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Sony A7 III Fast Start

Lesson 13 of 29

Menu Page 2: Quality/Image Size 2

 

Sony A7 III Fast Start

Lesson 13 of 29

Menu Page 2: Quality/Image Size 2

 

Lesson Info

Menu Page 2: Quality/Image Size 2

Page two, long exposure noise reduction. What happens here is when you shoot a long exposure, like 30 seconds, the camera does 30 seconds of processing to reduce the noise in the images. And this is really irritating when you're doing 30 second exposures at night, 'cause you gotta wait another 30 seconds to do your next exposure. And I, of course, wanna see how much difference does this make, and so I did a 30 second exposure with the feature on and off, these are the results. Just in case you can't see the screen real clearly. I don't see any noticeable difference here, at all. And so I think this whole long exposure noise reduction is a waste of time, so turn this thing off. And maybe there's a scenario that it has a big impact, but I haven't seen it in any of my tests so far. And when you do leave it turned off, you can always add noise reduction later on in software as well. Alright, next up is the high ISO noise reduction. Now, when you shoot with high ISOs, you are going to get n...

oise, and so this is for JPEG shooters. If you wanna set a high ISO, this test is done at 51,200. I set it pretty high so that you can clearly see what's going on. That is what you call a noisy image. The camera can reduce that noise, but when it does reduce the noise, it does kind of mar the details. And so there is a trade-off as to how far you wanna go with this. And so, if you wanna use it, I would either use it on low or turn it off and use external software for reducing noise in the JPEGs later on. Color space is dealing with the range of colors that you are recording. By shooting in raw, you are getting AdobeRGB. So if you shoot raw, you don't even need to worry about a change. If you shoot JPEG, if you're gonna manually adjust your images, exposure-wise, post-production, you would change it to AdobeRGB. I'm not sure who would leave it at sRGB, but if you were just shooting straight from the camera in auto mode straight to Instagram, then you're probably fine in that. Lens compensation is gonna deal with correcting with lens imperfections. Yes, I said it, lens imperfections, not all lenses are perfect. So shading composition can be set to auto or off. A lot of lenses, especially the fast lenses, will have a little bit of vignetting or darkening on the corners, and you can correct for that, and basically it's just brightening up those corners a little bit. For a skyline, that might be nice, but for portrait photography, I am often even adding in more vignetting, I like it on portraits a little bit more. And so this is something that a lot of serious photographers would leave off, depends on what you want your images to look like here. Once again, all of these are for JPEG only. Raw users are gonna get the original information off the sensor. Chromatic aberration is a color ghosting that happens when you have bright backgrounds and solid foregrounds. There is a little bit of color ghosting that changes the color as it wraps, or as the light comes around these solid objects. And I haven't met anybody that likes chromatic aberration. So this is something that you can safely turn off, or automatically, excuse me, leave this in auto so that it automatically corrects for this. It'll correct for it on the JPEGs, not the raws. Still something you have to deal with later on with raws. Distortion compensation, this is mostly for wide angle lenses. Let me go back and forth between these two images. So any lens that has a little bit of distortion on it can automatically be corrected, and so people generally don't like distortion unless you specifically have a fisheye lens, and so you can leave this on auto, and it will fix it on your JPEG images.

Class Description

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Use the advanced focusing system with 425 Contrast points and 693 phase detection points
  • Understand and leverage bracketing options for Exposure, White Balance and Dynamic Range Optimizer
  • Use the multitude of customizing options
  • Use video features like 4K video, slow motion, and time-lapse
  • Better use any modern mirrorless features like the EVF

ABOUT JOHN’S CLASS:

Sony set the bar high by calling the Sony A7 III a basic mirrorless camera, packing the $2,000 body-only digital camera with a 24.2 megapixel Exmor CMOS sensor and image processor capable of 10 fps. The entry level full frame camera is being touted as one of the best options for full frame, even among Canon and Nikon competitors.

This class helps you get the most of your Sony camera with a complete step-by-step walkthrough of the camera’s features, whether you are just picking up the a7 III for the first time or you want to learn new tricks for your well-loved camera. Join expert photographer John Greengo as he gives you all the information you need to understand this Sony Alpha camera's buttons, menus, and functions -- without the 642-page instruction manual.

WHO THIS CLASS IS FOR:

Anyone who has purchased, or is thinking about purchasing the Sony A7 III

EQUIPMENT USED:
Sony A7 III

ABOUT YOUR INSTRUCTOR:

John Greengo is a veteran instructor and an experienced photographer with over 50 Fast Start classes in the CreativeLive catalog. He has dove into the complex menu systems of multiple Sony cameras including the a6000, a6500, a9, and a7r III, as well as mirrorless and DSLRs from Panasonic, Nikon, and Canon. Besides being adept at dissecting new cameras, John works as a travel and outdoor photographer. With his experience in analyzing camera manuals, he will discuss the complete breakdown of your camera’s exposure, focus, metering, video and more. After this class, you’ll be able to use your new Sony A7 III with confidence.

Lessons

  1. Class Introduction

    Dip your feet into the world of Sony cameras with the class instruction. Walk through what to expect for the class and learn about how the camera compares to Canon and Nikon DSLRs. Note the differences with the Sony a7r III and learn camera care basics.

  2. Photo Basics

    New to photography? John covers the basics like what a mirrorless camera is and using an EVF. Learn basic terms like aperture, ISO, and shutter speed as well as factors like APS-C versus full frame sensors.

  3. Camera Controls: Control Wheel & Shutter Release

    Take your first picture (if you haven't already) with the basic, most-used controls on the Sony camera body. Explore the control wheel and shutter release, as well as the joystick that's new to the Sony a7 III (hint: the joystick also doubles as a button).

  4. Camera Controls: Mode Dial

    Learn the Sony a7 III's available modes by exploring the mode dial. From why you shouldn't use auto (and when you should) to how to use advanced modes like aperture priority mode and manual mode, dissect the different shooting modes on the camera.

  5. Camera Controls: Top Deck

    Navigate the remainder of the controls on the top of the camera, including the custom controls, like programming Sony's excellent eye AF.

  6. Camera Controls: Back Side Controls

    Demystify the controls at the back of the camera body. Learn essentials from focusing the viewfinder to AF modes to using the LCD screen.

  7. Back Side Controls: Function Button

    Jump into that "Fn" button and the quick menu controls that it brings up. Here, you can find shortcuts to adjusting options like ISO, AF mode, continuous shooting mode, and white balance.

  8. Back Side Controls: Wheel & Custom Buttons

    Continuing the journey through the back of the camera, learn all the options for the multi-purpose wheel, from shortcut EVF options to ISO.

  9. Left & Right Side Controls

    Decipher all the doors and ports at the side of the camera, including what accessories work well with the Sony camera body, the camera's NFC option, and the dual memory card slots.

  10. Bottom Controls

    The camera body doesn't have a lot of pieces at the bottom, but here, John walks photographers through easy tricks like finding the serial number and adding the battery grip accessory.

  11. Front Controls & Lenses

    Sony cameras don't often have a ton of controls at the front -- but learn the essentials on the front, as well as how to safely swap lenses. Then, dive into EF E-Mount lenses. Learn the best zoom lens and prime lenses to use with the camera body, some with built-in image stabilization. Besides using lenses from Sony and Zeiss, dig into using Canon lenses on a Sony camera with an adapter.

  12. Menu Page 1: Quality/Image Size 1

    Sony camera menus can be confusing and long -- start the trek through the a7 III's menus in this lesson by looking at the first sections on image quality, image size, and RAW vs. JPEG.

  13. Menu Page 2: Quality/Image Size 2

    Continuing diving through the image quality and size menus with features like ISO noise reduction, color space controls, and in-camera lens corrections.

  14. Menu Pages 3-5: Shoot Mode/Drive 1/AF1

    Adjust settings for multiple photos including burst mode settings and image bracketing by learning the shoot mode menu.

  15. Menu Page 6: AF2

    The Sony a7 III is often noted for the autofocus improvement over earlier models. Dig through the different AF options by digging into what all the features in the AF2 menu mean.

  16. Menu Pages 7 & 8: AF3 & AF4

    Continue digging into the AF menu and learn what features are a waste of battery and what features are actually useful like setting a second AF area.

  17. Menu Pages 9-11: Exposure & Flash

    Fine-tune your Sony camera's exposure settings with advanced menu tools like choosing whether or not to leave settings intact when the camera powers off and setting limits for the auto ISO.

  18. Menu Page 12: Color/WB/Img Processing

    Color photos not looking so hot? John walks you through the Sony camera color menu, which contains controls for options like white balance. John walks through the menu options, explaining what tools like dynamic range optimizer and picture profiles entail.

  19. Menu Page 13: Focus Assist

    Ever get home from a shoot thinking you got a great shot only to see it on a bigger screen and realize it's just a bit soft? Learn Sony's built-in tools for making sure you nab a sharp shot, including focus magnification and focus peaking, available through that OLED Tru-Finder EVF. Walk through what the different focus assist tools do, how to use them, and how to customize them.

  20. Menu Page 14: Shooting Assist

    Dig into game-changing tools you may not even realize exist by exploring the shooting assist menu. Learn how to turn on anti-flicker to get consistent results with lights that are flickering. This often happens at a speed too fast for you to perceive, but can create shots that are too dark because of the timing of the flicker and the image. Discover how to tell the face AF who to prioritize and more in the shooting assist menu.

  21. Camera Settings: Movie

    Mirrorless cameras are often just as excellent when tasked with recording video. Learn how to adjust the video settings inside the menu, including choosing 4K video or HD, along with advanced options like wind noise reduction.

  22. Camera Settings: Shutter & Steady Shot

    On the Sony a7 III, users can adjust the way the shutter works. Learn what a second curtain shutter is. Dive into how to turn the Sony camera on silent mode using a global shutter, and when you should avoid using this feature.

  23. Camera Settings: Zoom & Display Auto Review

    The Sony camera menu has several zoom and display options. Digital zoom is available but should be avoided because of a loss in image quality, leaving the menu option set to optical zoom only. Inside this submenu, learn how to adjust the display options to review your images.

  24. Camera Settings: Custom Operation

    Still using the camera's default set-up? The Sony a7 III, like many Sony cameras, can be custom programmed. Learn how to set the camera up for your shooting style for the easiest access to the most frequently used settings from customizing the control scheme to organizing your own function setting menu.

  25. Network Menu

    The Sony a7 III has both Wi-Fi and NFC. Dig into how to use the Wi-Fi to easily share images, including sending to a smartphone, sharing with a computer, or shooting with a tether.

  26. Playback Menu

    The playback menu contains all the options for working with images after you've shot them. Walk through the playback menu options, from deleting images and rating images to jumpstart the culling process.

  27. Setup Menu

    Dig into how to customize the setup of your camera, from the brightness of the LCD screen to turning down the camera's beeps. This menu is one that contains a lot of features that are set once and forgotten, John says, but there are some essential revisited sections like the sensor cleaning mode and formatting the memory card.

  28. My Menu Overview

    Find the menu daunting? Sony's My Menu allows photographers to save the most frequently used menu settings to quickly find the option without digging through pages of menu options. The custom menu idea has been around for a while on Nikon and Canon DSLRs, but it's a relatively new feature for Sony cameras.

  29. Camera Operation

    Now that you've covered the ins and outs of the cameras, work through a checklist to prep the camera for operation. Walk through a handful of different shooting scenarios from portraits to sports and how to choose the appropriate settings for that shot.

Reviews

a Creativelive Student
 

John GreengO! What a wonderful teacher! As always to the point. You do all the testing for us and we get an amazing tour of the camera. Really thrilled with your class once again. Thanks a lot!

user-7002e3
 

Thanks John. Another great class! I appreciate the thorough explanations. I many never use all of the features on this camera but at least I know what they do. Love all of your classes and would definitely recommend them.

Mary
 

Wonderful class. John is a great instructor. Learned a lot. Only wish he'd include a bit more on using a7iii to shoot video, such as using Clear Image Zoom, and including video in the ending Camera Operation settings section. Loved the course though.