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Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 63 of 115

Second Monitor and iPad

 

Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 63 of 115

Second Monitor and iPad

 

Lesson Info

Second Monitor and iPad

we've already shown you two different ways of client. Conceal your images. You can have a secondary screen and just click on this little second person or the second monitor, and it will show a second monitor to whoever's in the studio. You can show it via a Web link so that someone can look in on that collection that's being shared to the Web, and it's going to be right up there on the Web for your client to see, or you can pull it up on your IPad. And because your IPad is synchronized with light room in the Cloud and Lightning Classic is sending to the cloud, you can see that if I'm looking at my tethered shoot here, I have all the images right here in front of me in my tethered shoot. And so my client could be looking at these images the client could and what I would do, which is really important. What I would do is I would just make sure that you turn on the star and flag capabilities. So over on the right hand side here and up here, these air, the adjustments and things like that i...

nside of light room mobile. And here are all the informational things. So if you click on that star option, the client could be busy flagging and starring. So if you if you use the right hand side up, this flag down is no flag and reject, and on the left hand side they can star rate various images. So this is a really fantastic way. I would much rather my clients sit with an IPad over on a desk somewhere. And just as I'm shooting, they can just be flipping through images as I'm shooting. And it's not gonna take him to the next one. They're just gonna keep coming in and they could be flipping through it their hearts, content and finding images. And when they find the image that they like oops, when they find an image that they like, they can just say I like that one. And I like it a lot, and that star rating is going to come back. So if we go back into light room here in our library and we go to all of our images from the tethered shoot, those images were going. Are those ratings that they've just given us a soon as they move off of it. So right now, looking at the IPad. So I'm looking at the IPad right now is the client, and I have started as a five star on the flag. As soon as I move away from that image, then it's going to synchronize all those changes up to the cloud, and you can always see right up here in the corner. There's a little ah cloud, and it'll have, like, a spinning thing on it, and that tells you it's synchronizing. And then when I come back to here and let me view my grid with expanded cells and you can see that it's already in here flagged and starred so your client could be doing the selections while the shoot is happening, or even, maybe right after the shoot has happened, you could If you're let's say it's a portrait session. You could have your client sitting for the portrait, take the portrait, and then as soon as you're done, instead of showing it to him on the computer, simply pull up your IPad and hand it to him and say, Browse through those for the next five or 10 minutes, I'm going to go and clean up stuff and do whatever, and then when you come back, I will. I'll have you can you can flag here and you can start here and when you come back then you could look at all of those kind of parent down and look through him with them by just sorting eso. Then you could come up to the top right up here. There's a little filter, and you could click on that filter and say, OK, let's just see the ones that you have flagged. So there we go. And is that the one you want? Yes, And if there's 12 that they've flagged, then you could go through and work with them on those. But that's a really great way to do it, too. And it's a really nice interface, much nicer than your computer, Actually, um, and it's more intimate for them to hold it. Play with it while you're doing something else but a client over in the corner, looking at the images as they're coming in. That's really cool Parents. If you're doing Children's portrait's, you could have the parent over at the corner, on a couch, looking at the images and flagging and starring the ones that they love while you're at the camera shooting so tethered shooting is a really, really great way to shoot, but you just need to know how to do it. And so we've just defined to show you how to do all of that. We've shown you how to connect the camera. Make sure that you've turned off the sleep mode on your camera. Make sure that you have a tether block toe. Hold that cable in place and that you have a right angle cable so that it's not falling out. And it's not getting jostled around. Make sure that you have a tether boost. Cable this thing to make sure that your signal is strong, and if you have all of that, you will have no problem sink or, ah, shooting right in tow. Light room light room does a fantastic job. I did a shoot ah, a couple months ago, and I was shooting all day long, for for eight hours. We were doing Portrait's, and never once did we lose a connection to light room. So it's a fantastic tethering system if you do it right, so those physically, that's the way you do it. And then we've shown you how to bring them in. We've shown you how toe add them to a collection, how to make that collection available on the cloud and to share that over to your clients. And we've shown you how there interaction could come back to you and help you make the selections. We've shown you how to put it on to a secondary monitor and also onto an IPad. So if you haven't used tethering, try it out. I know you'll love it. And if you have been tethering, I hope that we have given you some really good tips on how to do it better.

Class Description

All lessons are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Efficiently cull and retouch photographs
  • Manage your files to enable seamless and immediate recall
  • Get your computer and software to run faster
  • Create impressive photo books and slideshows
  • Take advantage of global adjustments
  • Improve your mobile workflow with both your iPhone and iPad
  • Deliver and share your images directly from Lightroom

ABOUT JARED’S CLASS:

Adobe® Lightroom® is the industry standard for post-production workflow and in Adobe Lightroom: The Ultimate Guide, you’ll learn Jared Platt’s gold standard for retouching and managing files quickly and efficiently.

Jared will show the ins and outs of Lightroom Classic, Lightroom Mobile, and Lightroom Desktop. He’ll demystify the difference between each and demonstrate when to use each one for maximum output.

Jared will share tips on improving every phase of your workflow – from shooting to archiving. You’ll learn how to take advantage of the latest Lightroom tools and features and become faster and more skilled at adjusting your images.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Lightroom
  • Those who want to gain confidence in Adobe Lightroom and learn new features to help edit photos
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Lightroom fixes

SOFTWARE USED:

Adobe Lightroom Classic 9.2
Adobe Lightroom Desktop 3.2
Adobe Lightroom Mobile 5.2

ABOUT YOUR INSTRUCTOR:

Jared Platt is a professional wedding and lifestyle photographer from Phoenix, Arizona. Jared holds a Masters of Fine Arts in the Photographic Studies and a Bachelors of Fine Arts in Photography from Arizona State University and has been a professional photographer and college educator for the past 12 years and has been a speaking, debating and lecturing for the past 17 years. His attention to detail and craft make him a demanding photography instructor. Jared has lectured at major trade shows and photo conferences as well as at universities around the world on the subject of photography as well as workflow. Currently, Jared is traveling the United States and Canada teaching and lecturing on photography and post production workflow. Join him online for monthly "Office Hours" at www.jaredplattworkshops.com.

Lessons

  1. Differences Between Lightroom Mobile and Lightroom Desktop
  2. Hard Drives
  3. File Organization
  4. 30,000 Foot View of Workflow
  5. Importing into Lightroom
  6. Building Previews
  7. Collections and Publish Services
  8. Keywords
  9. Hardware for Lightroom
  10. Searching for Images
  11. Selecting Images
  12. Organizing Images
  13. Collecting Images for Use
  14. Develop Module Overview
  15. Profiles
  16. Basic Adjustments
  17. Basics Panel: Texture, Clarity, and Dehaze
  18. Basics Panel: Saturation and Vibrance
  19. Tone Curve
  20. HSL
  21. Split Tone
  22. Lens Corrections
  23. Details
  24. Transform Tool
  25. Effects Panel
  26. Synchronizing for Faster Editing
  27. Spot Tool
  28. Skin Softening and Brush Work
  29. Range Masking
  30. Dodge and Burn
  31. Working with Specific Colors
  32. Edit Quickly with Gradient Filters
  33. Making Presets
  34. Preparing Image in Lightroom
  35. Content Aware Fill
  36. Skin Repair
  37. Skin Smoothing
  38. Expanding a Canvas
  39. Liquify
  40. Layers and Composite Images
  41. Sharing via Web
  42. Exporting Files
  43. Sharing with Slideshows
  44. Archiving Photos and Catalogs
  45. Designing
  46. Making Prints
  47. Color Management and Profiles
  48. Archiving Photos and Catalogs
  49. Using Cloud Storage
  50. Adding Images to your Portfolio
  51. Collecting for Your Portfolio
  52. Publishing Unique Websites Per Project
  53. Sharing to Instagram
  54. HDR
  55. Panorama
  56. HDR Panorama
  57. Making Presets
  58. Creating Profiles
  59. Maps
  60. Setup for Tethered Shooting
  61. Sharing with the Client
  62. Watched Folder Process
  63. Second Monitor and iPad
  64. Backup at the Camera
  65. Gnar Box Disk Backup
  66. iPhone and iPad Review
  67. Importing to Lightroom on iPad
  68. Cloud Backup
  69. Adjust, Edit, and Organize
  70. Using Lightroom Between Devices
  71. Lightroom Desktop
  72. Removing Images from the Cloud
  73. Profiles
  74. Light
  75. Color
  76. Effects
  77. Details
  78. Optics
  79. Geometry
  80. Crop
  81. Adding and Using Presets and Profiles
  82. Local Adjustments
  83. Healing Tool
  84. Synchronizing Edits
  85. Editing in Photoshop
  86. Finding Images
  87. Sharing and Exporting Albums on the Web
  88. Posting Images to Social Media
  89. Overview of Lightroom Desktop
  90. The Workflow Overview
  91. Organizing Images
  92. Albums and Shared Albums
  93. Lightroom Desktop Workspace Overview
  94. HDR and Panoramics
  95. Light
  96. Profiles
  97. Tone Curves
  98. Color
  99. Effects
  100. Details
  101. Optics
  102. Geometry and Crop Tool
  103. Sync Settings
  104. Making and Adding Presets
  105. Healing Brush
  106. Brush Tool
  107. Gradient Tool
  108. Edit in Photoshop
  109. Finding Images with Sensei
  110. Sharing Albums on the Web
  111. Print through Photoshop
  112. Exporting Images to Files or Web Services
  113. Connecting with Lightroom Classic and Mobile Devices
  114. Archiving Images for Storage
  115. Review of the Workflow

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