Adobe® Photoshop® CC® Bootcamp

 

Adobe® Photoshop® CC® Bootcamp

 

Lesson Info

The Patch Tool

The Patch tool is very, very intuitive. I really do enjoy the Patch tool. It's different, in that, with the Clone Stamp tool, we're trying to find an area that we want to replace, with the Patch tool, we are trying to select the area that we want to replace, and then replace it with an area that we select. So, it's a little bit backwards, all right? And the Patch tool has two different, distinct ways we can use it. We can either use it as the source or the destination. If we use it as the source, if I were to highlight this area, again, it's basically, this Patch tool is using the technology of the Lasso tool, the freeform Lasso tool, so when I make a selection around this area, that is the freeform Lasso essentially that we talk about in Selections. Now, if I go ahead and move this down to here, I'm telling it to fill in that area with gray. If I were to make a new layer here, I could also work on a new layer. So, if I were to ... Wait a second, I don't think I can work on a new layer...

here. No, I can't, yeah. So, if you're thinking that you can use this on a new layer, like I just did, you can't, because if you try to click this and move this over it's gonna say, "You cannot use this on this area "because that area is empty." So, we have to know that the Patch tool is going to be something that is relatively destructive, so that if we do want to work on this image, instead of maybe making a new layer to work on, we could just duplicate this background layer to make sure that we still have all of the data that's there, the original data below it. So, if I were gonna use the Patch tool here and just click around here and move this over to here, it's gonna take a literal selection from that area. So, this Patch tool does use diffusion as well, and, again, keep in mind that diffusion is gonna be one through three for things that are grainy, and five through seven for things that are not so grainy. For this we'll just go ahead and press Control + D and then Control + Z to go back ... Control + Alt +Z to go back in time a little bit. So, if we had this set to destination, what we're saying with destination is that the area that we are selecting we want to replace the area that we're going to put it to. So, if I have this set to destination, when I click and drag on this Patch tool and move this down here, it's actually going to make a duplicate copy of that red, instead of use the area that we want to patch it. So, we can either use the very literal area that we want to patch another area with, in this case we want to patch the rest of the image with those polka dots, so we move that around, or, if we set this to source, to get rid of those, we just do the lasso, move it around, and get rid of those areas. And, again, this is happening on it's own layer now. It's happening on a duplicate of our background layer. This tool, because it is a selection-based tool, can be used with any selection that we have. So, if you were to use something like the Marquee tool, you can marquee this, and then after you marquee it, pop down to the Patch tool, and move it up. So, you can still use something like a Marquee tool, Elliptical Marquee tool, Polygonal Lasso tool, Lasso tool, any tool that can be used to make a selection you can use with the Patch tool. And the Patch tool is pretty darn smart, though. So, what I'm gonna do is I'm gonna take this area right here, move it down to here, patch this area up, see what happens. Patch tool is pretty smart. Not only is it going and taking the literal selection from the area I'm telling it to, it's also healing in the process. So, notice how it went from a magenta area here, we moved it down to a blue area, and it filled in that area. So, if I grab this area here, maybe set that diffusion a little bit higher, drop this down, see how it blends it in a little bit better. But, it's smart and it's intuitive in that it's taking the colors around it and it's patching in those areas, even if there's other colors in that area, which, as we saw before with the Clone Stamp tool, it wouldn't do that. The Clone Stamp tool wouldn't do that. The Clone Stamp tool literally takes the area that we select and patches that area. So, the Clone Stamp tool is more than likely closer to what we would look at with something like the Healing Brush, and the Clone Stamp tool is kind of a mixture between ... Or, the Patch tool, is a mixture between the Clone Stamp tool and the Healing Brush or Spot Healing Brush, more than likely the Spot Healing Brush. Lot of technology that's being built into one. So, how this works on an image like this: if I were to move down here and grab, I'm working on the layer now, grab this area here, move this over to here, fill in that spot. It fills in that spot. It tries to pick the best color around it. Sometimes it's not going to be the best, it's kind of unpredictable, again because it's got healing involved in it. So, sometimes you might need to bring the diffusion up just to see if maybe bringing the diffusion up is gonna help, that might not help. Or bring the diffusion down, to get it to patch that area a little bit better. See how, when I move this up and down like this it's trying to automatically connect something for me, if I press the Command or Control key, it allows me to freeform it without it actually making any of those magnetic adjustments for me. So, diffusion sits at 1 there, actually look pretty good. And would this be a really good patch? Not necessarily, but then after I've done the bulk of the work I could go in with the Healing Brush, I could go in with the Clone Stamp tool, I could go in to whatever I want to fix that up with the Patch tool. There are some other healing tools that we have here to heal up our images. Let me go and fix that real quick just so you can see what I'm talking about. So, I'll move from the Patch tool to the Clone Stamp tool, and start working on this area here. So, after I've done the patch, I can then clean up with the Clone Stamp tool. There's a line here that doesn't belong, clean that up. And then zoom out, and that car is now gone. If we look at our before imagine, there's the before, there's the after, removed a couple of them. You can see it would take a long time. Now, this is a downloadable image with this, I highly suggest you take the challenge to remove every one. Take the time to do it, 'cause if you can do that on this image and make it look really good, the next time you need to use the Patch tool, or the Clone Stamp tool, or the Healing tool, try all of them. Try to see what's gonna work best for you on an image like this, and then any image you have from there on out you're gonna be spot-on.

Class Description

Adobe® Photoshop® CC® is a valuable tool for photographers, but it can also be intimidating. In this all-inclusive 20 lesson course, you’ll go from opening the program for the first time to creating images that really stand out. Join Blake Rudis, Photoshop® expert and founder of f64 Academy, as he shows you how to maximize your use of Photoshop®. Topics covered will include:

Week 1
• Class Introduction & Bridge, Adobe Camera Raw, Setup Interface, Cropping and Layers
Week 2
• Layer Tools, Masks, Selections, Clean-Up Tools and Shapes & Text
Week 3
• Smart Objects , Transforming, Actions, Filters and Editing Video
Week 4
• Custom Creative Effects, Natural Retouching, Portrait Workflow, Landscape Workflow, and Composite Workflow

Don’t let the many aspects of Photoshop® prevent you from maximizing your use of this amazing app. Blake will help you develop the confidence to use your imagination and create the images that you will be proud to share with your clients.

Software Used: Adobe® Photoshop® CC® 2018

Lessons

1Bootcamp Introduction
2The Bridge Interface
3Setting up Bridge
4Overview of Bridge
5Practical Application of Bridge
6Introduction to Raw Editing
7Setting up ACR Preferences & Interface
8Global Tools Part 1
9Global Tools Part 2
10Local Tools
11Introduction to the Photoshop Interface
12Toolbars, Menus and Windows
13Setup and Interface
14Adobe Libraries
15Saving Files
16Introduction to Cropping
17Cropping for Composition in ACR
18Cropping for Composition in Photoshop
19Cropping for the Subject in Post
20Cropping for Print
21Perspective Cropping in Photoshop
22Introduction to Layers
23Vector & Raster Layers Basics
24Adjustment Layers in Photoshop
25Organizing and Managing Layers
26Introduction to Layer Tools and Blend Modes
27Screen and Multiply and Overlay
28Soft Light Blend Mode
29Color and Luminosity Blend Modes
30Color Burn and Color Dodge Blend Modes
31Introduction to Layer Styles
32Practical Application: Layer Tools
33Introduction to Masks and Brushes
34Brush Basics
35Custom Brushes
36Brush Mask: Vignettes
37Brush Mask: Curves Dodge & Burn
38Brush Mask: Hue & Saturation
39Mask Groups
40Clipping Masks
41Masking in Adobe Camera Raw
42Practical Applications: Masks
43Introduction to Selections
44Basic Selection Tools
45The Pen Tool
46Masks from Selections
47Selecting Subjects and Masking
48Color Range Mask
49Luminosity Masks Basics
50Introduction to Cleanup Tools
51Adobe Camera Raw
52Healing and Spot Healing Brush
53The Clone Stamp Tool
54The Patch Tool
55Content Aware Move Tool
56Content Aware Fill
57Custom Cleanup Selections
58Introduction to Shapes and Text
59Text Basics
60Shape Basics
61Adding Text to Pictures
62Custom Water Marks
63Introduction to Smart Objects
64Smart Object Basics
65Smart Objects and Filters
66Smart Objects and Image Transformation
67Smart Objects and Album Layouts
68Smart Objects and Composites
69Introduction to Image Transforming
70ACR and Lens Correction
71Photoshop and Lens Correction
72The Warp Tool
73Perspective Transformations
74Introduction to Actions in Photoshop
75Introduction to the Actions Panel Interface
76Making Your First Action
77Modifying Actions After You Record Them
78Adding Stops to Actions
79Conditional Actions
80Actions that Communicate
81Introduction to Filters
82ACR as a Filter
83Helpful Artistic Filters
84Helpful Practical Filters
85Sharpening with Filters
86Rendering Trees
87The Oil Paint and Add Noise Filters
88Introduction to Editing Video
89Timeline for Video
90Cropping Video
91Adjustment Layers and Video
92Building Lookup Tables
93Layers, Masking Video & Working with Type
94ACR to Edit Video
95Animated Gifs
96Introduction to Creative Effects
97Black, White, and Monochrome
98Matte and Cinematic Effects
99Gradient Maps and Solid Color Grades
100Gradients
101Glow and Haze
102Introduction to Natural Retouching
103Brightening Teeth
104Clean Up with the Clone Stamp Tool
105Cleaning and Brightening Eyes
106Advanced Clean Up Techniques
107Introduction to Portrait Workflow & Bridge Organization
108ACR for Portraits Pre-Edits
109Portrait Workflow Techniques
110Introduction to Landscape Workflow & Bridge Organization
111Landscape Workflow Techniques
112Introduction to Compositing & Bridge
113Composite Workflow Techniques
114Landscape Composite Projects
115Bonus: Rothko and Workspace
116Bonus: Adding Textures to Photos
117Bonus: The Mask (Extras)
118Bonus: The Color Range Mask in ACR