Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
Second Monitor and iPad
we've already shown you two different ways of client. Conceal your images. You can have a secondary screen and just click on this little second person or the second monitor, and it will show a second monitor to whoever's in the studio. You can show it via a Web link so that someone can look in on that collection that's being shared to the Web, and it's going to be right up there on the Web for your client to see, or you can pull it up on your IPad. And because your IPad is synchronized with light room in the Cloud and Lightning Classic is sending to the cloud, you can see that if I'm looking at my tethered shoot here, I have all the images right here in front of me in my tethered shoot. And so my client could be looking at these images the client could and what I would do, which is really important. What I would do is I would just make sure that you turn on the star and flag capabilities. So over on the right hand side here and up here, these air, the adjustments and things like that i...
nside of light room mobile. And here are all the informational things. So if you click on that star option, the client could be busy flagging and starring. So if you if you use the right hand side up, this flag down is no flag and reject, and on the left hand side they can star rate various images. So this is a really fantastic way. I would much rather my clients sit with an IPad over on a desk somewhere. And just as I'm shooting, they can just be flipping through images as I'm shooting. And it's not gonna take him to the next one. They're just gonna keep coming in and they could be flipping through it their hearts, content and finding images. And when they find the image that they like oops, when they find an image that they like, they can just say I like that one. And I like it a lot, and that star rating is going to come back. So if we go back into light room here in our library and we go to all of our images from the tethered shoot, those images were going. Are those ratings that they've just given us a soon as they move off of it. So right now, looking at the IPad. So I'm looking at the IPad right now is the client, and I have started as a five star on the flag. As soon as I move away from that image, then it's going to synchronize all those changes up to the cloud, and you can always see right up here in the corner. There's a little ah cloud, and it'll have, like, a spinning thing on it, and that tells you it's synchronizing. And then when I come back to here and let me view my grid with expanded cells and you can see that it's already in here flagged and starred so your client could be doing the selections while the shoot is happening, or even, maybe right after the shoot has happened, you could If you're let's say it's a portrait session. You could have your client sitting for the portrait, take the portrait, and then as soon as you're done, instead of showing it to him on the computer, simply pull up your IPad and hand it to him and say, Browse through those for the next five or 10 minutes, I'm going to go and clean up stuff and do whatever, and then when you come back, I will. I'll have you can you can flag here and you can start here and when you come back then you could look at all of those kind of parent down and look through him with them by just sorting eso. Then you could come up to the top right up here. There's a little filter, and you could click on that filter and say, OK, let's just see the ones that you have flagged. So there we go. And is that the one you want? Yes, And if there's 12 that they've flagged, then you could go through and work with them on those. But that's a really great way to do it, too. And it's a really nice interface, much nicer than your computer, Actually, um, and it's more intimate for them to hold it. Play with it while you're doing something else but a client over in the corner, looking at the images as they're coming in. That's really cool Parents. If you're doing Children's portrait's, you could have the parent over at the corner, on a couch, looking at the images and flagging and starring the ones that they love while you're at the camera shooting so tethered shooting is a really, really great way to shoot, but you just need to know how to do it. And so we've just defined to show you how to do all of that. We've shown you how to connect the camera. Make sure that you've turned off the sleep mode on your camera. Make sure that you have a tether block toe. Hold that cable in place and that you have a right angle cable so that it's not falling out. And it's not getting jostled around. Make sure that you have a tether boost. Cable this thing to make sure that your signal is strong, and if you have all of that, you will have no problem sink or, ah, shooting right in tow. Light room light room does a fantastic job. I did a shoot ah, a couple months ago, and I was shooting all day long, for for eight hours. We were doing Portrait's, and never once did we lose a connection to light room. So it's a fantastic tethering system if you do it right, so those physically, that's the way you do it. And then we've shown you how to bring them in. We've shown you how toe add them to a collection, how to make that collection available on the cloud and to share that over to your clients. And we've shown you how there interaction could come back to you and help you make the selections. We've shown you how to put it on to a secondary monitor and also onto an IPad. So if you haven't used tethering, try it out. I know you'll love it. And if you have been tethering, I hope that we have given you some really good tips on how to do it better.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.
catherine Haggerty
Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!