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Cloud Backup

Lesson 68 from: Adobe Lightroom: The Ultimate Guide Bootcamp

Jared Platt

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Lesson Info

68. Cloud Backup

Lessons

Class Trailer
1

Differences Between Lightroom Desktop and Lightroom Classic

19:42
2

Hard Drives

08:06
3

File Organization

08:31
4

30,000 Foot View of Workflow

05:36
5

Importing into Lightroom

04:10
6

Building Previews

07:14
7

Collections and Publish Services

05:11
8

Keywords

06:27
9

Hardware for Lightroom

06:08
10

Searching for Images

07:51
11

Selecting Images

14:15
12

Organizing Images

04:02
13

Collecting Images for Use

14:56
14

Develop Module Overview

10:15
15

Profiles

11:34
16

Basic Adjustments

11:45
17

Basics Panel: Texture, Clarity, and Dehaze

05:31
18

Basics Panel: Saturation and Vibrance

02:40
19

Tone Curve

09:26
20

HSL

04:48
21

Split Tone

08:19
22

Lens Corrections

08:32
23

Details

09:34
24

Transform Tool

05:52
25

Effects Panel

10:00
26

Synchronizing for Faster Editing

07:40
27

Spot Tool

17:51
28

Skin Softening and Brush Work

07:00
29

Range Masking

13:28
30

Dodge and Burn

17:36
31

Working with Specific Colors

08:30
32

Edit Quickly with Gradient Filters

11:22
33

Making Presets

13:24
34

Preparing Image in Lightroom

09:51
35

Content Aware Fill

11:14
36

Skin Repair

02:44
37

Skin Smoothing

14:39
38

Expanding a Canvas

04:30
39

Liquify

10:22
40

Layers and Composite Images

12:54
41

Sharing via Web

17:52
42

Exporting Files

10:47
43

Sharing with Slideshows

08:00
44

Archiving Photos and Catalogs

19:54
45

Designing

13:35
46

Making Prints

11:27
47

Color Management and Profiles

13:00
48

Archiving Photos and Catalogs

11:31
49

Using Cloud Storage

04:09
50

Adding Images to your Portfolio

09:23
51

Collecting for Your Portfolio

18:03
52

Publishing Unique Websites Per Project

19:48
53

Sharing to Instagram

07:06
54

HDR

15:32
55

Panorama

06:41
56

HDR Panorama

09:54
57

Making Presets

15:39
58

Creating Profiles

18:09
59

Maps

07:08
60

Setup for Tethered Shooting

23:21
61

Sharing with the Client

05:42
62

Watched Folder Process

07:04
63

Second Monitor and iPad

06:09
64

Backup at the Camera

03:50
65

Gnar Box Disk Backup

06:45
66

iPhone and iPad Review

12:52
67

Importing to Lightroom on iPad

02:59
68

Cloud Backup

04:39
69

Adjust, Edit, and Organize

07:46
70

Using Lightroom Between Devices

11:27
71

Lightroom Desktop

05:27
72

Removing Images from the Cloud

10:49
73

Profiles

09:34
74

Light

04:34
75

Color

05:36
76

Effects

15:22
77

Details

08:33
78

Optics

03:49
79

Geometry

04:12
80

Crop

04:39
81

Adding and Using Presets and Profiles

13:41
82

Local Adjustments

15:40
83

Healing Tool

03:29
84

Synchronizing Edits

04:57
85

Editing in Photoshop

08:54
86

Finding Images

07:09
87

Sharing and Exporting Albums on the Web

09:18
88

Posting Images to Social Media

14:01
89

Overview of Lightroom Desktop

07:35
90

The Workflow Overview

10:08
91

Organizing Images

05:10
92

Albums and Shared Albums

18:21
93

Lightroom Desktop Workspace Overview

04:36
94

Importing and Selecting Images

09:23
95

HDR and Panoramics

22:44
96

Light

07:47
97

Profiles

07:23
98

Tone Curves

02:57
99

Color

08:35
100

Effects

17:01
101

Details

12:43
102

Optics

04:05
103

Geometry and Crop Tool

06:01
104

Sync Settings

02:40
105

Making and Adding Presets

03:48
106

Healing Brush

02:21
107

Brush Tool

03:14
108

Gradient Tool

04:16
109

Edit in Photoshop

02:53
110

Finding Images with Sensei

06:32
111

Sharing Albums on the Web

04:57
112

Print through Photoshop

02:09
113

Exporting Images to Files or Web Services

04:36
114

Connecting with Lightroom Classic and Mobile Devices

05:24
115

Archiving Images for Storage

09:55
116

Review of the Workflow

07:20

Lesson Info

Cloud Backup

now that we've brought our images from our camera to our NAR box, so they're safe, and then we've taken him from the NAR box and we take the slacks, the ones that we've selected, and we've brought them into an IPad. You can see that they are here inside the IPad, ready for us to review them, adjust them, share them, do whatever we want. But before we go into that, remember that we've we want a camera that has two cards. If we can, that gives us a backup. But if we only have a camera with one card, we definitely want to get it backed up. And so now we have a backup. So we have two backups here. The images that we take from the NAR box into the IPad are immediately sent to the cloud. So if I bring in a 30 megapixel file like the U. S. Are has, um, it's coming into the IPad, and then it's going straight up the cloud as a 30 megapixel file. So the entire file is in the cloud as another backup. So now not only do we have a card that we hold onto throughout our travels. We have a dis drive w...

ith all of our images on it that we can hang onto throughout our travels. But we also have a copy, inner IPad and a copy up on the cloud. And that cloud copy is actually being delivered to any other device that we happened tohave attached to the cloud. For instance. My phone is also attached to the cloud, so light room in my phone is also going to have a copy of that file delivered to it. And there is a preference that I can tell light room toe on Lee. Bring in smart previews so that I'm not filling up every single device I have with the full file. So that's that's a very real possibility to simply go into your preferences. Inside of of light room mobile and inside of light room mobile. You go onto cloud Sync and then you can tell it to either use or don't use cellular data, and you can say Onley download smart previews, and that's if you turn that on than any other light room device. So that's turned on on my phone. So if I take a picture here, the full file will go up to the cloud. But only a smart preview will come back down to my IPad if I put a full high resolution file from my camera into my IPad. The full high rez goes up to the cloud. The full high rez stays on my IPad. But only a smart preview comes down to this phone here. So I'm kind of limiting the amount of space that I'm taking up on all of my other devices and in light room, uh, desktop in in light room Classic. Both of those programs can also receive the full file down or in light room desktop, which I'll show you later. You can actually tell it toe on Lee. Bring in a preview as well so you can limit the amount of extra space that's being taken up on all of your other systems. But important to note is that not only do I have a copy here inside of light room on my IPad, but I have one in the cloud. So that is the system designed in order to back you up. You're completely backed up. If you hang on to this card, if you put a copy in a resident hard drive like this NAR box, and then you bring certain copies back into your IPad. You could bring the whole set. If it's a small enough set of images, you could bring the whole thing into your IPad. In fact, if you don't have in our box and you don't want to travel within our box, just simply travel with a A dongle that has a card reader on it and put your images directly into your IPad and they will go right up to the cloud through light room, so either way is fine. But you need to make sure that you're backed up because you want to get the most important images at least and if not all the images up into the cloud so that it doesn't matter if you lose everything while you're traveling. You still have a copy in the cloud ready for you to bring back down to Earth once you are back home at your computer. So that's backing yourself up while you're traveling

Class Materials

Bonus Materials with Purchase

Adobe Lightroom Mobile Cloud
Adobe Lightroom Image Pipeline System
Workflow in Adobe Lightroom
BW Preset Collection
Color Art Pro Profiles

Ratings and Reviews

Ira Richterman
 

I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com

Dan Clarke
 

This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.

Hannah
 

Thorough but very easy to follow. I've noticed a significant improvement in my work since starting this course a couple weeks ago, and I'm also spending noticeably less time editing my photos. I appreciate that it's up-to-date as of October, 2020, so the info is current (I wish CL would take down some of the older courses, since software changes make some of them obsolete).

Student Work