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Adobe Photoshop CC Bootcamp

Lesson 33 of 118

Introduction to Masks and Brushes

Blake Rudis

Adobe Photoshop CC Bootcamp

Blake Rudis

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Lesson Info

33. Introduction to Masks and Brushes

Lessons

Class Trailer
1

Bootcamp Introduction

16:22
2

The Bridge Interface

13:33
3

Setting up Bridge

06:55
4

Overview of Bridge

11:29
5

Practical Application of Bridge

27:56
6

Introduction to Raw Editing

11:00
7

Setting up ACR Preferences & Interface

07:39
8

Global Tools Part 1

16:44
9

Global Tools Part 2

20:01
10

Local Tools

22:56
11

Introduction to the Photoshop Interface

07:13
12

Toolbars, Menus and Windows

25:07
13

Setup and Interface

11:48
14

Adobe Libraries

05:57
15

Saving Files

07:39
16

Introduction to Cropping

12:10
17

Cropping for Composition in ACR

04:44
18

Cropping for Composition in Photoshop

12:40
19

Cropping for the Subject in Post

03:25
20

Cropping for Print

07:34
21

Perspective Cropping in Photoshop

07:11
22

Introduction to Layers

08:42
23

Vector & Raster Layers Basics

05:05
24

Adjustment Layers in Photoshop

27:35
25

Organizing and Managing Layers

15:35
26

Introduction to Layer Tools and Blend Modes

21:34
27

Screen and Multiply and Overlay

09:15
28

Soft Light Blend Mode

07:34
29

Color and Luminosity Blend Modes

12:47
30

Color Burn and Color Dodge Blend Modes

07:43
31

Introduction to Layer Styles

11:43
32

Practical Application: Layer Tools

13:06
33

Introduction to Masks and Brushes

04:43
34

Brush Basics

09:22
35

Custom Brushes

04:01
36

Brush Mask: Vignettes

06:58
37

Brush Mask: Curves Dodge & Burn

06:53
38

Brush Mask: Hue & Saturation

07:52
39

Mask Groups

05:52
40

Clipping Masks

04:11
41

Masking in Adobe Camera Raw

07:06
42

Practical Applications: Masks

14:03
43

Introduction to Selections

05:42
44

Basic Selection Tools

17:41
45

The Pen Tool

11:56
46

Masks from Selections

04:22
47

Selecting Subjects and Masking

07:11
48

Color Range Mask

17:35
49

Luminosity Masks Basics

12:00
50

Introduction to Cleanup Tools

07:02
51

Adobe Camera Raw

10:16
52

Healing and Spot Healing Brush

14:56
53

The Clone Stamp Tool

10:20
54

The Patch Tool

06:38
55

Content Aware Move Tool

04:56
56

Content Aware Fill

06:46
57

Custom Cleanup Selections

15:42
58

Introduction to Shapes and Text

13:46
59

Text Basics

15:57
60

Shape Basics

07:00
61

Adding Text to Pictures

09:46
62

Custom Water Marks

14:05
63

Introduction to Smart Objects

04:37
64

Smart Object Basics

09:13
65

Smart Objects and Filters

09:05
66

Smart Objects and Image Transformation

10:57
67

Smart Objects and Album Layouts

11:40
68

Smart Objects and Composites

10:47
69

Introduction to Image Transforming

04:34
70

ACR and Lens Correction

09:45
71

Photoshop and Lens Correction

14:26
72

The Warp Tool

11:16
73

Perspective Transformations

20:33
74

Introduction to Actions in Photoshop

09:27
75

Introduction to the Actions Panel Interface

05:06
76

Making Your First Action

03:49
77

Modifying Actions After You Record Them

11:38
78

Adding Stops to Actions

04:01
79

Conditional Actions

07:36
80

Actions that Communicate

25:26
81

Introduction to Filters

04:38
82

ACR as a Filter

09:20
83

Helpful Artistic Filters

17:08
84

Helpful Practical Filters

07:08
85

Sharpening with Filters

07:32
86

Rendering Trees

08:20
87

The Oil Paint and Add Noise Filters

15:08
88

Introduction to Editing Video

06:20
89

Timeline for Video

08:15
90

Cropping Video

03:34
91

Adjustment Layers and Video

05:25
92

Building Lookup Tables

07:00
93

Layers, Masking Video & Working with Type

15:11
94

ACR to Edit Video

06:10
95

Animated Gifs

11:39
96

Introduction to Creative Effects

06:08
97

Black, White, and Monochrome

18:05
98

Matte and Cinematic Effects

08:23
99

Gradient Maps and Solid Color Grades

12:20
100

Gradients

04:21
101

Glow and Haze

10:23
102

Introduction to Natural Retouching

05:33
103

Brightening Teeth

10:25
104

Clean Up with the Clone Stamp Tool

08:07
105

Cleaning and Brightening Eyes

16:58
106

Advanced Clean Up Techniques

24:47
107

Introduction to Portrait Workflow & Bridge Organization

14:47
108

ACR for Portraits Pre-Edits

21:27
109

Portrait Workflow Techniques

18:46
110

Introduction to Landscape Workflow & Bridge Organization

12:17
111

Landscape Workflow Techniques

37:36
112

Introduction to Compositing & Bridge

06:59
113

Composite Workflow Techniques

34:01
114

Landscape Composite Projects

24:14
115

Bonus: Rothko and Workspace

05:15
116

Bonus: Adding Textures to Photos

07:05
117

Bonus: The Mask (Extras)

05:18
118

Bonus: The Color Range Mask in ACR

04:54

Lesson Info

Introduction to Masks and Brushes

Next to layers, and layer tools, and all the layer properties that we've already discussed before, these can be one of the most tricky things to wrap your head around. Because you've got this layer that's now, kind of visible but invisible on top of everything else but now it's got thing other thing attached to it that allows it to also change the properties of that layer as well. So layer masks, what are they? Well we talked about the apps, the different apps that we have for our cell phone of a layer yesterday in layers. So we think of our layer as cell phone, at the root it makes a phone call, our layer, at its root, is just a layer within that layers palette. But its got different applications in it that allow it to do different things just like a phone becomes better than just making phone calls. So if we think about this in terms of that analogy of this, of the cell phone and the layer, this will be our fourth app that that layer has. And those four apps, those other apps we've t...

alked about in the layers were of course the opacity and fill, blend modes, and blend diff, well now we have the fourth app which will be the layer mask. A layer mask is nothing more than a temporary state that allows you to see what layers are underneath it. It's exactly like a party mask. So if you think about a party mask, let's just take a little look here. This plate by itself is just a plate, essentially, with a sunflower drawn on it, right? You see that black opening right there. Basically, what layer masks allow us to do is take whatever is black on that mask, so we can see what's underneath it. So then this sunflower, on a regular white piece of paper, if we think of this white sheet as a layer with data on it, or pixel data on it, we now remove that black area temporarily, and we essentially have a nice little sunflower party mask. And you can either see or not see what you want underneath that. It reveals what's under that mask, whether you wanna see my pretty face in the sunflower or not. Now, as silly as that might sound, you 're never gonna forget that when it comes to masking now because if you ever want to reveal what's underneath that area, all you have to do is think about using the brush and using black to reveal that area. So I need you to think like a sculptor here. This is a process, there's the additive process that's building with clay, and there's a subtractive process that will be chiseling out a stone. So if you think like a sculptor, this would be the subtractive process. The additive process within your layer stack is building up a series of layers, that's an additive process. The subtractive process is masking the layers. So if any one of those layers that you're adding onto that layer stack has something that you don't want, you can very easily remove it without deleting that area. If you also notice that when we set up our tools we didn't use the eraser tool. You would think, well why wouldn't we just use an eraser on this? Well you don't wanna use an eraser because the eraser will delete those pixels and they're gone. As I said before, masks are basically a temporary state change for that layer that can be easily changed by using black or white to make it either go away or come back. Layer mask basics here, we've got the layer masks you'll always find next to a layer. So if you don't have a layer mask there, there's the ability to add a layer mask there. We can make it so that all of our adjustment layers that come into Photoshop come in with a layer mask, and they can be linked to any type of layer. So as we talked aboutthe different types of layers, with Rasterized layers, Vector-based layers, and adjustment layers, every one of those layers can also have a mask on it. So it doesn't matter what type of layer it is that you're working with, they can all have masks. They can be applied to a group as well. So we talked about grouping our layers. So imagine you have a bunch of layers that also have masks on them, you can group them together and make a big primary mask for all of those layers that have masks or any properties inside that group. The thing here to remember is as I teach you Photoshop and I'm teaching you layers, I'm teaching you to work and think of that top layer as being the primary layer that dictates basically what's happening below it. So a mask, if you paint with black, it will reveal any of those underlying layers from the current effect that's on that top layer. So always be thinking about, not necessarily how is this layer here interacting with the top layers, but how is this top layer interacting with the layers below it. So we'll go ahead and jump into Photoshop at this point and I'll show you, before we even begin talking about masking, we have to talk about the brush. Because we haven't talked about the brush in Photoshop yet, and the brush is what's going to control a lot of the things we do with masking.

Class Description

Adobe® Photoshop CC® is a valuable tool for photographers, but it can also be intimidating. In this all-inclusive 20 lesson course, you’ll go from opening the program for the first time to creating images that really stand out. Join Blake Rudis, Photoshop expert and founder of f64 Academy, as he shows you how to maximize your use of Photoshop. 

Topics covered will include:

  • Class Introduction & Bridge, Adobe Camera Raw, Setup Interface, Cropping and Layers
  • Layer Tools, Masks, Selections, Clean-Up Tools and Shapes & Text
  • Smart Objects, Transforming, Actions, Filters, and Editing Video
  • Custom Creative Effects, Natural Retouching, Portrait Workflow, Landscape Workflow, and Composite Workflow

Don’t let the many aspects of Photoshop prevent you from maximizing your use of this amazing app. Blake will help you develop the confidence to use your imagination and create the images that you will be proud to share with your clients.


SOFTWARE USED:

Adobe Photoshop CC 2018

Class Materials

Bonus Materials with Purchase

Photoshop Bootcamp Plug-In

Textures

Clouds

Painted Backgrounds

1 – Intro to Photoshop Bootcamp

6 – Intro to Raw Editing.zip

11 – Interface and Setup

16 – Intro to Cropping and Composition.zip

22 – Intro to Layers.zip

26 – Intro to Layer Tools.zip

43 – Intro to Selections.zip

50 – Intro to Cleanup Tools.zip

58 – Intro to Shapes and Text.zip

63 – Intro to Smart Objects.zip

69 – Intro to Image Transforming.zip

74 – Intro to Actions.zip

81 – Filters.zip

88 – Intro to Editing Video.zip

96 – Custom Effects.zip

102 – Natural Retouching.zip

107 – Intro to Portrait Workflow.pdf

110 – Intro to Landscape Workflow.zip

112 – Intro to Compositing.zip

115 – Rothko and Interfaces (Bonus Video).zip

33 – Intro to Masks and Brushes.zip

106 - Frequency Separation.zip

Ratings and Reviews

Student Work

Related Classes

Reviews

a Creativelive Student
 

Amazing course, but don't be fooled into thinking this is a beginner's course for photographers. The problem isn't Blake's explanations; they're top. The problem is the vast scope of this course and the order in which the topics are presented. Take layers for example. When I was first learning Photoshop (back when we learned from books), I found I learned little or nothing from, for example, books that covered layers before they covered how to improve/process photographs. These books taught me how to organize, move, and link layers before they showed me what a layer was actually for. Those books tended to teach me everything there is to know about layers (types of layers, how to organize them, how to move them, how to move them two at a time, how to move them two at a time even if there are other layers between the two you're interested in, useful troubleshooting tips, etc. ) all before I even know (from a photographer's point of view) what it is the things actually do. The examples of organizing, linking, and moving mean everything for graphic designers from Day One, but for photographers not so much. Blake does the same thing as those books. Topics he covers extremely early demand a lot of theoretical imagination for a photographer who doesn't already know quite a bit about what he is talking about. Learning about abstract things first and concrete things later only makes PS that much harder to understand. If you AREN'T a beginner, however, this course is amazing. I thought it would be like an Army Bootcamp, taking you from zero and building you into a fit, competent Photoshop grunt. Now I think it's more like Army Bootcamp for high school varsity jocks. It isn't going to take you from the beginning, but the amount you'll get out of it is nonetheless more than your brain can imagine. I've been using PS for years to improve my photographs, and even to create the odd artistic composite or two. The amount I've learned in the first week is amazing, and every day I learn something -- more like many things -- which I immediately implement to improve my productivity and/or widen the horizons of what I can achieve. If you ARE a photographer who's a Photoshop beginner, I'd take very seriously the advice Blake gives in the introduction: Watch one lesson, and practice the skills and principles you learn in that one lesson for two weeks. THEN watch the next lesson. You can't do that of course without buying the course, so it's up to you to decide whether you'd like to learn Photoshop and master Photoshop all from the same course. Learning it first and mastering it later will cost more money, but I think you'll understand everything better and have a much more enjoyable ride in the process. As for me? I'm going to have to find the money to buy this course. There is simply way too much content in each lesson for me to try to take on all at once, but on the other hand I don't want to miss anything at all that he has to share.

Robert Andrews
 

Blake Rudis is the absolute best in teaching photoshop. His knowledge and how he presents the instruction is clear and concise - there is NO ONE BETTER. Yes, his classes require some basic skills, and maybe I'd organize the order of (or group) the classes in a different order, but, let me be clear - if anyone is to be successful or famous in the Photoshop world, it should be Blake Rudis. I strongly recommend his teaching. I started photography and post processing in 2018, and because of this class, I'm know what Im doing. The energy you get when you create something beautiful is profound, it makes you bounce out of bed (at 4AM) like a 5 year old, to go create. It's a great ride! Thanks Blake, & Thanks Creative live.

Esther Gambrell
 

WOW!!! I've been purchasing CL classes for several years now and have watched HOURS of "How-To Photoshop" classes, but this is the first one I've actually purchased because of the AWESOME BONUS content!!! SERIOUSLY??!!?!? A PLUG-IN??? But not only that, Blake is SO easy to understand, and he breaks down concepts in different ways to connect with different people's learning styles. I REALLY appreciated this approach because I am a LEFT-BRAINED creative that has an engineering background, so I really connected to what Blake was saying. THANK YOU FOR THAT! There are TONS of Photoshop courses out there, but I found this one to be the most helpful in they way Blake teaches concepts so that you know WHY you're doing what your doing. I feel like he taught me how to fish with Photoshop to feed me for a lifetime instead of just giving me a fish to feed me for one day. This is the BEST overall PS course out there!!! Thank you!!!!