Lesson Info

Backup at the Camera

I travel is a photographer a lot, and I love traveling and I love taking photographs. But you know, what I don't love about traveling as a photographer is all the gear that I end up having to take. And in in the beginning, if I wanted to make sure that my photos were very secure and that I had copies made and I could look at the photos, I had to bring a laptop with me and had to bring computer peripheries, and I had to bring cards and extra disk drives to back things up on, and it was very complicated and it gets very heavy. I mean, the camera gear itself is heavy enough, but then add to it a computer and hard drives and peripherals and card readers and all that. It just gets so much, and I end up carrying too much gear. And so, with the advent of new technology that has drastically changed. And now I can go out on the road with three things three things, and I will have a very easy time of viewing my images backing my images up, all the while only having a very small backpack of gear.

So let me kind of introduce you to these things that I'm using now when I'm traveling. And so if you're a traveling photographer, either professional or you're just out there taking pictures and having fun, these air some tools that if you have these tools, your system, your the amount of gear that you're traveling with will minimize, and you'll be able to actually do a better job backing up your images and being able to review them. Work on them and not waste any time because all of the work that you'll do will also show up at home in your computer system when you get there. So let me introduce you to this. So I have a camera here. This is the E OS are so it's actually quite small. The body itself, the lenses fairly substantial still, but it's lighter s Oh, I like this is a travel camera. The one thing I don't like about the U. S. Are is that it only has one card in it, and the most important thing when I'm shooting professionally is to be backed up. So I really actually prefer my five d mark four, which has two cards in it. And when I am shooting two cards, I shoot the same image full raw, toe, both cards. So the CF card and the SD card both have the same file on them, so I'm instantly backed up. That is the absolute best way to back up when you're traveling or when you're shooting in general because of card goes bad, the other one's gonna be your backup. And if both cards air good and none of them ago bad, which is very rare. But if you if both of them are good and everything's fine on the cards soon as you finish shooting, if you just simply separate the two cards, put one in a safe at the hotel and keep the other one on your person in your bag. Then, even if your bag gets stolen, you still have a back up at the hotel. Um, and if the hotel burns down, chances are you also didn't get mugged. And so, like, you're pretty well backed up, so I prefer shooting with a camera with two cards in it. That's the ultimate backup system, but this is a really great camera. Enjoy shooting with it I like the experience of it and it only has one card. So it becomes Mawr important for me to have a backup when I only have one card, but it's also important to have a backup when I have two cards.

Class Description

Lessons

1. Differences Between Lightroom Desktop and Lightroom Classic
2. Hard Drives
3. File Organization
4. 30,000 Foot View of Workflow
5. Importing into Lightroom
6. Building Previews
7. Collections and Publish Services
8. Keywords
9. Hardware for Lightroom
10. Searching for Images
11. Selecting Images
12. Organizing Images
13. Collecting Images for Use
14. Develop Module Overview
15. Profiles
16. Basic Adjustments
17. Basics Panel: Texture, Clarity, and Dehaze
18. Basics Panel: Saturation and Vibrance
19. Tone Curve
20. HSL
21. Split Tone
22. Lens Corrections
23. Details
24. Transform Tool
25. Effects Panel
26. Synchronizing for Faster Editing
27. Spot Tool
28. Skin Softening and Brush Work
29. Range Masking
30. Dodge and Burn
31. Working with Specific Colors
32. Edit Quickly with Gradient Filters
33. Making Presets
34. Preparing Image in Lightroom
35. Content Aware Fill
36. Skin Repair
37. Skin Smoothing
38. Expanding a Canvas
39. Liquify
40. Layers and Composite Images
41. Sharing via Web
42. Exporting Files
43. Sharing with Slideshows
44. Archiving Photos and Catalogs
45. Designing
46. Making Prints
47. Color Management and Profiles
48. Archiving Photos and Catalogs
49. Using Cloud Storage
50. Adding Images to your Portfolio
51. Collecting for Your Portfolio
52. Publishing Unique Websites Per Project
53. Sharing to Instagram
54. HDR
55. Panorama
56. HDR Panorama
57. Making Presets
58. Creating Profiles
59. Maps
60. Setup for Tethered Shooting
61. Sharing with the Client
62. Watched Folder Process
63. Second Monitor and iPad
64. Backup at the Camera
65. Gnar Box Disk Backup
66. iPhone and iPad Review
67. Importing to Lightroom on iPad
68. Cloud Backup
69. Adjust, Edit, and Organize
70. Using Lightroom Between Devices
71. Lightroom Desktop
72. Removing Images from the Cloud
73. Profiles
74. Light
75. Color
76. Effects
77. Details
78. Optics
79. Geometry
80. Crop
81. Adding and Using Presets and Profiles
82. Local Adjustments
83. Healing Tool
84. Synchronizing Edits
85. Editing in Photoshop
86. Finding Images
87. Sharing and Exporting Albums on the Web
88. Posting Images to Social Media
89. Overview of Lightroom Desktop
90. The Workflow Overview
91. Organizing Images
92. Albums and Shared Albums
93. Lightroom Desktop Workspace Overview
94. Importing and Selecting Images
95. HDR and Panoramics
96. Light
97. Profiles
98. Tone Curves
99. Color
100. Effects
101. Details
102. Optics
103. Geometry and Crop Tool
104. Sync Settings
105. Making and Adding Presets
106. Healing Brush
107. Brush Tool
108. Gradient Tool
109. Edit in Photoshop
110. Finding Images with Sensei
111. Sharing Albums on the Web
112. Print through Photoshop
113. Exporting Images to Files or Web Services
114. Connecting with Lightroom Classic and Mobile Devices
115. Archiving Images for Storage
116. Review of the Workflow