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The Outdoor Enthusiast's Guide to Photography & Motion

Lesson 12 of 67

Permits and Permission

 

The Outdoor Enthusiast's Guide to Photography & Motion

Lesson 12 of 67

Permits and Permission

 

Lesson Info

Permits and Permission

you know, this is something that will always come up. I'm gonna say it. Za rapidly changing area. It's one of those things that is so confusing. It's confusing for May um, you know, I mean, every every place works differently. Um, you know, stills are very much treated different than motion, depending on what your intent is. You know, it's like, How do you predict the intent? You want to sell it? Do you not want to sell it? Really? The research phase needs to include some element of planning and preparation needs to include some element of understanding the permits and knowing what the rules are. Um, more than ever before, there's a There's a diligent process that's happening with different federal Outlands and areas of people who are going in, especially social media. There's this. There's more of a sense of one upmanship than ever before and then So that's causing people, um, in parks and places to feel like they really have to enforce these problems. These processes and permits, um,...

you know, a tandem, I'd say every now and then. Not every day, certainly. But every now and then we hear from a magazine editor who says they couldn't run an image because when they called to do the research, they found out the photographer don't have a permanent, so they couldn't get a cover. They couldn't get a spread. You end up having to try and figure out how to get involved and make that work and figure out what the story is so really understanding it is helpful. Um, I wish I could say this is the rule. The general rule is, if you know you're gonna shoot to sell, you should get a permit. If you already know you're gonna shoot to sell trying, get a permit. If you're not sure you should still research it. Figure out what the rule is. Never hurts to make a phone call. They have somebody in public affairs, usually in a park, a place that will be able to help you with that. But the determining factor really is. Are you going to sell your work or not? If you get into motion, the state parks are the same. Um, you know, we want to figure that out as well. But if you get into motion, the rules also really change. So the motion is even more stringent. Um, the reason is because a lot of the rules are old and they existed when you know, to do emotion, shoot. You brought the big camera systems and all this other stuff. I mean, drones have forced everyone to calibrate very, very quickly and not necessarily always for the best. You know, bring in big cameras and systems are gone. We can shoot now. They're DSLR a muralist camera and get great footage. Um, the rules are not built around that They take years to catch up. So you want to make sure you understand what those rules are and how it works. You know, if your only planning using images for your personal use, of course, you don't need a permit. Um, and you know, that's that's something that you go and enjoy yourself, right? You're not You're not making a living necessarily off of it. We're selling the images. Um, privacy and private property actually could be a great way to photograph. Um, really great to be surprised when you get to an old farm. It's beautiful up in Montana or something like that. I've knocked on doors before and said, Hey, do you mind if I go out? Take a picture? I've never had someone. They say no, never Asking for permission is a great way to go. Um, I've heard of people getting chased off land before, too. That's not fun. Um, so don't don't don't just cross over. You want to make sure you, uh you get permission to do that?

Class Description

Great outdoor photography starts with a love of adventure and exploration. Learn to maximize your skills and optimize your potential with this complete guide to capturing photos and video in the great outdoors. Award-winning photographer and filmmaker Ian Shive will go in-depth on how to create a story through stills and motion in any environment.

Throughout these lessons, Ian will cover scouting and planning, capturing photo and video, and understanding how to get an audience for your final project
Ian will cover:

  • Permit needs and location scouting essentials
  • Gear basics & prep
  • Introduction to using drones
  • Fundamentals of moving from still photography to capturing video
  • How to capture landscapes 
  • Composition and lighting techniques
  • How to handle low-light situations
  • How to capture for stock photography and video
  • Getting your work seen in print and publications
  • And more!

For four weeks, Ian will be your outdoor guide to capturing the beauty and greatness in nature. If you have a love for nature or adventure, join this class to learn how to turn your passion and social media posts into profit or exposure. 

Lessons

  1. Bootcamp Introduction
  2. Storytelling with Stills and Motion Overview
  3. Elements of a Well-told Story
  4. Storytelling in Motion
  5. Choosing the Best Gear for Your Outdoor Project
  6. Gear for Drones
  7. Gear for Motion
  8. Inside Ian's Gear Bag
  9. General Advice for Preparation
  10. Virtual Scouting
  11. Weather
  12. Permits and Permission
  13. Model and Property Releases
  14. Health and Fitness
  15. Checklist
  16. Location Scouting Overview
  17. Location Scouting in the North Cascades
  18. Drone Introduction
  19. Drone Safety
  20. What Kind of Drone Should I Buy?
  21. FAA Part 107 Test: How to Prepare
  22. Telling a Story With a Drone
  23. Drone Camera, Lenses and Movements
  24. Selling Drone Footage
  25. Why Does a Photographer Need Motion?
  26. Establish the End User
  27. Identify Your Audience
  28. Build a Production Plan
  29. Create the Story Structure
  30. The Shooting Script
  31. Production Quality
  32. Composition for Stills
  33. Composition for Stills: Landscape
  34. Composition for Stills: Telephoto Lens
  35. Composition for Stills: Macro Lens
  36. Techniques for Capturing Motion in the Field
  37. Lenses and Filters for Outdoor Photography
  38. Capturing Landscapes - Part 1
  39. Capturing Landscapes - Part 2
  40. Capturing Movement in Stills
  41. Shooting Water, Sky and Panorama
  42. Understanding Stock
  43. Editorial vs Commerical
  44. Pricing Stock
  45. Producing Stock
  46. Shooting for Social Media vs Stock
  47. Choosing an Agency
  48. Assignments and Capturing Stock
  49. Stock Photography Market
  50. Create A Style Guide
  51. Stock Shoot Analysis
  52. Workflow for Selecting Final Stills
  53. Initial Editing in Adobe Bridge
  54. Reviewing and Selecting Motion Footage
  55. Keeping Track of Your Story Ideas
  56. Script and Story Structure Evolution
  57. Editing to the Content
  58. Music as a Character
  59. Business Diversification
  60. Business Strategy
  61. Pillars of Revenue
  62. Branding
  63. Partnerships and Brand Strategy
  64. Galleries and Fine Art
  65. Budgeting
  66. The Future of Photography
  67. Q&A And Critique

Reviews

monica4
 

Ian was an amazing instructor.; very fun, enthusiastic, encouraging, and comprehensive. I hope to be able to return as an audience member for another of his classes. It is a privilege and a gift to have access via Creative Live to such a wealth of expertise. Thank you!

Cindee Still
 

Ian Shive is a dynamic speaker with a wealth of knowledge he is willing to share. He has had a magical path that led to his success. He touches on so many aspects of making, selling and creating images as well as how to market them and make an income from your work. It is so much fun to be part of the studio audience. The Creative Live staff are always so warm and friendly and they feed you like your on a cruise ship! Wonderful experience.

Cindy
 

What a great class this has been. Thank you Ian Shive and Creative Live! Recently retired, I have set out to learn everything I can about photography and pursue this passion to capture the beauty in the outdoors. Creative Live has served as an amazing educational platform to help me learn everything from how to use my camera, the fundamental technicals, and learn about software and tools. This class brought it all together. At the end of this class my approach to photography and my images are different. Ian shares so much valuable knowledge that will change the way you go about taking a picture; from scouting a location, to thinking through the story and adding elements to an image to evoke an emotional response. My personal growth has been significant and I have changed to the way I approach creating an image from an Outdoor Landscape to an Outdoor Experience. Loved every minute of it, sad the class is over.