creativity. Yes I have heard all these concepts and ideas before. BUT it is always great to hear and see a different way of presentation and voice. Please do NOT take the naysayer reviews as the end all. You should judge for yourself and watch a few episodes. If the style and content click for you, I would highly recommend this course.
Kai Atherton
While I am perhaps more advanced in my photography then this course. It is always great to be able to go back to fundamentals and remind ourselves of the basic principles, and even camera function. I thoroughly enjoyed this course and Chris's other. It is a great motivational jumpstart when lacking fresh creative idea's.
Abdullah Alahmari
Thanks a lot to mr. Chris Weston This course is great and It is a 🌟 🌟 🌟 🌟 🌟 course for me. Beside the other course ( mastering the art of photography ) both courses are Complementing to each other and highly recommended.