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Backup at the Camera

Lesson 64 from: Adobe Lightroom: The Ultimate Guide Bootcamp

Jared Platt

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Lesson Info

64. Backup at the Camera

Lessons

Class Trailer
1

Differences Between Lightroom Desktop and Lightroom Classic

19:42
2

Hard Drives

08:06
3

File Organization

08:31
4

30,000 Foot View of Workflow

05:36
5

Importing into Lightroom

04:10
6

Building Previews

07:14
7

Collections and Publish Services

05:11
8

Keywords

06:27
9

Hardware for Lightroom

06:08
10

Searching for Images

07:51
11

Selecting Images

14:15
12

Organizing Images

04:02
13

Collecting Images for Use

14:56
14

Develop Module Overview

10:15
15

Profiles

11:34
16

Basic Adjustments

11:45
17

Basics Panel: Texture, Clarity, and Dehaze

05:31
18

Basics Panel: Saturation and Vibrance

02:40
19

Tone Curve

09:26
20

HSL

04:48
21

Split Tone

08:19
22

Lens Corrections

08:32
23

Details

09:34
24

Transform Tool

05:52
25

Effects Panel

10:00
26

Synchronizing for Faster Editing

07:40
27

Spot Tool

17:51
28

Skin Softening and Brush Work

07:00
29

Range Masking

13:28
30

Dodge and Burn

17:36
31

Working with Specific Colors

08:30
32

Edit Quickly with Gradient Filters

11:22
33

Making Presets

13:24
34

Preparing Image in Lightroom

09:51
35

Content Aware Fill

11:14
36

Skin Repair

02:44
37

Skin Smoothing

14:39
38

Expanding a Canvas

04:30
39

Liquify

10:22
40

Layers and Composite Images

12:54
41

Sharing via Web

17:52
42

Exporting Files

10:47
43

Sharing with Slideshows

08:00
44

Archiving Photos and Catalogs

19:54
45

Designing

13:35
46

Making Prints

11:27
47

Color Management and Profiles

13:00
48

Archiving Photos and Catalogs

11:31
49

Using Cloud Storage

04:09
50

Adding Images to your Portfolio

09:23
51

Collecting for Your Portfolio

18:03
52

Publishing Unique Websites Per Project

19:48
53

Sharing to Instagram

07:06
54

HDR

15:32
55

Panorama

06:41
56

HDR Panorama

09:54
57

Making Presets

15:39
58

Creating Profiles

18:09
59

Maps

07:08
60

Setup for Tethered Shooting

23:21
61

Sharing with the Client

05:42
62

Watched Folder Process

07:04
63

Second Monitor and iPad

06:09
64

Backup at the Camera

03:50
65

Gnar Box Disk Backup

06:45
66

iPhone and iPad Review

12:52
67

Importing to Lightroom on iPad

02:59
68

Cloud Backup

04:39
69

Adjust, Edit, and Organize

07:46
70

Using Lightroom Between Devices

11:27
71

Lightroom Desktop

05:27
72

Removing Images from the Cloud

10:49
73

Profiles

09:34
74

Light

04:34
75

Color

05:36
76

Effects

15:22
77

Details

08:33
78

Optics

03:49
79

Geometry

04:12
80

Crop

04:39
81

Adding and Using Presets and Profiles

13:41
82

Local Adjustments

15:40
83

Healing Tool

03:29
84

Synchronizing Edits

04:57
85

Editing in Photoshop

08:54
86

Finding Images

07:09
87

Sharing and Exporting Albums on the Web

09:18
88

Posting Images to Social Media

14:01
89

Overview of Lightroom Desktop

07:35
90

The Workflow Overview

10:08
91

Organizing Images

05:10
92

Albums and Shared Albums

18:21
93

Lightroom Desktop Workspace Overview

04:36
94

Importing and Selecting Images

09:23
95

HDR and Panoramics

22:44
96

Light

07:47
97

Profiles

07:23
98

Tone Curves

02:57
99

Color

08:35
100

Effects

17:01
101

Details

12:43
102

Optics

04:05
103

Geometry and Crop Tool

06:01
104

Sync Settings

02:40
105

Making and Adding Presets

03:48
106

Healing Brush

02:21
107

Brush Tool

03:14
108

Gradient Tool

04:16
109

Edit in Photoshop

02:53
110

Finding Images with Sensei

06:32
111

Sharing Albums on the Web

04:57
112

Print through Photoshop

02:09
113

Exporting Images to Files or Web Services

04:36
114

Connecting with Lightroom Classic and Mobile Devices

05:24
115

Archiving Images for Storage

09:55
116

Review of the Workflow

07:20

Lesson Info

Backup at the Camera

I travel is a photographer a lot, and I love traveling and I love taking photographs. But you know, what I don't love about traveling as a photographer is all the gear that I end up having to take. And in in the beginning, if I wanted to make sure that my photos were very secure and that I had copies made and I could look at the photos, I had to bring a laptop with me and had to bring computer peripheries, and I had to bring cards and extra disk drives to back things up on, and it was very complicated and it gets very heavy. I mean, the camera gear itself is heavy enough, but then add to it a computer and hard drives and peripherals and card readers and all that. It just gets so much, and I end up carrying too much gear. And so, with the advent of new technology that has drastically changed. And now I can go out on the road with three things three things, and I will have a very easy time of viewing my images backing my images up, all the while only having a very small backpack of gear.

So let me kind of introduce you to these things that I'm using now when I'm traveling. And so if you're a traveling photographer, either professional or you're just out there taking pictures and having fun, these air some tools that if you have these tools, your system, your the amount of gear that you're traveling with will minimize, and you'll be able to actually do a better job backing up your images and being able to review them. Work on them and not waste any time because all of the work that you'll do will also show up at home in your computer system when you get there. So let me introduce you to this. So I have a camera here. This is the E OS are so it's actually quite small. The body itself, the lenses fairly substantial still, but it's lighter s Oh, I like this is a travel camera. The one thing I don't like about the U. S. Are is that it only has one card in it, and the most important thing when I'm shooting professionally is to be backed up. So I really actually prefer my five d mark four, which has two cards in it. And when I am shooting two cards, I shoot the same image full raw, toe, both cards. So the CF card and the SD card both have the same file on them, so I'm instantly backed up. That is the absolute best way to back up when you're traveling or when you're shooting in general because of card goes bad, the other one's gonna be your backup. And if both cards air good and none of them ago bad, which is very rare. But if you if both of them are good and everything's fine on the cards soon as you finish shooting, if you just simply separate the two cards, put one in a safe at the hotel and keep the other one on your person in your bag. Then, even if your bag gets stolen, you still have a back up at the hotel. Um, and if the hotel burns down, chances are you also didn't get mugged. And so, like, you're pretty well backed up, so I prefer shooting with a camera with two cards in it. That's the ultimate backup system, but this is a really great camera. Enjoy shooting with it I like the experience of it and it only has one card. So it becomes Mawr important for me to have a backup when I only have one card, but it's also important to have a backup when I have two cards.

Class Materials

Bonus Materials with Purchase

Adobe Lightroom Mobile Cloud
Adobe Lightroom Image Pipeline System
Workflow in Adobe Lightroom
BW Preset Collection
Color Art Pro Profiles

Ratings and Reviews

Ira Richterman
 

I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com

Dan Clarke
 

This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.

Hannah
 

Thorough but very easy to follow. I've noticed a significant improvement in my work since starting this course a couple weeks ago, and I'm also spending noticeably less time editing my photos. I appreciate that it's up-to-date as of October, 2020, so the info is current (I wish CL would take down some of the older courses, since software changes make some of them obsolete).

Student Work

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