Lesson Info

Making and Adding Presets

speaking of effects that we've created on a particular image, Um, we need to learn how to make presets and presets air really easy to make. All you need to do is adjust in image until you like the way it looks. Make sure you remember everything you did to that image, and then, once you're ready, you can apply a preset to that image. Or you can save a preset, and you simply need to go down to the very bottom of the control panel for your developed settings or your edits and click on presets. So when you click on that preset button, it opens up an entire new panel of presets, and those presets are just buttons that will create movement in sliders. So basically, if you click on one of these presets, it is going to adjust sliders and you can see what it's going to do by rolling over the preset. And it's going to change various slider positions over here, and usually the best presets don't work on the light area because those air basic adjustments they actually work on the color area and th...

e effects area, because really a preset should just be adding an effect of things not necessarily adjusting images specifically because every image is different. However, if you've done something and you really want to add your own preset, you can go up to this little three dot button up here next to the presets, and you can either manage your presets. And by doing that, you can choose which ones show in which don't. So if you never use the ones that Adobe makes, just uncheck them and they will disappear. So now that there's, there's less presets to go through. But you can also click on that three dot button, and you can import presets so you could buy a preset and import it from someone else. So if you went toe, say Jared platt dot com, and you bought some presets. You download this presets and then put import and it'll bring them in and you can start using my presets, or you can create your own presets. If you click on create preset, you're going to get a dialog box that again check boxes the things that you've done to this particular image, you're gonna name the preset here. You can organize it by putting it in one of these groups or create a new group. And then you're just gonna uncheck the things that don't matter to this particular image in this style. So, for instance, optics details, those air completely unimportant to it, Um, color is probably fairly important. And I can open up this and say, Well, white balance isn't but maybe vibrance and saturation is, and of course, color mix might be, um, light and dark area. I don't want to do any of this, but I do want to do the tone curve because I remember that most of the effect is inside of the tone curve. Um, I could or could not. I don't need to have the profile attached to it. And in the effects. I don't need to have texture, intent and our texture and clarity all that stuff involved. So I'm just gonna leave everything off of this except grain. So now I know exactly what that preset is going to do, and I can create that preset. And when I do, it'll just show up here inside of whichever one of these groups I put it in, and then for the rest of my life, I can just click on that one preset, and it'll apply this very setting to any image that I'm looking at. So that's how you create presets inside of light room. Develop our inside of light from desktop.

Class Description

Lessons

1. Differences Between Lightroom Desktop and Lightroom Classic
2. Hard Drives
3. File Organization
4. 30,000 Foot View of Workflow
5. Importing into Lightroom
6. Building Previews
7. Collections and Publish Services
8. Keywords
9. Hardware for Lightroom
10. Searching for Images
11. Selecting Images
12. Organizing Images
13. Collecting Images for Use
14. Develop Module Overview
15. Profiles
16. Basic Adjustments
17. Basics Panel: Texture, Clarity, and Dehaze
18. Basics Panel: Saturation and Vibrance
19. Tone Curve
20. HSL
21. Split Tone
22. Lens Corrections
23. Details
24. Transform Tool
25. Effects Panel
26. Synchronizing for Faster Editing
27. Spot Tool
28. Skin Softening and Brush Work
29. Range Masking
30. Dodge and Burn
31. Working with Specific Colors
32. Edit Quickly with Gradient Filters
33. Making Presets
34. Preparing Image in Lightroom
35. Content Aware Fill
36. Skin Repair
37. Skin Smoothing
38. Expanding a Canvas
39. Liquify
40. Layers and Composite Images
41. Sharing via Web
42. Exporting Files
43. Sharing with Slideshows
44. Archiving Photos and Catalogs
45. Designing
46. Making Prints
47. Color Management and Profiles
48. Archiving Photos and Catalogs
49. Using Cloud Storage
50. Adding Images to your Portfolio
51. Collecting for Your Portfolio
52. Publishing Unique Websites Per Project
53. Sharing to Instagram
54. HDR
55. Panorama
56. HDR Panorama
57. Making Presets
58. Creating Profiles
59. Maps
60. Setup for Tethered Shooting
61. Sharing with the Client
62. Watched Folder Process
63. Second Monitor and iPad
64. Backup at the Camera
65. Gnar Box Disk Backup
66. iPhone and iPad Review
67. Importing to Lightroom on iPad
68. Cloud Backup
69. Adjust, Edit, and Organize
70. Using Lightroom Between Devices
71. Lightroom Desktop
72. Removing Images from the Cloud
73. Profiles
74. Light
75. Color
76. Effects
77. Details
78. Optics
79. Geometry
80. Crop
81. Adding and Using Presets and Profiles
82. Local Adjustments
83. Healing Tool
84. Synchronizing Edits
85. Editing in Photoshop
86. Finding Images
87. Sharing and Exporting Albums on the Web
88. Posting Images to Social Media
89. Overview of Lightroom Desktop
90. The Workflow Overview
91. Organizing Images
92. Albums and Shared Albums
93. Lightroom Desktop Workspace Overview
94. Importing and Selecting Images
95. HDR and Panoramics
96. Light
97. Profiles
98. Tone Curves
99. Color
100. Effects
101. Details
102. Optics
103. Geometry and Crop Tool
104. Sync Settings
105. Making and Adding Presets
106. Healing Brush
107. Brush Tool
108. Gradient Tool
109. Edit in Photoshop
110. Finding Images with Sensei
111. Sharing Albums on the Web
112. Print through Photoshop
113. Exporting Images to Files or Web Services
114. Connecting with Lightroom Classic and Mobile Devices
115. Archiving Images for Storage
116. Review of the Workflow