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Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 61 of 115

Sharing with the Client

 

Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 61 of 115

Sharing with the Client

 

Lesson Info

Sharing with the Client

so we have our shot. But now what if the client happened to be somewhere else? Let's say the client is in New York City and I'm in Phoenix, Arizona, and they want me to shoot this old watch, and I say, Yeah, I'll do it. Just you don't need to come here. I'll I'll just include you in the shoot. So what I'm gonna do is I'm gonna go back to the library module and I'm gonna scroll down to my collections. And there's the collection that I made on the way in. When I was making the Tethered shoot, I added, This collection on this collection is you can see based on that little lightning bolt is already synchronizing to the cloud. If it wasn't synchronizing cloud, you would see a little box instead. So it's already sinking to the cloud. And if I click on that and look at the grid mode, there are three images inside of this tethered shooting. I remember a collection is a virtual location. It's not a real locations virtual and so anything that's in here is being synchronized to the cloud and show...

n to whoever I give a link to on a website. So I can I can click the first image and delete it, and it's going to ask me, Do I want to keep this in the cloud? I'm going to say no, I don't need it in the cloud. So now I'm on Lee giving them two shots. So anything that I show inside of this But remember, the original images are still here. There are three of them, so I still have all the original images in the folder because the folder is where the actual photos are. The collection is just simply a reference to those images and so I can remove anything I want there, and I'll still have originals in the file. So if I right click this, if I right click the tethering collection and I go down to the light room links, I can make that collection a public collection. So now that it's a public collection, anybody I give a link to concur come in and see those files. I'm gonna right click that again, and this time I'm in a view it on the Web. So now we're viewing this on the Web, and there are two shots now. This is my portal. This is what I see. But I can go in. And I can either create just a simple website like this that a client can look at everything coming in or more importantly, for commercial shooting. I can click on this link here, which is to make a proofing site. So if I click on the proofing site and I come up to this little person plus image right here, if I click on that plus image, it's gonna ask me if I want to enable proofing. I'm going to say yes. And now here's the link and I can limit my client and say I only want you to choose one photo, copy this link, and then I'm going to send that link to my client. There we go. So the client is looking and could be anywhere on earth and look at what I'm shooting. And as I shoot, they will come in here. They'll just need to refresh every time, every couple minutes or whatever, because the websites only gonna feed in what was there when they were looking last. And so just tell him. Okay, refresh every couple of minutes and keep looking at what we're shooting, and if you have any comments, let us know and it'll take it. Takes maybe a second and 1/2 for it to get from the camera to the computer. And then it takes maybe, ah, 30th of a second to get it into the collection. And then it takes maybe five seconds to get it up to the cloud. And so, within about 30 seconds of you taking the photo, if they refresh, they'll see the photo here probably less than 30 seconds, depending on your Internet speed and so they can see almost in real time what you're shooting anywhere on earth. And then they could just say, Oh, this one's the one I want, so they collect it. Then they say, Hey, I just selected the one I want. You were done with the shoot. I think it's perfect, and they just if they want to look at him big, they can click on the image itself, and they can see him nice and big. And so that's how quickly you could have your shoot done because your client could be looking in on the shoot. Um, this could also be something you could do for friends and family that want to peek in on a photo shoot you're doing. You could just say if you want to see this cool thing I'm doing or if you want to teach and you're doing, ah, live, shoot And you're saying, Hey, anybody that wants to look at these images, just click on this link below and say, You're doing a Facebook live thing. You're taking pictures and they click on the link and it takes them to a website. They can see the images in real time. If I choose a website, not only can I let them see it in, you know I can change, you know the look and the feel of the Web site, but I can also go up to the little plus symbol up here with the with the little guy, that silhouette click on it and in the settings Aiken say, allow downloads of J pegs. So if you happen to be doing like a party and you're doing a photo shoot, that's kind of like a photo booth. You could just give him the link, and then they can go home and download their favorite picture. So it's really, really a useful way to share your images from a tethered shoot

Class Description

All lessons are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Efficiently cull and retouch photographs
  • Manage your files to enable seamless and immediate recall
  • Get your computer and software to run faster
  • Create impressive photo books and slideshows
  • Take advantage of global adjustments
  • Improve your mobile workflow with both your iPhone and iPad
  • Deliver and share your images directly from Lightroom

ABOUT JARED’S CLASS:

Adobe® Lightroom® is the industry standard for post-production workflow and in Adobe Lightroom: The Ultimate Guide, you’ll learn Jared Platt’s gold standard for retouching and managing files quickly and efficiently.

Jared will show the ins and outs of Lightroom Classic, Lightroom Mobile, and Lightroom Desktop. He’ll demystify the difference between each and demonstrate when to use each one for maximum output.

Jared will share tips on improving every phase of your workflow – from shooting to archiving. You’ll learn how to take advantage of the latest Lightroom tools and features and become faster and more skilled at adjusting your images.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Lightroom
  • Those who want to gain confidence in Adobe Lightroom and learn new features to help edit photos
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Lightroom fixes

SOFTWARE USED:

Adobe Lightroom Classic 9.2
Adobe Lightroom Desktop 3.2
Adobe Lightroom Mobile 5.2

ABOUT YOUR INSTRUCTOR:

Jared Platt is a professional wedding and lifestyle photographer from Phoenix, Arizona. Jared holds a Masters of Fine Arts in the Photographic Studies and a Bachelors of Fine Arts in Photography from Arizona State University and has been a professional photographer and college educator for the past 12 years and has been a speaking, debating and lecturing for the past 17 years. His attention to detail and craft make him a demanding photography instructor. Jared has lectured at major trade shows and photo conferences as well as at universities around the world on the subject of photography as well as workflow. Currently, Jared is traveling the United States and Canada teaching and lecturing on photography and post production workflow. Join him online for monthly "Office Hours" at www.jaredplattworkshops.com.

Lessons

  1. Differences Between Lightroom Mobile and Lightroom Desktop
  2. Hard Drives
  3. File Organization
  4. 30,000 Foot View of Workflow
  5. Importing into Lightroom
  6. Building Previews
  7. Collections and Publish Services
  8. Keywords
  9. Hardware for Lightroom
  10. Searching for Images
  11. Selecting Images
  12. Organizing Images
  13. Collecting Images for Use
  14. Develop Module Overview
  15. Profiles
  16. Basic Adjustments
  17. Basics Panel: Texture, Clarity, and Dehaze
  18. Basics Panel: Saturation and Vibrance
  19. Tone Curve
  20. HSL
  21. Split Tone
  22. Lens Corrections
  23. Details
  24. Transform Tool
  25. Effects Panel
  26. Synchronizing for Faster Editing
  27. Spot Tool
  28. Skin Softening and Brush Work
  29. Range Masking
  30. Dodge and Burn
  31. Working with Specific Colors
  32. Edit Quickly with Gradient Filters
  33. Making Presets
  34. Preparing Image in Lightroom
  35. Content Aware Fill
  36. Skin Repair
  37. Skin Smoothing
  38. Expanding a Canvas
  39. Liquify
  40. Layers and Composite Images
  41. Sharing via Web
  42. Exporting Files
  43. Sharing with Slideshows
  44. Archiving Photos and Catalogs
  45. Designing
  46. Making Prints
  47. Color Management and Profiles
  48. Archiving Photos and Catalogs
  49. Using Cloud Storage
  50. Adding Images to your Portfolio
  51. Collecting for Your Portfolio
  52. Publishing Unique Websites Per Project
  53. Sharing to Instagram
  54. HDR
  55. Panorama
  56. HDR Panorama
  57. Making Presets
  58. Creating Profiles
  59. Maps
  60. Setup for Tethered Shooting
  61. Sharing with the Client
  62. Watched Folder Process
  63. Second Monitor and iPad
  64. Backup at the Camera
  65. Gnar Box Disk Backup
  66. iPhone and iPad Review
  67. Importing to Lightroom on iPad
  68. Cloud Backup
  69. Adjust, Edit, and Organize
  70. Using Lightroom Between Devices
  71. Lightroom Desktop
  72. Removing Images from the Cloud
  73. Profiles
  74. Light
  75. Color
  76. Effects
  77. Details
  78. Optics
  79. Geometry
  80. Crop
  81. Adding and Using Presets and Profiles
  82. Local Adjustments
  83. Healing Tool
  84. Synchronizing Edits
  85. Editing in Photoshop
  86. Finding Images
  87. Sharing and Exporting Albums on the Web
  88. Posting Images to Social Media
  89. Overview of Lightroom Desktop
  90. The Workflow Overview
  91. Organizing Images
  92. Albums and Shared Albums
  93. Lightroom Desktop Workspace Overview
  94. HDR and Panoramics
  95. Light
  96. Profiles
  97. Tone Curves
  98. Color
  99. Effects
  100. Details
  101. Optics
  102. Geometry and Crop Tool
  103. Sync Settings
  104. Making and Adding Presets
  105. Healing Brush
  106. Brush Tool
  107. Gradient Tool
  108. Edit in Photoshop
  109. Finding Images with Sensei
  110. Sharing Albums on the Web
  111. Print through Photoshop
  112. Exporting Images to Files or Web Services
  113. Connecting with Lightroom Classic and Mobile Devices
  114. Archiving Images for Storage
  115. Review of the Workflow

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