Skip to main content

Mastering Photographic Composition and Visual Storytelling

Lesson 50 of 50

Training the Mind

 

Mastering Photographic Composition and Visual Storytelling

Lesson 50 of 50

Training the Mind

 

Lesson Info

Training the Mind

in 15 20 explorer Ferdinand Magellan landed the tip of South America in a ship not unlike this. On coming ashore, he was greeted by a group of natives who had come to investigate these strange new beings and to wonder it. How they arrived. A legend has it. When Magellan pointed out the three fully rig sailing ships anchored off the coast, none of the natives could see them. The ship's alleged invisibility is thought to be due to the natives, having never conceived such otherworldly contraptions, which meant they had no reference for them in their brains. The inference is, we can only see what our minds are capable of conceiving. Today we're bombarded with information, so it's hard to imagine anything being inconceivable. But in 15 22 a native South American who truly believe the whole world consisted only of their known lands, the coming of these fair skinned, strangely clad stinky sailors was the equivalent of an alien invasion from outer space long before Hollywood and informed us wh...

at aliens might look like. Another word for conceive is one I've referred to already in this course. Visualize visualization is the process of creating a reference point in the brain of the potential image, which enables you to more easily perceive that image when you're out with your camera in the field. On a deeper level, visualization is the key to defining your own personal photographic style. The more we're able to conceive, the more likely it is the images we create our own unique interpretation of the world, rather than simply another record of what is plain for all to see. To conceive then lies at the heart of creativity. The question is, how might we train ourselves to conceive Mawr? Well, it turns out the answer is inside your head. We see so much in the world, so many the lower brain is bombarded with stimuli. You don't want to see that many stimuli. But if you did want to see the stimuli, then you can potentially do that by creating more connections. We do know that these connections are important for creativity on that the more connections that we form the mawr weaken perceive outside our normal perception outside our normal daily life and what we see and what we're trained to see. The brain can break down these connections and form new connections, and that's what we called plasticity. This plasticity will allow you to see things uniquely and ultimately that's going to win hearts, creativity. Our capacity deflects the mind in whatever direction is necessary to find. Result is what leads to true out of this world thinking as a photographer, it helps you make the compelling image and individually to reveal the world not as it seems to the outside world, but how it appears to you. Without creative thinking out images would all look the same, so stimulating the brain, forging new synaptic connections opens the way for a way of seeing that enables us to craft images that are, at once evocative, thought provoking and inspiring images that reflect who we are in any given moment and surely as photographers as artists, this should be our universal. No, I don't know

Class Description

WARNING: THIS COURSE CONTAINS ARTISTIC NUDITY

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Compose a shot consistently and effectively
  • Create artistic, powerful images quickly
  • Gain confidence in building narrative
  • Identify what stories you’re drawn to photograph
  • Brainstorm and develop concepts for creative shots
  • Trust your instincts when approaching a subject

ABOUT CHRIS' CLASS:

CreativeLive is partnering with Chris Weston to offer you his Complete Photography Master Course. This is the second class in the series.

Today, everybody has a camera, but that doesn’t mean everyone’s a photographer. Chris Weston will show you how to do all the other stuff – how to “see” an image, tap into your creativity, and compose a photograph that makes the subject look as good in print as it does in real life.

This class isn’t about cameras, it’s about you – the photographer. It will break free your creative mind, get you thinking about narrative rather than object, and show you how to apply simple artistic skills that turn that next click into a powerful photograph.

Learn how to approach photography like a pro and start creating great pictures straight away. With in-the-field lessons, case studies and powerful tips and techniques, you’ll quickly unleash your creativity and gain confidence in expressing yourself through your camera.

WHO THIS CLASS IS FOR:

  • Beginner photographers
  • First time DSLR or mirrorless camera users
  • Any photographer who wants to hone their artistic skills

ABOUT YOUR INSTRUCTOR:

Named one of the world's most influential wildlife photographers, Chris Weston takes a contemporary approach to photography. After launching his career in 2001, the Fujifilm ambassador's images have graced the pages of top publications like BBC, The Times, Outdoor Photography, Practical Photography, and Digital Photography. As a photography educator, Chris has written over 20 photography books, along with leading photo tours and online workshops.

Reviews

Silvia Garcia
 

Excellent ! Will see it many times to digest all the messages here. Important info on composition theory. Very well explained. Go to the essence of photography. Thanks, Chris !

a Creativelive Student
 

Absolute must to watch! Perhaps few times, as is packed with all the information you need to know to make your photography to the next level. I think it is the most comprehensive class on composition. Fantastic!

Glenda
 

fabulous course no matter how advanced you are.. LEarned so much from it. I'll watch it again as it contains so much.