Lesson Info
20. HSL
Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
HSL
Now let's talk about and I'm gonna turn that curve off for a moment. Um, just so that you can see and remember these toggles here turn things on and off. So I'm turning off that tone curve so that we can still see this image for what it is. Um, and I'm going to go into what's called the H S l's. And there's a great image for the HSE cells simply because I want to play around with the shirt itself so I can go into the HS cells. Um, and I can adjust any one of my colors for their luminous there saturation or their hue. So if I think that yellow is a little bit wrong on the Hugh, I don't like the hue of it that much. I can come into my HS cells, and I can either say I think that's yellow and grab the yellow and make it a little bit more green or bring it to a little so I can see how I can change the actual tone of yellows. Now remember, it's doing it across all of the colors in that entire photo, so it's not like it's just adjusting her shirt. It's adjusting your face. It's any yellow is ...
getting adjusted. If I want to specifically know what color that is, remember, it's still global. I can click on this little tool right here, which is a target adjustment. If I click on that, I can actually point at her her sweater and roll it up, and I'll notice that actually, this is Mawr to do with orange than it has to do with yellow. So if I if I'm I'm changing her sweater and you can see that the orange and the yellow were going down and up. Now it's easier to see if instead I double click these and reset. And, by the way, any of these, um, sliders. If you just double click the actual slider, it will go back to zero. It will go back to the original so I can take the saturation if I want. Actually, let's go with Luminess. If I want this to be a little bit darker of a sweater I'll have to do is keep that target adjustment tool Active point at the color and roll it down and see. I'm darkening up all the yellows and oranges inside of this photograph there, so I like that. So that's what the HS Cells does. Remember its global. But play around with it because it could be very, very useful, especially if you're in ah, looking at at landscapes of some sort. So, um, let's go here and take a look at this photograph here. I can actually play around with the Hughes saturation and luminous of specific tones and blues and war. So So now I can just point at this ocean, and I can say I want all like blue to get darker. So if I click on the ocean and just scroll, see how all that blue now there's blew up here in the in the rotted out doc area. But it's it's becoming more blue everywhere there's blue, the blue is getting richer, and now I know exactly where that target is, and I could grab the slider and move it myself if I like. But it's really fantastic when you're dealing with skies and green foliage and you know, warm tones skins that are against other colors that aren't you can just you can pop a sky without ruining the skin tone. Be careful, though because again it's global. And when you if you if you start messing with a sky, which is blue and you have a bride and address there's gonna be blue in the shadow of her dress. So in the fold where their shadow it's blue, that the color is blue and so that area will get darker on her dress. So you have to be aware of that. And this might not be the tool if you have blues that are gonna be effective Negatively. Um so hopefully someday, uh, you'll actually have the capability to adjust the HSE cells inside of a brush like you can other things. So but right now, just be aware that it is global, completely global, and you have to deal with it as such. Okay, so that is the hue, saturation and luminous panel
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.
Hannah
Thorough but very easy to follow. I've noticed a significant improvement in my work since starting this course a couple weeks ago, and I'm also spending noticeably less time editing my photos. I appreciate that it's up-to-date as of October, 2020, so the info is current (I wish CL would take down some of the older courses, since software changes make some of them obsolete).