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20 Wrap-Up

Lesson 24 from: Shooting and Selling Hybrid Photography

Will Crockett

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Lesson Info

24. 20 Wrap-Up

Next Lesson: 29 Pre-Show

Lesson Info

20 Wrap-Up

I have to tell you, if the chat rooms are any indication about what they've been asking about and we have so many questions, any indication of what they're most excited to hear about? Yeah, it's the selling. It's it is the business side of this. So could you tell us a little bit more about what we're gonna tackle tomorrow? Absolutely. Tomorrow we're going to talk about the delicacies about how you first enter the hybrid product into your sales menu, right, because you've got customers that have been buying photographs for a long time. Well, now, all of a sudden we've gotta insert the fact that you're, ah, hybrid photographer because what we don't want to do is we don't want them to say, Oh, they've changed. They don't do pictures anymore. What's a hybrid photographer? It could be interpreted as a negative thing. Well, that's why were we're experimenting like anybody else's, right? We're in Chicago. Were the biggest guys there are in Chicago that do this kind of work, and the sign and t...

he way that we're branding it is talking Portrait's right talking portrait's instead of hybrid photography, hybrid photography works. When you were in a technical spot. They get that they get that, Ah, hybrid cars, half gasoline and this half electrical motor, right? Well, that's kind of what we are here to, but talking portrait gets that picture across. That's the trigger. To get people to say talking portrait will hang on a second. Maybe instead of just getting a portrait portrait from whomever down the street, I want to check this new guy out about getting a talking portrait. That's how we're gonna first insert that into our sales. Then how do we keep them going? How do we get them interested? How do we educate them than Mawr? Importantly, how do we get them to understand the value of that piece? It's one thing for us to sell a 16 by 20 beautiful museum gray, black and white piece of photographic paper that's in a frame. And in a matter for 1400 bucks, there's value there, right? They pick it up. They look at it, they go. That's beautiful. That's value. All right. I don't want to lose that sale. I don't want to lose that $1400 sale. It takes me an hour to make that sale. Why would I want to sell a $399 product instead of that $ product? That's my problem, and that's what we're gonna solve tomorrow.

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