It's time to talk about the fourth see and that is color or more importantly, color schemes now if you haven't noticed, this color is a huge part of photography because there are actual meanings behind color there's an entire well subject of color psychology that you guys can go and read books on websites there's so much literature on the subject of what each color means well that we can't really cover it in this course, but for example yellow, orange red these air warm and energetic tone there tones that we would see during sunrise and sunset they're tones that you could see your favorite fast food restaurants because they represent that kind of high energy mood and vibe and if you notice we've kind of been trading psychologically where if you see the golden arches or if you see when you see the in and out sign the yellow and red what happens you guys get hungry right? I get hungry too we've kind of been trained in that way where these different colors they have different psychologica...
l meetings for us so those air yellows and oranges and warm tones they have that energetic vibe but cooler tones they have a different vibe they have a more calming tone to them colors like blues and greens and kind of these violets they have a very nice and natural field which makes them perfect for giving us that kind of wealth natural vibe and that's why you'll notice that if you think about anything well, the word green is automatically the color and everything is associate to nature, right? So you walk into a yoga studio or something and you'd expect the color to be green or a light lavender or something one of these cool and calming tones so that's what we're going for inner images now, whenever we can tie this well sense of color into the imagery, we get a more purposeful image, we get an image that has a stronger message, and there are three specific color tones that actually or color schemes that I want to go over well, let's call them rules actually, because there are really more rules, but one is an analogous color scheme and that's basically what we set up here analogous color schemes are colors that are basically designed to match and typically their colors that go next to each other on the color wheel. So here we have this scene with very analogous tones we have like these lights, tanz and whites, we have blues, and if you'll notice, we've actually reflected that in our clothing, so we have you guys wearing some whites at the top blue jeans we have a blue top appear well, it's kind of like a lavender and then some nice light jeans if you guys have noticed a lot of times when people go to the beach, they shoot with a white shirt and blue jeans. Now this is kind of overdone, which is why we didn't do it here but it's overdone for a reason because it works because those colors are very much analogous to the scene now in an august color where you're basically matching these colors that are next to each other on the color wheel in any scene like this creates kind of ah ah purposeful sense of harmony to it okay, we're basically trying to blend and we're trying to look as if we're shooting something that's going to look natural in that scene, but if you're going for contrast missing, then you might use complementary colors commentary colors are colors that are basically opposite each other on a color wheel so analogous are all next to each other complementary are opposite of one another now complementary colors create a very strong sense of contrast, but they also sort of match so you're not going to get this kind of strange juxtaposition you'll get a very solid juxtaposition I shouldn't say that that's such a weird word juxtaposition who says that? All right, well we get a good sense of contrast but the colors will still match so for example a very contrast ng looking this scene would be if we brought in yellows because yellows on the opposite side of blue on the color wheel so if we're going for contrast, if you want things to stand out, we would use commentary schemes if you want more harmonious we use analogous game. The other color that I want to talk about is a monochromatic color will now, when we think of monochromatic, generally think of black and white, but it doesn't have to be black and white monochromatic as far as black and white goes is based on grey, but you can also have monochromatic color schemes that are based on red are based on brown's or whatever tony want it's just basically a different shades of the exact same color. Okay, so for black and white it's, different shades of gray now monochromatic color schemes, they can create very much a sense of, well, timelessness or even surreal nous like everything in a scene if you kind of color match so everything is a different shade of red or of orange, it'll have a very surreal kind of feel to it. So these are the three times that we're using most often in our photographs and for this scene, we're going to shooting with an analogous color scheme. And so we have them were kind of blending into creating a really nice and harmonious look to the image and it's going to add a lot to the sense of purpose and kind of the overall tone and the image. So now we're done about talking about color. So why don't you say we actually get some photographs done? Let's, get some shots.
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