Menu Page 2: Quality/Image Size 2
Page two, long exposure noise reduction. What happens here is when you shoot a long exposure, like 30 seconds, the camera does 30 seconds of processing to reduce the noise in the images. And this is really irritating when you're doing 30 second exposures at night, 'cause you gotta wait another 30 seconds to do your next exposure. And I, of course, wanna see how much difference does this make, and so I did a 30 second exposure with the feature on and off, these are the results. Just in case you can't see the screen real clearly. I don't see any noticeable difference here, at all. And so I think this whole long exposure noise reduction is a waste of time, so turn this thing off. And maybe there's a scenario that it has a big impact, but I haven't seen it in any of my tests so far. And when you do leave it turned off, you can always add noise reduction later on in software as well. Alright, next up is the high ISO noise reduction. Now, when you shoot with high ISOs, you are going to get n...
oise, and so this is for JPEG shooters. If you wanna set a high ISO, this test is done at 51,200. I set it pretty high so that you can clearly see what's going on. That is what you call a noisy image. The camera can reduce that noise, but when it does reduce the noise, it does kind of mar the details. And so there is a trade-off as to how far you wanna go with this. And so, if you wanna use it, I would either use it on low or turn it off and use external software for reducing noise in the JPEGs later on. Color space is dealing with the range of colors that you are recording. By shooting in raw, you are getting AdobeRGB. So if you shoot raw, you don't even need to worry about a change. If you shoot JPEG, if you're gonna manually adjust your images, exposure-wise, post-production, you would change it to AdobeRGB. I'm not sure who would leave it at sRGB, but if you were just shooting straight from the camera in auto mode straight to Instagram, then you're probably fine in that. Lens compensation is gonna deal with correcting with lens imperfections. Yes, I said it, lens imperfections, not all lenses are perfect. So shading composition can be set to auto or off. A lot of lenses, especially the fast lenses, will have a little bit of vignetting or darkening on the corners, and you can correct for that, and basically it's just brightening up those corners a little bit. For a skyline, that might be nice, but for portrait photography, I am often even adding in more vignetting, I like it on portraits a little bit more. And so this is something that a lot of serious photographers would leave off, depends on what you want your images to look like here. Once again, all of these are for JPEG only. Raw users are gonna get the original information off the sensor. Chromatic aberration is a color ghosting that happens when you have bright backgrounds and solid foregrounds. There is a little bit of color ghosting that changes the color as it wraps, or as the light comes around these solid objects. And I haven't met anybody that likes chromatic aberration. So this is something that you can safely turn off, or automatically, excuse me, leave this in auto so that it automatically corrects for this. It'll correct for it on the JPEGs, not the raws. Still something you have to deal with later on with raws. Distortion compensation, this is mostly for wide angle lenses. Let me go back and forth between these two images. So any lens that has a little bit of distortion on it can automatically be corrected, and so people generally don't like distortion unless you specifically have a fisheye lens, and so you can leave this on auto, and it will fix it on your JPEG images.
AFTER THIS CLASS YOU’LL BE ABLE TO:
- Use the advanced focusing system with 425 Contrast points and 693 phase detection points
- Understand and leverage bracketing options for Exposure, White Balance and Dynamic Range Optimizer
- Use the multitude of customizing options
- Use video features like 4K video, slow motion, and time-lapse
- Better use any modern mirrorless features like the EVF
ABOUT JOHN’S CLASS:
Sony set the bar high by calling the Sony A7 III a basic mirrorless camera, packing the $2,000 body-only digital camera with a 24.2 megapixel Exmor CMOS sensor and image processor capable of 10 fps. The entry level full frame camera is being touted as one of the best options for full frame, even among Canon and Nikon competitors.
This class helps you get the most of your Sony camera with a complete step-by-step walkthrough of the camera’s features, whether you are just picking up the a7 III for the first time or you want to learn new tricks for your well-loved camera. Join expert photographer John Greengo as he gives you all the information you need to understand this Sony Alpha camera's buttons, menus, and functions -- without the 642-page instruction manual.
WHO THIS CLASS IS FOR:
Anyone who has purchased, or is thinking about purchasing the Sony A7 III
Sony A7 III
ABOUT YOUR INSTRUCTOR:
John Greengo is a veteran instructor and an experienced photographer with over 50 Fast Start classes in the CreativeLive catalog. He has dove into the complex menu systems of multiple Sony cameras including the a6000, a6500, a9, and a7r III, as well as mirrorless and DSLRs from Panasonic, Nikon, and Canon. Besides being adept at dissecting new cameras, John works as a travel and outdoor photographer. With his experience in analyzing camera manuals, he will discuss the complete breakdown of your camera’s exposure, focus, metering, video and more. After this class, you’ll be able to use your new Sony A7 III with confidence.