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Sony A7 III Fast Start

Lesson 12 of 29

Menu Page 1: Quality/Image Size 1

 

Sony A7 III Fast Start

Lesson 12 of 29

Menu Page 1: Quality/Image Size 1

 

Lesson Info

Menu Page 1: Quality/Image Size 1

We're gonna jump into the next section right now which is menus. We have a very large section on menus, so we're gonna get that started right now. So, basic controls. We have dials and buttons that we've talked about before. We're gonna hit the menu to get this all started. In the menu we are going to be breaking down different controls with tabs and so we're going to organize these into different tabs. And it's pretty logically put in here with the exception of camera settings one and two. It could all just be one, it doesn't make a lot of sense to me. There's a lot of video stuff in too. And some custom controls, but we'll get into that in due time. One key feature to look at. When you go through the menu system, when you see these two symbols, these are little icons that are gonna indicate whether something is with still or with video functions. All right, so we're diving into the menu system. We're gonna start in a very logical manner. The top left under camera settings one and the...

se are gonna deal with image quality and image size. And so the first option is whether you're shooting RAW, JPEG or both. So RAW is the original information off the sensor. You're gonna get 24 megapixels and you're gonna get either a 25 or 50 megabyte file size. I'm gonna talk about that in just a moment. JPEG is the simple option. It's the format that we all use to send people images and even print images off and they're very handy. If you have a RAW image, you can create a JPEG later in your computer. If you have a JPEG, you cannot make a RAW out of it. So, RAW is what a lot of the serious shooters are using. You can shoot RAW plus JPEG so that you get two files. In general, I don't like this because if you have a RAW, you can create a JPEG. The reason for this is when you need JPEGs right away and you don't have time to make them on your own later on. And so, those are our basic options when it comes to file format. And so if you're a very simplistic user, just getting started, JPEG is fine until you get your software game figured out. But RAW is what I recommend for the more serious user. And so, as we go through these recommendations, you'll see my general recommendation and one for the more advanced user in here and this will carry forward onto the PDF that comes with the class, on the recommended settings. So I'll have all these recommendations on page one, page two is left blank so that you can fill in your own favorite settings on that. Continuing on. RAW file type, okay. If you have a Photographer party that you're going to and you want to get a discussion started, just yell compressed, uncompressed and see what happens with the party. People have different opinions on this and I'll lend you mine along with some visual support of my idea on this. So, the uncompressed is the original information from the RAW and you get this beautiful, wonderful image that you can work with. The compressed RAW is where Sony takes a look at the information and they kind of ask the question, where can we save some space and they get rid of some information that you probably don't need and you end up with a smaller file size. Which is gonna just make transferring, file size, storage, everything easier in the long run. But, hold on a minute, what did they just throw away? And is there anything important? And so this is the question that I have been wondering for years and I'm constantly checking on different cameras. So, of course, I went in and did a test and I shot identical settings. Changed it between compressed, uncompressed. I magnified it. I looked in the highlights, I looked in the shadows. I can see some differences, but I can't see any quality difference myself. And with this and with other brands of cameras, I've tried this in many ways. I've tried overexposing, underexposing and then recovering it in software. I've tried looking at color information to see, does it still have as many colors? Are they the right colors? And I still haven't gotten anything from any manufacturer that looks significant. All right, so, my recommendation is to leave it in the compressed. That's where I leave it on my camera. Now, there is a little caveat. There's a few people out on the internet that are just screaming their heads off right now. Occasionally, software doesn't work as well with compressed as it does uncompressed, 'cause it's kind of a special version of the RAW. I've seen some people shoot compressed, they download it to their iPad which has old software running on it and their images are not visible. They can see they downloaded something, but they can't see it because their software was not up-to-date. And it's usually just a software not being up-to-date type thing. I have also heard but not have verified that in processing the images in Lightroom, like building the previews and stuff, it took a little bit longer with compressed than uncompressed, which is counterintuitive 'cause it's a smaller file size, but apparently, because it was compressed, the computer is working to uncompress it and look at it and it took a little bit more processing. So, there are some software issues that you may want to test when using compressed, But everything that I have seen when it comes to image quality, there seems to be no problem with it. And it does save a huge amount of space. All right, next up for the JPEG shooters, you can choose extra fine, fine and standard. This is just the compression on each of this. On each of these different settings. And so it will change the file size a little bit. Normally you wanna shoot in the highest quality you can. This is where there will be problems with compressing your image more. JPEG image size. So the previous one that we talked about quality. That was the compression. This is the actual resolution of the image. And so you can change it from 24, 10 to six. You know, at this point now, most people are just shooting everything 24. We have memory that can handle it. But you know, back in the day when we were shooting with 10 megapixels, it was perfectly fine for a lot of things. So you may find that you don't wanna use as much data. Perhaps, you know, pictures of kitty. You don't need 24 megapixels and a million of them. Perhaps 10 megapixels is more than enough for your Instagram cat photos that you're taking. Aspect ratio. The aspect ratio of the sensor in the camera is three by two, but when shooting video, most of that is done at 16 by nine and if you wanted to shoot still pictures at 16 by nine, you can see that in the viewfinder with the framing. Not something a lot of people do, but if you are shooting for that aspect ratio, it's nice that you can see it in the viewfinder. All right, this is a really important thing and I don't know why Sony did it here. So there's an important change that we're gonna make here that is gonna make you go hmm. So, this is where the camera can crop in, we're gonna go into a sub menu. Let's go into that sub menu here. So, APS-C, super 35, that's what S35 stands for, is a way of cropping in on your image and using the smaller area in the frame. And you can have the camera automatically do this or manually do it. Manually is if you just wanna crop in and do this. Some people will say, you know what, I don't mind a 10 megapixel image. Let me just do a 50% zoom in with the press of a button. You can program this into one of the shortcut buttons. Now in auto, what happens, is if you had, let's say a Sony A65 100, you took one of the lenses that was designed for it, you put it on this camera, it's shooting a crop frame image, it would automatically crop in and just show you that cropped image on there. So, auto is not a bad option here in some ways. With the exception, and Sony I don't know why you did this, if you are using the camera in 4K video, which is a very common thing, the camera automatically crops it to 1.5. And it's just like, what? Why did it do this? Well, it did it for one reason. The camera actually records better quality video in the cropped 4K mode, than the full frame mode. And that's because of the number of pixels that it's reducing down to make that 4K video. And so, it's easier to do that compression and you get better image quality when you're in that mode. However, you're not getting the angle of view that you may want from your lens. And so this is a feature that if you're really nit-picky about video, you may wanna test to see how it looks to you. Myself, I'm kind of picky, but I'm not that picky on my video yet and so, I have turned this and set this to manual. Normally it comes set to automatic. So when I set it to manual and I put on a 24 millimeter lens, I wanna see 24 millimeter width when I'm recording my video. So, yes you can shoot full frame with this but you do have to come in here and change it to manual, which is important. And actually, this one here allows you, the first one allows you to change it manually, this is where you actually turn it on and off. And so, be aware, you gotta come in here and make these adjustments to make sure you're shooting full width if you want that from your lenses.

Class Description

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Use the advanced focusing system with 425 Contrast points and 693 phase detection points
  • Understand and leverage bracketing options for Exposure, White Balance and Dynamic Range Optimizer
  • Use the multitude of customizing options
  • Use video features like 4K video, slow motion, and time-lapse
  • Better use any modern mirrorless features like the EVF

ABOUT JOHN’S CLASS:

Sony set the bar high by calling the Sony A7 III a basic mirrorless camera, packing the $2,000 body-only digital camera with a 24.2 megapixel Exmor CMOS sensor and image processor capable of 10 fps. The entry level full frame camera is being touted as one of the best options for full frame, even among Canon and Nikon competitors.

This class helps you get the most of your Sony camera with a complete step-by-step walkthrough of the camera’s features, whether you are just picking up the a7 III for the first time or you want to learn new tricks for your well-loved camera. Join expert photographer John Greengo as he gives you all the information you need to understand this Sony Alpha camera's buttons, menus, and functions -- without the 642-page instruction manual.

WHO THIS CLASS IS FOR:

Anyone who has purchased, or is thinking about purchasing the Sony A7 III

EQUIPMENT USED:
Sony A7 III

ABOUT YOUR INSTRUCTOR:

John Greengo is a veteran instructor and an experienced photographer with over 50 Fast Start classes in the CreativeLive catalog. He has dove into the complex menu systems of multiple Sony cameras including the a6000, a6500, a9, and a7r III, as well as mirrorless and DSLRs from Panasonic, Nikon, and Canon. Besides being adept at dissecting new cameras, John works as a travel and outdoor photographer. With his experience in analyzing camera manuals, he will discuss the complete breakdown of your camera’s exposure, focus, metering, video and more. After this class, you’ll be able to use your new Sony A7 III with confidence.

Lessons

  1. Class Introduction

    Dip your feet into the world of Sony cameras with the class instruction. Walk through what to expect for the class and learn about how the camera compares to Canon and Nikon DSLRs. Note the differences with the Sony a7r III and learn camera care basics.

  2. Photo Basics

    New to photography? John covers the basics like what a mirrorless camera is and using an EVF. Learn basic terms like aperture, ISO, and shutter speed as well as factors like APS-C versus full frame sensors.

  3. Camera Controls: Control Wheel & Shutter Release

    Take your first picture (if you haven't already) with the basic, most-used controls on the Sony camera body. Explore the control wheel and shutter release, as well as the joystick that's new to the Sony a7 III (hint: the joystick also doubles as a button).

  4. Camera Controls: Mode Dial

    Learn the Sony a7 III's available modes by exploring the mode dial. From why you shouldn't use auto (and when you should) to how to use advanced modes like aperture priority mode and manual mode, dissect the different shooting modes on the camera.

  5. Camera Controls: Top Deck

    Navigate the remainder of the controls on the top of the camera, including the custom controls, like programming Sony's excellent eye AF.

  6. Camera Controls: Back Side Controls

    Demystify the controls at the back of the camera body. Learn essentials from focusing the viewfinder to AF modes to using the LCD screen.

  7. Back Side Controls: Function Button

    Jump into that "Fn" button and the quick menu controls that it brings up. Here, you can find shortcuts to adjusting options like ISO, AF mode, continuous shooting mode, and white balance.

  8. Back Side Controls: Wheel & Custom Buttons

    Continuing the journey through the back of the camera, learn all the options for the multi-purpose wheel, from shortcut EVF options to ISO.

  9. Left & Right Side Controls

    Decipher all the doors and ports at the side of the camera, including what accessories work well with the Sony camera body, the camera's NFC option, and the dual memory card slots.

  10. Bottom Controls

    The camera body doesn't have a lot of pieces at the bottom, but here, John walks photographers through easy tricks like finding the serial number and adding the battery grip accessory.

  11. Front Controls & Lenses

    Sony cameras don't often have a ton of controls at the front -- but learn the essentials on the front, as well as how to safely swap lenses. Then, dive into EF E-Mount lenses. Learn the best zoom lens and prime lenses to use with the camera body, some with built-in image stabilization. Besides using lenses from Sony and Zeiss, dig into using Canon lenses on a Sony camera with an adapter.

  12. Menu Page 1: Quality/Image Size 1

    Sony camera menus can be confusing and long -- start the trek through the a7 III's menus in this lesson by looking at the first sections on image quality, image size, and RAW vs. JPEG.

  13. Menu Page 2: Quality/Image Size 2

    Continuing diving through the image quality and size menus with features like ISO noise reduction, color space controls, and in-camera lens corrections.

  14. Menu Pages 3-5: Shoot Mode/Drive 1/AF1

    Adjust settings for multiple photos including burst mode settings and image bracketing by learning the shoot mode menu.

  15. Menu Page 6: AF2

    The Sony a7 III is often noted for the autofocus improvement over earlier models. Dig through the different AF options by digging into what all the features in the AF2 menu mean.

  16. Menu Pages 7 & 8: AF3 & AF4

    Continue digging into the AF menu and learn what features are a waste of battery and what features are actually useful like setting a second AF area.

  17. Menu Pages 9-11: Exposure & Flash

    Fine-tune your Sony camera's exposure settings with advanced menu tools like choosing whether or not to leave settings intact when the camera powers off and setting limits for the auto ISO.

  18. Menu Page 12: Color/WB/Img Processing

    Color photos not looking so hot? John walks you through the Sony camera color menu, which contains controls for options like white balance. John walks through the menu options, explaining what tools like dynamic range optimizer and picture profiles entail.

  19. Menu Page 13: Focus Assist

    Ever get home from a shoot thinking you got a great shot only to see it on a bigger screen and realize it's just a bit soft? Learn Sony's built-in tools for making sure you nab a sharp shot, including focus magnification and focus peaking, available through that OLED Tru-Finder EVF. Walk through what the different focus assist tools do, how to use them, and how to customize them.

  20. Menu Page 14: Shooting Assist

    Dig into game-changing tools you may not even realize exist by exploring the shooting assist menu. Learn how to turn on anti-flicker to get consistent results with lights that are flickering. This often happens at a speed too fast for you to perceive, but can create shots that are too dark because of the timing of the flicker and the image. Discover how to tell the face AF who to prioritize and more in the shooting assist menu.

  21. Camera Settings: Movie

    Mirrorless cameras are often just as excellent when tasked with recording video. Learn how to adjust the video settings inside the menu, including choosing 4K video or HD, along with advanced options like wind noise reduction.

  22. Camera Settings: Shutter & Steady Shot

    On the Sony a7 III, users can adjust the way the shutter works. Learn what a second curtain shutter is. Dive into how to turn the Sony camera on silent mode using a global shutter, and when you should avoid using this feature.

  23. Camera Settings: Zoom & Display Auto Review

    The Sony camera menu has several zoom and display options. Digital zoom is available but should be avoided because of a loss in image quality, leaving the menu option set to optical zoom only. Inside this submenu, learn how to adjust the display options to review your images.

  24. Camera Settings: Custom Operation

    Still using the camera's default set-up? The Sony a7 III, like many Sony cameras, can be custom programmed. Learn how to set the camera up for your shooting style for the easiest access to the most frequently used settings from customizing the control scheme to organizing your own function setting menu.

  25. Network Menu

    The Sony a7 III has both Wi-Fi and NFC. Dig into how to use the Wi-Fi to easily share images, including sending to a smartphone, sharing with a computer, or shooting with a tether.

  26. Playback Menu

    The playback menu contains all the options for working with images after you've shot them. Walk through the playback menu options, from deleting images and rating images to jumpstart the culling process.

  27. Setup Menu

    Dig into how to customize the setup of your camera, from the brightness of the LCD screen to turning down the camera's beeps. This menu is one that contains a lot of features that are set once and forgotten, John says, but there are some essential revisited sections like the sensor cleaning mode and formatting the memory card.

  28. My Menu Overview

    Find the menu daunting? Sony's My Menu allows photographers to save the most frequently used menu settings to quickly find the option without digging through pages of menu options. The custom menu idea has been around for a while on Nikon and Canon DSLRs, but it's a relatively new feature for Sony cameras.

  29. Camera Operation

    Now that you've covered the ins and outs of the cameras, work through a checklist to prep the camera for operation. Walk through a handful of different shooting scenarios from portraits to sports and how to choose the appropriate settings for that shot.

Reviews

a Creativelive Student
 

John GreengO! What a wonderful teacher! As always to the point. You do all the testing for us and we get an amazing tour of the camera. Really thrilled with your class once again. Thanks a lot!

user-7002e3
 

Thanks John. Another great class! I appreciate the thorough explanations. I many never use all of the features on this camera but at least I know what they do. Love all of your classes and would definitely recommend them.

Mary
 

Wonderful class. John is a great instructor. Learned a lot. Only wish he'd include a bit more on using a7iii to shoot video, such as using Clear Image Zoom, and including video in the ending Camera Operation settings section. Loved the course though.