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Second Monitor and iPad

Lesson 63 from: Adobe Lightroom: The Ultimate Guide Bootcamp

Jared Platt

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Lesson Info

63. Second Monitor and iPad

Lessons

Class Trailer
1

Differences Between Lightroom Desktop and Lightroom Classic

19:42
2

Hard Drives

08:06
3

File Organization

08:31
4

30,000 Foot View of Workflow

05:36
5

Importing into Lightroom

04:10
6

Building Previews

07:14
7

Collections and Publish Services

05:11
8

Keywords

06:27
9

Hardware for Lightroom

06:08
10

Searching for Images

07:51
11

Selecting Images

14:15
12

Organizing Images

04:02
13

Collecting Images for Use

14:56
14

Develop Module Overview

10:15
15

Profiles

11:34
16

Basic Adjustments

11:45
17

Basics Panel: Texture, Clarity, and Dehaze

05:31
18

Basics Panel: Saturation and Vibrance

02:40
19

Tone Curve

09:26
20

HSL

04:48
21

Split Tone

08:19
22

Lens Corrections

08:32
23

Details

09:34
24

Transform Tool

05:52
25

Effects Panel

10:00
26

Synchronizing for Faster Editing

07:40
27

Spot Tool

17:51
28

Skin Softening and Brush Work

07:00
29

Range Masking

13:28
30

Dodge and Burn

17:36
31

Working with Specific Colors

08:30
32

Edit Quickly with Gradient Filters

11:22
33

Making Presets

13:24
34

Preparing Image in Lightroom

09:51
35

Content Aware Fill

11:14
36

Skin Repair

02:44
37

Skin Smoothing

14:39
38

Expanding a Canvas

04:30
39

Liquify

10:22
40

Layers and Composite Images

12:54
41

Sharing via Web

17:52
42

Exporting Files

10:47
43

Sharing with Slideshows

08:00
44

Archiving Photos and Catalogs

19:54
45

Designing

13:35
46

Making Prints

11:27
47

Color Management and Profiles

13:00
48

Archiving Photos and Catalogs

11:31
49

Using Cloud Storage

04:09
50

Adding Images to your Portfolio

09:23
51

Collecting for Your Portfolio

18:03
52

Publishing Unique Websites Per Project

19:48
53

Sharing to Instagram

07:06
54

HDR

15:32
55

Panorama

06:41
56

HDR Panorama

09:54
57

Making Presets

15:39
58

Creating Profiles

18:09
59

Maps

07:08
60

Setup for Tethered Shooting

23:21
61

Sharing with the Client

05:42
62

Watched Folder Process

07:04
63

Second Monitor and iPad

06:09
64

Backup at the Camera

03:50
65

Gnar Box Disk Backup

06:45
66

iPhone and iPad Review

12:52
67

Importing to Lightroom on iPad

02:59
68

Cloud Backup

04:39
69

Adjust, Edit, and Organize

07:46
70

Using Lightroom Between Devices

11:27
71

Lightroom Desktop

05:27
72

Removing Images from the Cloud

10:49
73

Profiles

09:34
74

Light

04:34
75

Color

05:36
76

Effects

15:22
77

Details

08:33
78

Optics

03:49
79

Geometry

04:12
80

Crop

04:39
81

Adding and Using Presets and Profiles

13:41
82

Local Adjustments

15:40
83

Healing Tool

03:29
84

Synchronizing Edits

04:57
85

Editing in Photoshop

08:54
86

Finding Images

07:09
87

Sharing and Exporting Albums on the Web

09:18
88

Posting Images to Social Media

14:01
89

Overview of Lightroom Desktop

07:35
90

The Workflow Overview

10:08
91

Organizing Images

05:10
92

Albums and Shared Albums

18:21
93

Lightroom Desktop Workspace Overview

04:36
94

Importing and Selecting Images

09:23
95

HDR and Panoramics

22:44
96

Light

07:47
97

Profiles

07:23
98

Tone Curves

02:57
99

Color

08:35
100

Effects

17:01
101

Details

12:43
102

Optics

04:05
103

Geometry and Crop Tool

06:01
104

Sync Settings

02:40
105

Making and Adding Presets

03:48
106

Healing Brush

02:21
107

Brush Tool

03:14
108

Gradient Tool

04:16
109

Edit in Photoshop

02:53
110

Finding Images with Sensei

06:32
111

Sharing Albums on the Web

04:57
112

Print through Photoshop

02:09
113

Exporting Images to Files or Web Services

04:36
114

Connecting with Lightroom Classic and Mobile Devices

05:24
115

Archiving Images for Storage

09:55
116

Review of the Workflow

07:20

Lesson Info

Second Monitor and iPad

we've already shown you two different ways of client. Conceal your images. You can have a secondary screen and just click on this little second person or the second monitor, and it will show a second monitor to whoever's in the studio. You can show it via a Web link so that someone can look in on that collection that's being shared to the Web, and it's going to be right up there on the Web for your client to see, or you can pull it up on your IPad. And because your IPad is synchronized with light room in the Cloud and Lightning Classic is sending to the cloud, you can see that if I'm looking at my tethered shoot here, I have all the images right here in front of me in my tethered shoot. And so my client could be looking at these images the client could and what I would do, which is really important. What I would do is I would just make sure that you turn on the star and flag capabilities. So over on the right hand side here and up here, these air, the adjustments and things like that i...

nside of light room mobile. And here are all the informational things. So if you click on that star option, the client could be busy flagging and starring. So if you if you use the right hand side up, this flag down is no flag and reject, and on the left hand side they can star rate various images. So this is a really fantastic way. I would much rather my clients sit with an IPad over on a desk somewhere. And just as I'm shooting, they can just be flipping through images as I'm shooting. And it's not gonna take him to the next one. They're just gonna keep coming in and they could be flipping through it their hearts, content and finding images. And when they find the image that they like oops, when they find an image that they like, they can just say I like that one. And I like it a lot, and that star rating is going to come back. So if we go back into light room here in our library and we go to all of our images from the tethered shoot, those images were going. Are those ratings that they've just given us a soon as they move off of it. So right now, looking at the IPad. So I'm looking at the IPad right now is the client, and I have started as a five star on the flag. As soon as I move away from that image, then it's going to synchronize all those changes up to the cloud, and you can always see right up here in the corner. There's a little ah cloud, and it'll have, like, a spinning thing on it, and that tells you it's synchronizing. And then when I come back to here and let me view my grid with expanded cells and you can see that it's already in here flagged and starred so your client could be doing the selections while the shoot is happening, or even, maybe right after the shoot has happened, you could If you're let's say it's a portrait session. You could have your client sitting for the portrait, take the portrait, and then as soon as you're done, instead of showing it to him on the computer, simply pull up your IPad and hand it to him and say, Browse through those for the next five or 10 minutes, I'm going to go and clean up stuff and do whatever, and then when you come back, I will. I'll have you can you can flag here and you can start here and when you come back then you could look at all of those kind of parent down and look through him with them by just sorting eso. Then you could come up to the top right up here. There's a little filter, and you could click on that filter and say, OK, let's just see the ones that you have flagged. So there we go. And is that the one you want? Yes, And if there's 12 that they've flagged, then you could go through and work with them on those. But that's a really great way to do it, too. And it's a really nice interface, much nicer than your computer, Actually, um, and it's more intimate for them to hold it. Play with it while you're doing something else but a client over in the corner, looking at the images as they're coming in. That's really cool Parents. If you're doing Children's portrait's, you could have the parent over at the corner, on a couch, looking at the images and flagging and starring the ones that they love while you're at the camera shooting so tethered shooting is a really, really great way to shoot, but you just need to know how to do it. And so we've just defined to show you how to do all of that. We've shown you how to connect the camera. Make sure that you've turned off the sleep mode on your camera. Make sure that you have a tether block toe. Hold that cable in place and that you have a right angle cable so that it's not falling out. And it's not getting jostled around. Make sure that you have a tether boost. Cable this thing to make sure that your signal is strong, and if you have all of that, you will have no problem sink or, ah, shooting right in tow. Light room light room does a fantastic job. I did a shoot ah, a couple months ago, and I was shooting all day long, for for eight hours. We were doing Portrait's, and never once did we lose a connection to light room. So it's a fantastic tethering system if you do it right, so those physically, that's the way you do it. And then we've shown you how to bring them in. We've shown you how toe add them to a collection, how to make that collection available on the cloud and to share that over to your clients. And we've shown you how there interaction could come back to you and help you make the selections. We've shown you how to put it on to a secondary monitor and also onto an IPad. So if you haven't used tethering, try it out. I know you'll love it. And if you have been tethering, I hope that we have given you some really good tips on how to do it better.

Class Materials

Bonus Materials with Purchase

Adobe Lightroom Mobile Cloud
Adobe Lightroom Image Pipeline System
Workflow in Adobe Lightroom
BW Preset Collection
Color Art Pro Profiles

Ratings and Reviews

Ira Richterman
 

I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com

Dan Clarke
 

This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.

Hannah
 

Thorough but very easy to follow. I've noticed a significant improvement in my work since starting this course a couple weeks ago, and I'm also spending noticeably less time editing my photos. I appreciate that it's up-to-date as of October, 2020, so the info is current (I wish CL would take down some of the older courses, since software changes make some of them obsolete).

Student Work

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