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Mastering Photographic Composition and Visual Storytelling

Lesson 40 of 50

Rule of Thirds

Chris Weston

Mastering Photographic Composition and Visual Storytelling

Chris Weston

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Lesson Info

40. Rule of Thirds

Lessons

  Class Trailer
Now Playing
1 Your 10,001st Photograph Duration:03:24
2 Camera Gear Duration:03:03
4 Be a Storyteller Duration:03:09
7 Photograph What You Love Duration:02:00
9 Have an Opinion Duration:01:46
10 See With a Child’s Eyes Duration:02:34
11 Tell Your Story Duration:08:46
12 Find a Needle in the Haystack Duration:01:38
16 Case Study - The Maternal Bond Duration:02:42
18 Relevance Duration:01:06
19 #1 Reason Photographs Fail Duration:02:57
20 Getting Rid of Clutter Duration:03:59
21 Post Capture Cropping Duration:02:04
22 The Elements of Design Duration:02:31
23 Elements of Design Duration:01:38
24 Elements of Design - Shape Duration:02:21
25 Case Study - Shape Duration:02:11
26 Elements of Design - Color Duration:01:55
27 Case Study - Color Duration:01:50
28 Color in Camera Duration:01:42
29 Pattern Duration:01:54
30 Texture Duration:02:24
31 Seeing The Elements of Design Duration:08:52
32 Gestalt Theory Duration:05:10
33 Case Study - Cove Duration:01:36
34 Case Study - Hat Duration:02:09
35 Light and Contrast Duration:01:54
36 Light and Form Duration:01:26
37 Light and Depth Duration:03:48
38 Perspective Duration:02:28
39 Lenses and Perspective Duration:02:47
40 Rule of Thirds Duration:02:48
41 Centre of Frame Duration:01:36
44 The Horizon Line Duration:02:52
46 Other Lines Duration:04:57
48 Negative Space Duration:02:29
50 Training the Mind Duration:04:26

Lesson Info

Rule of Thirds

a few 1000 years ago when they were designing. They're rather beautiful buildings. Ancient Greek architects came up with a mathematical formula, which determined the most aesthetic position for doors and windows on the facade. This formula described a ratio that became known as the golden mean and the rule of thirds is loosely based on this formula has become a bit of a compositional cliches. Why? Well, because, like most cliches it holds true, have to show you what I mean. Let's create an image space in this case, a wee white house in an imposing landscape. The basic concept divides this image space in tow, 1/3 portions, both vertically and horizontally, creating a virtual grid. The four points where the lines intersect, known as polar points, are the key based on the maths. An object positioned on any one of these points becomes the main point of interest in this case, the White House. Now this tells the viewer very simply, wherein the image you want them to begin now, what happens n...

ext is equally important. The I am moves from the point of interest into the area of space radiating from this point, which is called the area of interest. Essentially, whatever is in the area of interest gains emphasis of visual elements outside of it. In some ways, the simplicity of the rule of thirds is what makes it so effective, and that the viewer doesn't have to work too hard to read. The visual story at the same time is one dimensional. Nature is its downside. Used in isolation, it creates a relatively static composition. You start at one point and go to another. Now, if you're a novice, is it a good place to start? Well, applying the rule of thirds will turn an image that could have worked but didn't into an image. That's okay. However, at best, the rule of thirds is an overly simplified form of a more complex set of design. Principles on by itself won't take your photography too far beyond ordinary. On the other hand, used in conjunction with some of the more comprehensive gestalt theories, it provides a sound base from which to move forward. So you should use it all the time, right? Well, no. As we've seen in a ruler third composition, the eye is drawn away from the principal subject. What if you don't want the viewers. Attention, toe, wander in this way. What if instead, you want the viewers attention to remain fixed firmly on the main subject? Well, in this case, the rule of thirds is working against you. But don't worry, because in the very next lesson, I'm going to reveal a technique that solves this problem.

Class Description

WARNING: THIS COURSE CONTAINS ARTISTIC NUDITY

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Compose a shot consistently and effectively
  • Create artistic, powerful images quickly
  • Gain confidence in building narrative
  • Identify what stories you’re drawn to photograph
  • Brainstorm and develop concepts for creative shots
  • Trust your instincts when approaching a subject

ABOUT CHRIS' CLASS:

CreativeLive is partnering with Chris Weston to offer you his Complete Photography Master Course. This is the second class in the series.

Today, everybody has a camera, but that doesn’t mean everyone’s a photographer. Chris Weston will show you how to do all the other stuff – how to “see” an image, tap into your creativity, and compose a photograph that makes the subject look as good in print as it does in real life.

This class isn’t about cameras, it’s about you – the photographer. It will break free your creative mind, get you thinking about narrative rather than object, and show you how to apply simple artistic skills that turn that next click into a powerful photograph.

Learn how to approach photography like a pro and start creating great pictures straight away. With in-the-field lessons, case studies and powerful tips and techniques, you’ll quickly unleash your creativity and gain confidence in expressing yourself through your camera.

WHO THIS CLASS IS FOR:

  • Beginner photographers
  • First time DSLR or mirrorless camera users
  • Any photographer who wants to hone their artistic skills

ABOUT YOUR INSTRUCTOR:

Named one of the world's most influential wildlife photographers, Chris Weston takes a contemporary approach to photography. After launching his career in 2001, the Fujifilm ambassador's images have graced the pages of top publications like BBC, The Times, Outdoor Photography, Practical Photography, and Digital Photography. As a photography educator, Chris has written over 20 photography books, along with leading photo tours and online workshops.

Reviews

Edmund Cheung
 

Perhaps the style of presentation and simple, short, and direct messaging does not "jive" with some; but others may really love this. Yes the production of each episode is stylized and perhaps a bit formal (like a TV Show?), but there is something to be said about it. Perhaps this is not meant for professional photographers? I think of myself as decent amateur / high level photographer. I found lots of great nuggets of wisdom and inspiration from this. Especially when I an in a rut for creativity. Yes I have heard all these concepts and ideas before. BUT it is always great to hear and see a different way of presentation and voice. Please do NOT take the naysayer reviews as the end all. You should judge for yourself and watch a few episodes. If the style and content click for you, I would highly recommend this course.

Kai Atherton
 

While I am perhaps more advanced in my photography then this course. It is always great to be able to go back to fundamentals and remind ourselves of the basic principles, and even camera function. I thoroughly enjoyed this course and Chris's other. It is a great motivational jumpstart when lacking fresh creative idea's.

Abdullah Alahmari
 

Thanks a lot to mr. Chris Weston This course is great and It is a 🌟 🌟 🌟 🌟 🌟 course for me. Beside the other course ( mastering the art of photography ) both courses are Complementing to each other and highly recommended.