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Intro to Produce a Fashion Show

Lesson 35 from: Fashion Design: Start to Finish

Jay Calderin

Intro to Produce a Fashion Show

Lesson 35 from: Fashion Design: Start to Finish

Jay Calderin

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Lesson Info

35. Intro to Produce a Fashion Show

Lessons

Class Trailer

Fashion Design Inspiration: Where to Begin

1

Intro to Fashion Design Inspiration: Where to Begin

04:10
2

Why Create a Moodboard?

12:03
3

Student Mood Boards

24:59
4

Fashion Inspiration Resources

09:54
5

Learn from the Masters of Fashion

23:32
6

Explore New Fashion Frontiers

06:52
7

Why Narrow Your Focus?

19:48
8

Find a Fashion Specialty

11:18
9

Craft a Collection

31:37
10

Learn to Edit

12:32

Making Fashion: Draw, Draft and Sew

11

Intro to Making Fashion: Draw, Draft and Sew

04:07
12

Why Start with a Sketch?

07:11
13

Drawing: Draw Your Muse

35:41
14

Drawing: Sketch a Figure and Define a Silhouette

19:07
15

Drawing: Render Color

10:56
16

Drawing: Add Texture, Patterns, and Details

12:58
17

Pattern Draping: Working with Muslin

06:14
18

Pattern Draping: Drape a Basic Form

25:44
19

Pattern Draping: Drape Folds

05:43
20

Pattern Draping: Experiment with Style Lines

06:21
21

Pattern Flat: Create and True a Pattern

09:31
22

Draping and Patterning Recap

05:55
23

Constructing Clothes: Put it Together

09:51
24

Constructing Clothes: Make it Special and Finish Well

07:22

Fashion Marketing and Branding

25

Intro to Fashion Marketing and Branding

04:55
26

Explore Your Audience

33:41
27

Display, Data and Design

04:28
28

Share Your Work

05:44
29

Find Your Following

09:45
30

Inform Your Brand

14:51
31

Build Your Business Model

14:34
32

Why Tell Your Fashion Story?

28:25
33

Establish Relationships

17:27
34

Be Ready for Change

25:12

Produce a Fashion Show

35

Intro to Produce a Fashion Show

01:12
36

The Fashion Show: Why? When? How?

06:13
37

Pre-Show: Develop a Fashion Show Concept

23:46
38

Pre-Show: Build a Team

22:09
39

Pre-Show: Create a Timeline and Checklist

22:45
40

Day of Show: Backstage Strategy

14:06
41

Show: Working with Front of House

18:43
42

Show: Scheduling Run of Show

17:12
43

Show: Breaking Down the Event

19:30
44

Post-Show: Increasing Your Audience

10:06
45

Post-Show: PR for Fashion Shows

04:16
46

Post-Show: Dealing with Downtime

04:54
47

Fashion Design: Start to Finish - Wrap Up

05:30

Lesson Info

Intro to Produce a Fashion Show

Fashion show seem like so much glory, but I know that there is so much work the nuts and bolts that go into that, what do you tell people when they first come up and say, I want to do a fashion show? Uh, have you really thought about it? I thought it through. I think that is at the heart of everything I've been really lucky because over the past twenty years of fashion week fashion shows have been a part of every day of every year for the past twenty years at all different stages, and I think people just focus on that sort of excitement and the glamour around it, and I think there's there's so much more than they need to consider before they take a fashion show on and, you know, I hate to make it sort of as an ominous thing like, oh, you're not going to want to do it after this. I think the process is actually really exciting and just as creative as all the things we've talked about. So for me, it's kind of a little bit of a reality check, but also hopefully that reality check is inspi...

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Class Materials

Bonus Materials

Mood Board Checklist
Styling and Fashion Show Gear Guide

Bonus Materials with Purchase

Body Measurements Chart
Care and Feeding of a Garment
Change Agents
Copy Rights and Copy Culture
Dissemination - FashionArt
Fashion Equations.pdf
Fashion Show Checklists
Question Charts
Specializations - The Players
Starter Questions Chart
Pattern Making Gear Guide
Sketching Gear Guide
Sewing Gear Guide

Ratings and Reviews

Abbeylynne
 

Jay is a rare gem in the world of instructors. He has the perfect balance of information, examples, and hands on visuals. He included his students in the teaching process. They were not just the audience. Even the viewers were encouraged to participate! I loved his teaching style and enthusiasm as well as the content of information he shared with us. He covered a vast amount of information and led us at a pace that was very easy to follow. It reaffirmed my love of fashion as well as designing new ideas. This class was inspiring and motivating. If you are even the slightest bit curious about Fashion Design, constructing patterns, or even drawing models, this class is for you. It was all encompassing for an overview of Fashion Design from start to finish. Jay has an easygoing manner that you will want to watch him again and again. A great resource for your library. I can't wait to see him again in the Creative Live classroom!. Good luck to Jay and all his endeavors! Thank you Creative Live for providing yet another great learning opportunity for an international audience.

Michelle B
 

This is day one of Jays class and I am already hooked and purchased this class. Jay is an awesome instructor. He explains everything in easy to understand terms. He explained things that I have bought books to learn and didn't in one easy lesson. I recommend this class for anyone that has a interest in Fashion design or even learning to draw models for anything you need to sketch out. I hope Creative Live will bring Jay back for more classes. Jay is a instructor also worth having in your tool box of CL classes to refer back to for learning and inspiration! Thank You Jay for sharing your knowledge with us!!

Anji
 

I agree with everything that michelle-b said in her review of this class, and will add that I can tell that he is an instructor who not only knows his subject matter, but has excellent teaching skills. He is very engaged with his students, and focused on making sure that they get what he is telling/showing them. He also has the rare gift of distilling a complex subject down to its essence and teaching it in a simplified form that gives the student a good overview of the basics, and somehow also gives the student insight into more of the subject’s depth than he actually says in words. This broader understanding of the subject empowers the student to proceed on a much higher level than would be possible after taking any other course overview. Even more amazing is that the lessons covered in this way could be (and are) full courses in themselves elsewhere, but were merely segments of this two-day CL class. For this reason, if I ever got a chance to take one of Jay’s classes at the School of Fashion Design, I would take it in an instant. I too bought this class by the end of Day 1. For me, the segments on sketching and drafting alone were worth the $69, and the rest is bonus.

Student Work