Adaptive Wide Angle Filter
Lesson 70 from: Adobe Photoshop: The Complete Guide BootcampBen Willmore
Adaptive Wide Angle Filter
Lesson 70 from: Adobe Photoshop: The Complete Guide BootcampBen Willmore
Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
Adaptive Wide Angle Filter
All right, then let's look at a more utilitarian, less creative use of filters. Here. I have a panorama where I took a picture of this building, but I couldn't get the whole building in. In one shot, there was something behind me where I couldn't back up further. So I took this shot. Then I swung my camera to the left, took that shot, and then I swung my camera to the right and took that shot. And now what I want to do is take those three images and I'm going to stitch them into a panorama. There are many different ways of doing that. And when we talk about Photoshopped for photography, I'll end up showing you multiple methods. For now, I'm going to use this thing Tools Photoshopped photo merge toe haven't stitch these images together. I'll use default settings with everything, and I'm just gonna click, OK, because it's not how to stitch the panorama that I want to show you. It's what to do afterwards. Although I'm not liking that end result. So actually, I lied. Let me actually pay at...
tention to those settings in here over here. Instead of using auto, I'm gonna come over here and use something called Spiric away and hope it does a better job. And if it doesn't, will use a different method. There's two different methods for stitching panoramas. And I just didn't want to get into the more complicated version. Good. That work better. All right. Now I'm gonna take this result which has three layers stitched together in I'm gonna convert it into a smart object so that any filters I apply are not permanent that are returned to the filter menu where I find a choice called adaptive wide angle. And when I use adaptive wide angle, this comes up and what I can do here is if I move my mouse on top of the image, there's a little zoomed up detail on the right side, and I can get this tow line up with the edge of the building like I have it right now. Click and then drag to the top edge of that. And if I hold the shift key John gonna hold right now and let go, it's gonna make sure that that line that makes up the edge of the building becomes perfectly vertical. There it went, vertical gonna go over to the other side And here I notice if I looked at the zoom out version this looks curved. Eso I'm gonna get right on the edge of that click I'm gonna drag to the top edge in the line that I'm drawing actually curves along with the building And I'm gonna hold shift Shift means make it perfectly vertical and let go Then I'm gonna take the roof of the building and I'm gonna come right over here to this edge. Let's say I'm gonna click. And as I pull this out this way notice that the line is bending its bending the same amount as the building itself and I'll pull that way out and I'll try to get it. So it is parallel with the edge of the roof. And if it wanted to be perfectly horizontal old shift. If I don't mind, that would be at a slight angle. I don't have to hold shift. I'll go to the bottom edge of the building. Click here, drag over and you see how it bends with the building. I'll get it in the bottom edge of this building. And if I wanted to be perfectly straight. Hold shift by straight. I mean horizontal and down. Straighten this out. But this central portion I noticed that it's verticals air still bowed out, so I'm gonna go to the outer edge of it. Click drag up and as long as it's still matches the curvature, which it should automatically Ah, hold shift to say I wanted vertical. Let go one more over here. So any time I shoot architecture, ER and I stood to Panorama. Afterwards, I use this filter called adaptive wide angle, to try to fix any distortion that's left over in the image. And once I'm done, I just click. OK, I would have usually adjusted the image first, but if you get the feeling here, I'll turn off adaptive wide angle so you can see what it looked like without it in with it. When you drag, it's aware of what lens you used when you shot, and therefore it's aware of how that would distort the scene when it's stitched together. And that's how when I'm dragging those lines, they're able to curve to conform to distortion that was there. And then I click and drag on any line that looks to be bent but should be straight. If that line should be perfectly vertical or perfectly horizontal, that's when I hold shift. If it's not supposed to be perfectly vertical or horizontal, then I don't hold shift and it makes it straight. But it might be in an angle, then the final thing I do here is crop that image. But that's another filter that I use for less a creative use inm or oven every day use.
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Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!