Adobe® Photoshop® CC® Bootcamp

 

Adobe® Photoshop® CC® Bootcamp

 

Lesson Info

Content Aware Move Tool

The Content-Aware Move tool is really one of those things, I call it a one-trick pony, and I call it kind of cute because it does take an area and it will grab whatever you've selected, move it to another area, take the area that you moved it to, and replace that other area with that area. So, we're taking selection A, moving it over to area B, area B moves to selection A, selection A moves to area B. Okay, I know, wrap your head around it, it's tough. So, I have that set right here, within the patch tool, there's the Content-Aware Move tool. If I click the Content-Aware Move tool, I'm going to get a couple different options here. The mode is gonna be set to Move, Extend is a little different, we'll show Extend in a little bit here too. Structure and Color, these can change on the fly as you make this selection. So I'm going to make this selection of the American flag here. And I'm going to move this down to here. Right on top of this area here. Again, it wants to snap to something, so...

if I press Control, it allows me to do it without it snapping. If I click that area, and I commit to that, it's gonna move the American flag from this area down to this area, and also fill in the area around it. With that selection still selected, I can change the structure of how it's making that selection. The Structure is how it builds the area that it's moving one area to to the other area. When the Structure is set to seven, it is literally taking that flag and that area around it, and moving it directly down to there, keeping it somewhat intact. 'Cause if we move it down to one, it's all discombobulated. Move it up to seven, it's a literal structure from what we're taking there. If we move something like color, and move the color up, that will affect what colors kind of manipulate around that area as well. The colors are very much alike here, as we're moving this over, so it's very similar in nature. If the colors were a little bit off, before you deselect this, these are the times that you want to consider doing this. The Structure and the Color, 'cause as soon as I deselect this, I can't go back. So if I go ahead and press control-d on this to deselect it. It did an alright job of blending that in, but using that in conjunction with things like the Clone Stamp tool, and using things like the Patch tool, I can then patch this area in, so you can see it's not quite connected here. I could use something like the Clone Stamp tool, alt-r option, click here, with a smaller brush, and just patch that in with the Clone Stamp tool, and then go back up here, to this area where the flag came from, alt-r option, paint in that area there, and it starts to disappear. If I wanted to get real nit-picky, I could go in and get that area too. Now the difference between, and if we look around it, we still have some area around it that's not quite built correctly, that's because the Structure was very literal. If the Structure was lower, it would help patch that area around it, and try to make it blend a little bit better. But with something like this, it bent and warped and manipulated the pole of the flag, and that's not what we want. So if we were to go in with the Clone Stamp tool here, we could then clean up this cloud area by pressing alt-r option, clicking around and just cleaning up any areas that would be, have that edge around it. 'Cause edges, repeated patterns, people will pick up on them in a heartbeat, and know that you cheated. So now if we were to click on the Content-Aware Move tool, there's another thing in here called Extend, and Extend is if I were to grab around this area here, and move it up, see how the pole starts to move up? Now we can make the American flag back up to the top of the building, control-click and then boom. Control-d, we extended the flag. There it was before, and now after. We just moved it up a little bit more. Might have to do a little bit more cloning to clean that up, but that's one option. That's the Content-Aware Move tool. This tool, where would we literally use it, would I use it to move that American flag from the top to the bottom, not necessarily, but it's a great image, example image, to show that on. I actually like the way it was on here at the top. But where this can be helpful, is let's say there's a window on a building, and it's a little too close to a door, and you wanna move that window to another side of that building, just highlight around that building, and then move it over. And again, this is a tool that uses selections, so at any time we could come in and we can make, even a rectangular selection around here, and then go back to that tool and move it over. So it's a selection based tool, so if you don't want to use that free-form Lasso, 'cause it can be kind of hard to make a selection, you can use a polygon Lasso, anything that is a free-form type of selection.

Class Description

Adobe® Photoshop® CC® is a valuable tool for photographers, but it can also be intimidating. In this all-inclusive 20 lesson course, you’ll go from opening the program for the first time to creating images that really stand out. Join Blake Rudis, Photoshop® expert and founder of f64 Academy, as he shows you how to maximize your use of Photoshop®. Topics covered will include:

Week 1
• Class Introduction & Bridge, Adobe Camera Raw, Setup Interface, Cropping and Layers
Week 2
• Layer Tools, Masks, Selections, Clean-Up Tools and Shapes & Text
Week 3
• Smart Objects , Transforming, Actions, Filters and Editing Video
Week 4
• Custom Creative Effects, Natural Retouching, Portrait Workflow, Landscape Workflow, and Composite Workflow

Don’t let the many aspects of Photoshop® prevent you from maximizing your use of this amazing app. Blake will help you develop the confidence to use your imagination and create the images that you will be proud to share with your clients.

Software Used: Adobe® Photoshop® CC® 2018

Lessons

1Bootcamp Introduction
2The Bridge Interface
3Setting up Bridge
4Overview of Bridge
5Practical Application of Bridge
6Introduction to Raw Editing
7Setting up ACR Preferences & Interface
8Global Tools Part 1
9Global Tools Part 2
10Local Tools
11Introduction to the Photoshop Interface
12Toolbars, Menus and Windows
13Setup and Interface
14Adobe Libraries
15Saving Files
16Introduction to Cropping
17Cropping for Composition in ACR
18Cropping for Composition in Photoshop
19Cropping for the Subject in Post
20Cropping for Print
21Perspective Cropping in Photoshop
22Introduction to Layers
23Vector & Raster Layers Basics
24Adjustment Layers in Photoshop
25Organizing and Managing Layers
26Introduction to Layer Tools and Blend Modes
27Screen and Multiply and Overlay
28Soft Light Blend Mode
29Color and Luminosity Blend Modes
30Color Burn and Color Dodge Blend Modes
31Introduction to Layer Styles
32Practical Application: Layer Tools
33Introduction to Masks and Brushes
34Brush Basics
35Custom Brushes
36Brush Mask: Vignettes
37Brush Mask: Curves Dodge & Burn
38Brush Mask: Hue & Saturation
39Mask Groups
40Clipping Masks
41Masking in Adobe Camera Raw
42Practical Applications: Masks
43Introduction to Selections
44Basic Selection Tools
45The Pen Tool
46Masks from Selections
47Selecting Subjects and Masking
48Color Range Mask
49Luminosity Masks Basics
50Introduction to Cleanup Tools
51Adobe Camera Raw
52Healing and Spot Healing Brush
53The Clone Stamp Tool
54The Patch Tool
55Content Aware Move Tool
56Content Aware Fill
57Custom Cleanup Selections
58Introduction to Shapes and Text
59Text Basics
60Shape Basics
61Adding Text to Pictures
62Custom Water Marks
63Introduction to Smart Objects
64Smart Object Basics
65Smart Objects and Filters
66Smart Objects and Image Transformation
67Smart Objects and Album Layouts
68Smart Objects and Composites
69Introduction to Image Transforming
70ACR and Lens Correction
71Photoshop and Lens Correction
72The Warp Tool
73Perspective Transformations
74Introduction to Actions in Photoshop
75Introduction to the Actions Panel Interface
76Making Your First Action
77Modifying Actions After You Record Them
78Adding Stops to Actions
79Conditional Actions
80Actions that Communicate
81Introduction to Filters
82ACR as a Filter
83Helpful Artistic Filters
84Helpful Practical Filters
85Sharpening with Filters
86Rendering Trees
87The Oil Paint and Add Noise Filters
88Introduction to Editing Video
89Timeline for Video
90Cropping Video
91Adjustment Layers and Video
92Building Lookup Tables
93Layers, Masking Video & Working with Type
94ACR to Edit Video
95Animated Gifs
96Introduction to Creative Effects
97Black, White, and Monochrome
98Matte and Cinematic Effects
99Gradient Maps and Solid Color Grades
100Gradients
101Glow and Haze
102Introduction to Natural Retouching
103Brightening Teeth
104Clean Up with the Clone Stamp Tool
105Cleaning and Brightening Eyes
106Advanced Clean Up Techniques
107Introduction to Portrait Workflow & Bridge Organization
108ACR for Portraits Pre-Edits
109Portrait Workflow Techniques
110Introduction to Landscape Workflow & Bridge Organization
111Landscape Workflow Techniques
112Introduction to Compositing & Bridge
113Composite Workflow Techniques
114Landscape Composite Projects
115Bonus: Rothko and Workspace
116Bonus: Adding Textures to Photos
117Bonus: The Mask (Extras)
118Bonus: The Color Range Mask in ACR