Get The Most Out of Your Photos with Capture One Pro 10


Get The Most Out of Your Photos with Capture One Pro 10


Lesson Info

What's Possible with Capture One: Quick Edit

So what I thought the very first thing that we would do is just basically look at within a couple of minutes the potential that Capture One can do, just to get you thinking about when you first look at your file out of the camera, not to disregard it, not to chuck it away, but to really think how can I shape this image into my, sort of, end result? So we have this image here shot by my friend Drew, also working at Phase One, but it actually began life looking like this as it came out of the camera. So it's kind of wonky, it's underexposed, you know, the white balance is off and so on. You might think, you know what, I don't think that really makes a very interesting shot. I'm gonna toss that in the bin. But before you do that, I would really urge you just to spend, it could only be 15 seconds just on a shot, just seeing what's possible. So, just to run down with this one for example. As I said, we notice it's a little bit wonky, so I can grab a cursor tool up at the top here and we can...

just draw along and straighten up the horizon. So a simple fix like that. Personally, before I really start doing anything else, sometimes I like to just get the crop or composition to where I think it might be useful because then that helps me visualize better the end result. So now we're getting somewhere. And as I said at the start, we can tell that, you know, the exposure's a bit off, looking at the histogram we can tell, you know, it's a little bit dark, so it does make sense just to grab our exposure and just lift that a little bit until something is looking good. Now white balance wise, it's always tricky in Antarctica because it can fool the camera with all that bright, white light around, but I'm guessing the iceberg is probably pretty neutral. So grabbing my white balance picker, you can just pick off the iceberg and neutralize it quite nicely. Now there's no such thing as the correct white balance as such. We can have the mathematically correct one but if perhaps you want to add a creative vision in there again, I might personally just make that a little bit colder, just a touch, just so it's a bit more realistic to the situation. So that's already a hell of a lot better than it was before. So now we can tell it's looking a little bit flat. So a quick fix of the levels, which we're gonna talk about extensively, so don't worry, all this stuff that I'm doing here we're going to go into lots of detail. So already that's looking much better again. So a little bit more contrast, and then finally add some clarity, and clarity is a great adjustment just for giving an image that extra pop. So we're nearly there. Last few steps, local adjustments, as I said in the introduction, really great for just picking at parts of the image to really adjust those individual zones which is fantastic especially as you have all the flexibility of the raw file. So if I grab my gradient mask and just draw on the image like so, which is gonna give me just an adjustment in that red zone at the top of the image, then I can darken my sky to make it a bit more dramatic and even more clarity to up that as well. Last final thing, again we can make use of local adjustments once more. This is our subject, spiky iceberg, so I'm gonna draw an actual mask roughly, I don't have to be super critical, so I'm just gonna draw a mask, whoops. What I meant to do before that was to make a new layer and call that iceberg. So let's just mask on our iceberg. So gonna do it just pretty rough, like so, and then that will give us the ability just to work specifically on that. Now, a quick shortcut, I've drawn 'round the edge. I can just fill that mask in. So that gives me my iceberg like so. And then add a little bit more clarity into that as well. So not only did that have my base adjustment of clarity that we did to the whole image, we've now got a bit more on the iceberg and if I turn that layer on and off you can see the effect that has just to bring out that structure a little bit. If we zoom into a hundred percent, and we can see it's got some pretty nice detail, but using our structure slider just a little bit on the image itself will just help bring up those cracks, crack and nooks and so on, to make it look even better. Last thing to do, Drew obviously didn't clean his camera while he was out in Antarctica, so we've got a couple of spots which we can just take out with our spot removal tool. I think it's just those two. Yeah, and pretty much I think I'll throw in a little bit of vignetting just around the edges and we'll call that I think just about done, like so. Let's hide my tools, that's command-t. So really, I don't know how long I spent on that, probably two minutes, but we went from, if you remember, let's bring up, um, original, so let's just make a virtual copy of that so we can look at them side by side, and see where we came from and where we ended up. So it's, as I said at the start, it's pretty easy to sometimes disregard an image we think is too dark or white balance is no good, I didn't get the right composition, the angle wasn't quite right and so on. So we've got so much flexibility in that raw file. I mean this is shot with a Phase One camera but any modern day camera these days really has incredible dynamic range which we can really pull around and create the file that we want. You know, ten years ago we were restricted with megapixel size so we couldn't crop so much, high ISO was kind of difficult to work with, but we're blessed now with modern technology to really give us the power to do these things. So that was my, kind of, quick edit and I hope that inspires you that, really without much, kind of, trouble, you can go from something like that on the right, to something like that on the left, with just a few simple steps.

Class Description

Imagine if you could capture, tether, adjust color gradient, and manage files in one program? Enter Capture One and, David Grover, a Capture One educator and expert. In this class, you'll learn how to maximize every shot. Here's what you'll learn: 
  • The interface and tools, so you can customize a workflow suited to your needs 
  • Techniques to grow a searchable and automated image catalog  
  • Ways to simplify your workflow so you can tether and adjust your RAW files WHILE you shoot 
  • Tips on using the color management tools to get that cinematic crisp look
With Capture One, manage your photos and edit all-in-one program for a simple streamlined process. 

Software Used: Capture One Pro 10, Adobe Lightroom CC 2015.4 - 2015.8


2What's Possible with Capture One: Quick Edit
3Capture One Versions: Installation Basics
4Interface Introduction and Customization
5The Power of Keyboard Shortcuts
6Image Management Basics
7Organization Best Practices
8Building your First Catalog
9Image File Management Automation
10Advanced Catalog Organization
11How to Add Meta Data
12Searching and Filtering Techniques
13Further Catalog Strategies
14Basic Selecting, Rating and Culling Techniques
15Advanced Selecting, Rating and Culling Techniques
16Basic Composing Techniques: Cropping, Rotation, Straightening
17How to Correct for Perspective
18Basic Tool Behavior
19Tool Basics Part 1
20Tool Basics Part 2
21Converting to Black and White and Adding Grain
22How to Apply Image Adjustments Globally
23Sharpening and Noise Reduction
24How to Create and Save Styles and Presets
25Why Should You Shoot Tethered?
26How to Set-Up Your Tethered Hardware
27How To Set Up A Tethered Photoshoot Project
28Basic Session Workflow Organizing And Making Selects
29Basic Session Workflow Exporting
30Advanced Session Workflow
31Creating Selections With Smart Albums
32Advanced Exporting
33Saving Session Templates
34Collaborating On Set With Capture Pilot
35Using The Color Editor Basic Color Adjustment
36Skin Tone Adjustments
37Color Grading Using The Color Balance Tool
38Image Processing Demo Perfecting Color
39Create Masks for Local Adjustments using Brushes & Gradients
40Advanced Local Adjustments using Masks
41Dodging and Burning in Capture One
42Creating Local Adjustments with the Color Editor
43How to Use Local Adjustment Masks for Color Editing
44How to Remove Objects in your Image
45Image Processing Demo: Local Adjustments
46Exporting with File>Export
47Export Strategies and Proofing Previews with Process Recipes
48How to Export for Social Media
49More Clever Tricks with Capture One Pro 10
50Final Q&A