Crop vs. Full Frame Cameras Demonstration

Lesson Info

Crop vs. Full Frame Cameras Demonstration

All right so let's go ahead and get our athletes set up in their hero shot event in olivia come on in we're going to set you guys up right here on this little pedestal there's a spider no spy there ok I hope with gone okay so event let's have you kind of pointing towards this direction and what we're going to is probably place olivia right behind okay so now we're going to do with here a shot we're going to shoot it low but we need to light them when you do everything we need to get the pose right too and we noticed that this this stump was a bit tall so we got another piece of wood right here which we just basically picked up from well the forest so I'm going to place the vets back put on this and we could just place it right kind of like their weight I want to make sure it looks like good angle of the camera looks pretty decent I'm putting it bark side forward because the backside really is not that pretty to look at and we can actually turn it a little bit more okay so let's go ahea...

d and light now what we're gonna I want to do with the lighting is we still have some pretty good sunlight right here I'm going to set up two silver reflectors right here we'll put him on stands and again these air the standard fiveone reflectors we want to add as much light as we can into them kind of balance them with the background and create well, a much more editorial look to the image with that versus kind of just going with this, which is going to look more sort of lifestyle ask again, we want to go with editorial powerful look, we're probably gonna need another silver side also, which I don't have a third stance. I'll probably have just my assistant hold and he'll hold about right here to fill light into olivia space and also to phil allover the shadow side let's go ahead and do that right now, so I have our stands the reason that we're shooting in a low angles because again, I want this to be a hero shot where our subjects that kind of dominate the frame with athletic shots with these kind of poses. You know what? You don't see this a lot. When the doctor's going to olympic athletes, you get low to give them a sense of power over the frame and give them that kind of domineering stance. You can do this with anybody you want to make a businessman look extra powerful, shoot him a little bottom up, it'll give him that kind of looking authority over the frame so let's, go ahead and check this out now this looks beautiful so what I'm going to do since I do have my cannon here, I'm gonna go ahead and bring up the live you just because it's gonna be super simple and I want to shoot this first for compositional purposes at f to wait because I do want them both to be very sharp, but I want them to be good separation in the background after it will have good separation from the background but they're not going to be well, I don't want that super soft look in the background again I don't feel like it's very editorial so I do want to have a little bit more depth and dimension there on just a little more in focus they're gonna go with two point eight I'm going to bring the shutter speed down, teo one, two hundred second is right about spot on right now when the sun comes out, we will need to adjust this if the sun comes out full were probably to go upto one, five hundred of a second in between, we'll go down to one, two, fifty one, two hundred and so forth, so just kind of keep that in mind. I can see that the sun is getting a little bit brighter as I'm even talking to you guys okay? So again I'll probably go upto one to fiftieth right now just to balance that right away that's perfect. So want to be the second at two? Eight, remember is a one hundred because we want to get as much dynamic range is possible. Let's, go ahead and take this shot real fast. Tony you're a tiny bit in, so just lift up a little bit, okay? So pose wise, I think everything is good. Don't get this shot is perfect. Now you guys gonna hold perfectly still? Okay, what I'm gonna do is I'm gonna switch out to my full frame camera. I want to see what this image looks like. I want everybody else to see it as well. Okay, let's, get down to that same position. I'm framing him the same way lets go and turn on the camera. We were at one to fifteen of a second f two point eight. So I'm gonna go ahead and dial on the same settings here to eight. Perfect and then having the right one third, and we're going to take this shot. Okay? Now, this is kind of crazy because in this camera, all I'm saying is just my subjects. I mean, I frame it so that everything else is out of the image, but in the five day three, we can see every single reflector because you can see how much wider that full frame view is versus the crops interview that's it for this tutorial. Hopefully you all out there understand the difference. Now, between a crop, ear's is full frame camera, essentially the change that's gonna have, or the effect it's gonna have over the effective focal length of effective you of your lens. But you guys can see that. Hey, we have a crop sensor camera right here. We have a rebel and a basic thirty five million lens and were able to create some awesome images. Professional images just by setting up our lighting setting of our post and getting everything right in scene. All right, that's it for this video will see you on the next one.

Class Description

Lessons

1. Introduction
2. The Camera is Simply a Tool
3. How Does a Camera Work?
4. How to Adjust Shutter Speed, Aperture, ISO
5. Exposure Triangle
6. What is a Stop of Light
7. Reading Exposure Via the Histogram
8. Blown Highlights or Clipped Details
9. White Balance & Color Temperature
10. No Such Thing as the Correct Exposure
11. How To Measure or Meter Light
12. 8 Key Points to Understanding ISO and Image Quality
13. Understanding the 3 Primary Metering Methods
14. How to Get Perfect Exposures in One Shot
15. Equivalent Exposure but Different Images
16. Compensating for Light and Dark Scenes
17. Starting with Automated Modes
18. Auto Mode and Flash-Off Mode
19. Portrait Mode on a Fashion Shoot
20. Landscape Mode on the Beach
21. Sports or Action Mode
22. Macro Mode with Food Photography
23. Creative Effects Mode - Floral Photography
24. In-Camera Processing
25. A Glimpse into RAW Processing
26. 15 Tips When You’re Having Trouble Focusing
27. 3 Primary Types of Autofocus
28. Single Shot with Portrait Session
29. Single Shot with Action Shots
30. AI Servo with Action Shots
31. Focus Recomposing vs. AF Point Selection
32. Shutter Speed and the Reciprocal Rule
33. How to Hold a Camera and Panning Tutorial
34. What Makes a Great Photograph?
35. How to Capture Candid Moments
36. How to Find the Right Light Direction
37. 5 Basic Compositional Theories
38. The Power of Cropping
39. Color Schemes
40. Diving into the Narrative
41. If It’s Not Working With, It’s Probably Working Against
42. More About Your Camera and Lenses
43. Understanding Megapixels
44. Crop vs. Full Frame Cameras
45. Crop vs. Full Frame Cameras Demonstration
46. Prime vs. Zoom Lens
47. How the Lens Affects Composition
48. Dynamic Range and RAW vs. JPEG
49. 5 Tips on Memory Cards
50. 10 Tips on Buying Gear
51. Conclusion
52. The Good Karma Jar
53. Posing and Action Shots with Female Model
54. Posing and Lighting with Female Model
55. Posing and Lighting Couples Portraits