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Adobe Photoshop CC Bootcamp

Lesson 11 of 118

Introduction to the Photoshop Interface

Blake Rudis

Adobe Photoshop CC Bootcamp

Blake Rudis

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Lesson Info

11. Introduction to the Photoshop Interface

Lessons

  Class Trailer
Now Playing
1 Bootcamp Introduction Duration:16:22
2 The Bridge Interface Duration:13:33
3 Setting up Bridge Duration:06:55
4 Overview of Bridge Duration:11:29
6 Introduction to Raw Editing Duration:11:00
8 Global Tools Part 1 Duration:16:44
9 Global Tools Part 2 Duration:20:01
10 Local Tools Duration:22:56
12 Toolbars, Menus and Windows Duration:25:07
13 Setup and Interface Duration:11:48
14 Adobe Libraries Duration:05:57
15 Saving Files Duration:07:39
16 Introduction to Cropping Duration:12:10
20 Cropping for Print Duration:07:34
22 Introduction to Layers Duration:08:42
23 Vector & Raster Layers Basics Duration:05:05
24 Adjustment Layers in Photoshop Duration:27:35
25 Organizing and Managing Layers Duration:15:35
28 Soft Light Blend Mode Duration:07:34
31 Introduction to Layer Styles Duration:11:43
34 Brush Basics Duration:09:22
35 Custom Brushes Duration:04:01
36 Brush Mask: Vignettes Duration:06:58
38 Brush Mask: Hue & Saturation Duration:07:52
39 Mask Groups Duration:05:52
40 Clipping Masks Duration:04:11
41 Masking in Adobe Camera Raw Duration:07:06
42 Practical Applications: Masks Duration:14:03
43 Introduction to Selections Duration:05:42
44 Basic Selection Tools Duration:17:41
45 The Pen Tool Duration:11:56
46 Masks from Selections Duration:04:22
47 Selecting Subjects and Masking Duration:07:11
48 Color Range Mask Duration:17:35
49 Luminosity Masks Basics Duration:12:00
50 Introduction to Cleanup Tools Duration:07:02
51 Adobe Camera Raw Duration:10:16
52 Healing and Spot Healing Brush Duration:14:56
53 The Clone Stamp Tool Duration:10:20
54 The Patch Tool Duration:06:38
55 Content Aware Move Tool Duration:04:56
56 Content Aware Fill Duration:06:46
57 Custom Cleanup Selections Duration:15:42
59 Text Basics Duration:15:57
60 Shape Basics Duration:07:00
61 Adding Text to Pictures Duration:09:46
62 Custom Water Marks Duration:14:05
63 Introduction to Smart Objects Duration:04:37
64 Smart Object Basics Duration:09:13
65 Smart Objects and Filters Duration:09:05
68 Smart Objects and Composites Duration:10:47
70 ACR and Lens Correction Duration:09:45
71 Photoshop and Lens Correction Duration:14:26
72 The Warp Tool Duration:11:16
73 Perspective Transformations Duration:20:33
76 Making Your First Action Duration:03:49
78 Adding Stops to Actions Duration:04:01
79 Conditional Actions Duration:07:36
80 Actions that Communicate Duration:25:26
81 Introduction to Filters Duration:04:38
82 ACR as a Filter Duration:09:20
83 Helpful Artistic Filters Duration:17:08
84 Helpful Practical Filters Duration:07:08
85 Sharpening with Filters Duration:07:32
86 Rendering Trees Duration:08:20
88 Introduction to Editing Video Duration:06:20
89 Timeline for Video Duration:08:15
90 Cropping Video Duration:03:34
91 Adjustment Layers and Video Duration:05:25
92 Building Lookup Tables Duration:07:00
94 ACR to Edit Video Duration:06:10
95 Animated Gifs Duration:11:39
97 Black, White, and Monochrome Duration:18:05
98 Matte and Cinematic Effects Duration:08:23
100 Gradients Duration:04:21
101 Glow and Haze Duration:10:23
103 Brightening Teeth Duration:10:25
105 Cleaning and Brightening Eyes Duration:16:58
106 Advanced Clean Up Techniques Duration:24:47
108 ACR for Portraits Pre-Edits Duration:21:27
109 Portrait Workflow Techniques Duration:18:46
111 Landscape Workflow Techniques Duration:37:36
113 Composite Workflow Techniques Duration:34:01
114 Landscape Composite Projects Duration:24:14
115 Bonus: Rothko and Workspace Duration:05:15
117 Bonus: The Mask (Extras) Duration:05:18

Lesson Info

Introduction to the Photoshop Interface

Now we're gonna get in to the nuts and bolts of Photoshop and talk about probably the sexiest topic, interface and setup. No sarcasm at all (laughs). So setting up Photoshop is a really, actually it's very important. It's important for workflow, it's important for workflow efficiency. If you go in to my garage, it's probably gonna be a nightmare for somebody who has a nice, clean garage, but you're not gonna know where my tools are. If I go in to your garage, same thing. I'm not gonna know where your tools are. So you need to set up Photoshop in a way that's most efficient for you. And I relate a lot of this to kitchens. The best kitchen is not the biggest kitchen. We all might disagree, cause a big kitchen is nice. Cause everyone starts to hang out now in the kitchen more so than the living room, but the biggest, the best kitchens are the ones that are the most efficient for the chef that's using it. And each kitchen in gonna be different. Where you put those pots and pans matters. So...

if this is your kitchen, you might put your pots and pans in this drawer. I might put mine in that drawer over there. But I probably wouldn't wanna put my Tupperware way over here where the pots and pans should go, because that might need to go more near towards the sink, because I'm gonna be doing my dishes and emptying the leftovers into the Tupperware. Maybe I think about this too much, I don't know. But my wife and I moved in to our new house a few years back I was putting the boxes in the kitchen, in the places that I wanted those things to go. So she walks in, she's like, "Why are we doing this?" I was like, "Because we have to set this up "in the most efficient way possible." She's like, "Oh, there ya go." You know, cause that's how I think. I think about efficiency, I think about workflow. And I don't just think about that in terms of what I do in Photoshop. I think about it even down to the things that I'm doing when I'm brushing my teeth in the morning. You know, what do I do first? So once you, but you set things up for yourself so that you know, successfully, where you need to go in your kitchen to get the pots, to get the pans, and put it to the closest place possible that you're gonna need to use it. Photoshop is no different. When I'm working in Photoshop, there's different places to put your pots and your pans. And some of those are more efficient places than others. Some places I like to separate out, you'll see that I put a lot of my working stuff over here. And I put some of my tools over there. I like to have my tools in one place and the working document stuff in another place. And if we look at this, these are our cabinets. These are the places where we can put our pots and our pans or, if we're in a garage, these are places that we can put our tools so that we can work in a more efficient way. In Photoshop our cabinets aren't cabinets. We call them toolbars. We have menus, and then we have windows. Of all the things that could be modular based, the only two that are actually modular based that you can, you can modify to your liking, are the toolbars and the windows. The menus are solid, they're in place, they're already predefined by Photoshop. So once we get in to Photoshop, you're gonna see how this works. Now before we talked about Adobe Camera Raw, and we talked about Lightroom. So now we need to just, first let's just talk about how to even open Photoshop, okay? So that'll help us transition in to what we need to do once we get in to Photoshop. So, we're in Bridge at this point. If we wanted to open up Photoshop, all we'd have to do is double-click on an image, or we could right-click on that image and say open with, and then open with Photoshop CC 2018 as my default. Because I'm working within Bridge. Another way that we could open Photoshop is to go in to our folder structure that we have for our images. If we just go in to our desktop and I go in to any one of my folders, I can right-click on an image, and I can say open with, let's say properties. And I can have that set to open with Photoshop. So for me, I like to have everything that's an image set to open in Photoshop. I drive my wife, drives her nuts. She does not like the fact that a JPEG opens in Photoshop. She's like, "I just wanna look at it. "Why does it have to open in Photoshop?" I open PNGs, I open JPEGs, I open TIFFs, I open PSD documents. Cause I want, that's my command center. I want everything to open through Photoshop, because that's what I'm using to edit my images. If this was set to the default that would be in something like Windows, I could just go and change this to Photoshop and have the default set for Photoshop. It'll be a little bit different for a Mac, but you can associate what you want your images to open in. I prefer everything to open in Photoshop. It just makes my life easier. I don't have to think about it. That way, if I double-click on anything, I can open it up, and I'm right inside Photoshop. Another thing that you're gonna find along with Photoshop and opening Photoshop is going to be, right when you first get it, when you first get Photoshop, there's this thing called the Creative Cloud. It's the thing that you sign in to to get in to your version of Photoshop. So if you've never used Photoshop before, you have the option to put it on two computers at any given time. So I have three laptops. One of them's my travel laptop, one of them's my work station that I use as a laptop when I go on seminars or events like this, and the other one is my desktop PC. So if I log in to Photoshop on all three of those, by the time I get to the third one, it's gonna say, "Hey, you need to log out of all your other machines "before you can log in to this one." And all that's handled through the Adobe Creative Cloud. It'll even pop up when you try to open up Photoshop. But this is like, the Creative Cloud is your command center for all things Adobe and what you actually own within Adobe's ecosystem of programs. So by default, if you have the CC photographer's plan that comes with Photoshop CC and Lightroom, you will have the option to install this. Now you'll see here that I don't even have Lightroom installed on my machines. I'm probably one of the only people on the planet that doesn't use Lightroom. I strictly use Bridge, my own folder structure, and Photoshop. I don't go in to Lightroom at all. I have my own purposes for that. For me it's not a matter of, you know, being hoity-toity or holier-than-thou or something like that. It's because it manages my images in a way that I don't, I'm not comfortable with. So I have a very strict system on how I manage my images that I've been doing since I started photography, and I'm very comfortable with that. And I'm not a big fan of cataloging. So that's why I don't really jump too far in to Lightroom. But this is where you can open up any of your programs that you own. So right here we see that Adobe Camera Raw, which we already covered, is already automatically installed in to Photoshop. It's part of Photoshop as a plugin. So if we needed to open up Photoshop, we could even come in to the Creative Cloud and we could open it up here. Another thing to note about this, as far as versions of Photoshop are concerned, is this right drop-down next to it. It's got a couple things here. You can view tutorials, other versions, or install. So at any time, if you wanted to uninstall Photoshop, you could do that. I don't recommend it, cause I love Photoshop (laughs). But if you go to other versions, you can see all the other versions of Photoshop that were there before, and even install them. Which is really awesome of Adobe to do that, because a lot of programs, they just stay with what's most up-to-date, and you can't see the history or go back and install those things. So it's really nice that we have that access available to us.

Class Description

Adobe® Photoshop CC® is a valuable tool for photographers, but it can also be intimidating. In this all-inclusive 20 lesson course, you’ll go from opening the program for the first time to creating images that really stand out. Join Blake Rudis, Photoshop expert and founder of f64 Academy, as he shows you how to maximize your use of Photoshop. 

Topics covered will include:

  • Class Introduction & Bridge, Adobe Camera Raw, Setup Interface, Cropping and Layers
  • Layer Tools, Masks, Selections, Clean-Up Tools and Shapes & Text
  • Smart Objects, Transforming, Actions, Filters, and Editing Video
  • Custom Creative Effects, Natural Retouching, Portrait Workflow, Landscape Workflow, and Composite Workflow

Don’t let the many aspects of Photoshop prevent you from maximizing your use of this amazing app. Blake will help you develop the confidence to use your imagination and create the images that you will be proud to share with your clients.


SOFTWARE USED:

Adobe Photoshop CC 2018

Reviews

a Creativelive Student
 

Amazing course, but don't be fooled into thinking this is a beginner's course for photographers. The problem isn't Blake's explanations; they're top. The problem is the vast scope of this course and the order in which the topics are presented. Take layers for example. When I was first learning Photoshop (back when we learned from books), I found I learned little or nothing from, for example, books that covered layers before they covered how to improve/process photographs. These books taught me how to organize, move, and link layers before they showed me what a layer was actually for. Those books tended to teach me everything there is to know about layers (types of layers, how to organize them, how to move them, how to move them two at a time, how to move them two at a time even if there are other layers between the two you're interested in, useful troubleshooting tips, etc. ) all before I even know (from a photographer's point of view) what it is the things actually do. The examples of organizing, linking, and moving mean everything for graphic designers from Day One, but for photographers not so much. Blake does the same thing as those books. Topics he covers extremely early demand a lot of theoretical imagination for a photographer who doesn't already know quite a bit about what he is talking about. Learning about abstract things first and concrete things later only makes PS that much harder to understand. If you AREN'T a beginner, however, this course is amazing. I thought it would be like an Army Bootcamp, taking you from zero and building you into a fit, competent Photoshop grunt. Now I think it's more like Army Bootcamp for high school varsity jocks. It isn't going to take you from the beginning, but the amount you'll get out of it is nonetheless more than your brain can imagine. I've been using PS for years to improve my photographs, and even to create the odd artistic composite or two. The amount I've learned in the first week is amazing, and every day I learn something -- more like many things -- which I immediately implement to improve my productivity and/or widen the horizons of what I can achieve. If you ARE a photographer who's a Photoshop beginner, I'd take very seriously the advice Blake gives in the introduction: Watch one lesson, and practice the skills and principles you learn in that one lesson for two weeks. THEN watch the next lesson. You can't do that of course without buying the course, so it's up to you to decide whether you'd like to learn Photoshop and master Photoshop all from the same course. Learning it first and mastering it later will cost more money, but I think you'll understand everything better and have a much more enjoyable ride in the process. As for me? I'm going to have to find the money to buy this course. There is simply way too much content in each lesson for me to try to take on all at once, but on the other hand I don't want to miss anything at all that he has to share.

Robert Andrews
 

Blake Rudis is the absolute best in teaching photoshop. His knowledge and how he presents the instruction is clear and concise - there is NO ONE BETTER. Yes, his classes require some basic skills, and maybe I'd organize the order of (or group) the classes in a different order, but, let me be clear - if anyone is to be successful or famous in the Photoshop world, it should be Blake Rudis. I strongly recommend his teaching. I started photography and post processing in 2018, and because of this class, I'm know what Im doing. The energy you get when you create something beautiful is profound, it makes you bounce out of bed (at 4AM) like a 5 year old, to go create. It's a great ride! Thanks Blake, & Thanks Creative live.

Esther Gambrell
 

WOW!!! I've been purchasing CL classes for several years now and have watched HOURS of "How-To Photoshop" classes, but this is the first one I've actually purchased because of the AWESOME BONUS content!!! SERIOUSLY??!!?!? A PLUG-IN??? But not only that, Blake is SO easy to understand, and he breaks down concepts in different ways to connect with different people's learning styles. I REALLY appreciated this approach because I am a LEFT-BRAINED creative that has an engineering background, so I really connected to what Blake was saying. THANK YOU FOR THAT! There are TONS of Photoshop courses out there, but I found this one to be the most helpful in they way Blake teaches concepts so that you know WHY you're doing what your doing. I feel like he taught me how to fish with Photoshop to feed me for a lifetime instead of just giving me a fish to feed me for one day. This is the BEST overall PS course out there!!! Thank you!!!!