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Adobe Lightroom: The Ultimate Guide Bootcamp

Lesson 61 of 116

Sharing with the Client

Jared Platt

Adobe Lightroom: The Ultimate Guide Bootcamp

Jared Platt

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Lesson Info

61. Sharing with the Client

Lessons

Class Trailer
1

Differences Between Lightroom Desktop and Lightroom Classic

19:42
2

Hard Drives

08:06
3

File Organization

08:31
4

30,000 Foot View of Workflow

05:36
5

Importing into Lightroom

04:10
6

Building Previews

07:14
7

Collections and Publish Services

05:11
8

Keywords

06:27
9

Hardware for Lightroom

06:08
10

Searching for Images

07:51
11

Selecting Images

14:15
12

Organizing Images

04:02
13

Collecting Images for Use

14:56
14

Develop Module Overview

10:15
15

Profiles

11:34
16

Basic Adjustments

11:45
17

Basics Panel: Texture, Clarity, and Dehaze

05:31
18

Basics Panel: Saturation and Vibrance

02:40
19

Tone Curve

09:26
20

HSL

04:48
21

Split Tone

08:19
22

Lens Corrections

08:32
23

Details

09:34
24

Transform Tool

05:52
25

Effects Panel

10:00
26

Synchronizing for Faster Editing

07:40
27

Spot Tool

17:51
28

Skin Softening and Brush Work

07:00
29

Range Masking

13:28
30

Dodge and Burn

17:36
31

Working with Specific Colors

08:30
32

Edit Quickly with Gradient Filters

11:22
33

Making Presets

13:24
34

Preparing Image in Lightroom

09:51
35

Content Aware Fill

11:14
36

Skin Repair

02:44
37

Skin Smoothing

14:39
38

Expanding a Canvas

04:30
39

Liquify

10:22
40

Layers and Composite Images

12:54
41

Sharing via Web

17:52
42

Exporting Files

10:47
43

Sharing with Slideshows

08:00
44

Archiving Photos and Catalogs

19:54
45

Designing

13:35
46

Making Prints

11:27
47

Color Management and Profiles

13:00
48

Archiving Photos and Catalogs

11:31
49

Using Cloud Storage

04:09
50

Adding Images to your Portfolio

09:23
51

Collecting for Your Portfolio

18:03
52

Publishing Unique Websites Per Project

19:48
53

Sharing to Instagram

07:06
54

HDR

15:32
55

Panorama

06:41
56

HDR Panorama

09:54
57

Making Presets

15:39
58

Creating Profiles

18:09
59

Maps

07:08
60

Setup for Tethered Shooting

23:21
61

Sharing with the Client

05:42
62

Watched Folder Process

07:04
63

Second Monitor and iPad

06:09
64

Backup at the Camera

03:50
65

Gnar Box Disk Backup

06:45
66

iPhone and iPad Review

12:52
67

Importing to Lightroom on iPad

02:59
68

Cloud Backup

04:39
69

Adjust, Edit, and Organize

07:46
70

Using Lightroom Between Devices

11:27
71

Lightroom Desktop

05:27
72

Removing Images from the Cloud

10:49
73

Profiles

09:34
74

Light

04:34
75

Color

05:36
76

Effects

15:22
77

Details

08:33
78

Optics

03:49
79

Geometry

04:12
80

Crop

04:39
81

Adding and Using Presets and Profiles

13:41
82

Local Adjustments

15:40
83

Healing Tool

03:29
84

Synchronizing Edits

04:57
85

Editing in Photoshop

08:54
86

Finding Images

07:09
87

Sharing and Exporting Albums on the Web

09:18
88

Posting Images to Social Media

14:01
89

Overview of Lightroom Desktop

07:35
90

The Workflow Overview

10:08
91

Organizing Images

05:10
92

Albums and Shared Albums

18:21
93

Lightroom Desktop Workspace Overview

04:36
94

Importing and Selecting Images

09:23
95

HDR and Panoramics

22:44
96

Light

07:47
97

Profiles

07:23
98

Tone Curves

02:57
99

Color

08:35
100

Effects

17:01
101

Details

12:43
102

Optics

04:05
103

Geometry and Crop Tool

06:01
104

Sync Settings

02:40
105

Making and Adding Presets

03:48
106

Healing Brush

02:21
107

Brush Tool

03:14
108

Gradient Tool

04:16
109

Edit in Photoshop

02:53
110

Finding Images with Sensei

06:32
111

Sharing Albums on the Web

04:57
112

Print through Photoshop

02:09
113

Exporting Images to Files or Web Services

04:36
114

Connecting with Lightroom Classic and Mobile Devices

05:24
115

Archiving Images for Storage

09:55
116

Review of the Workflow

07:20

Lesson Info

Sharing with the Client

so we have our shot. But now what if the client happened to be somewhere else? Let's say the client is in New York City and I'm in Phoenix, Arizona, and they want me to shoot this old watch, and I say, Yeah, I'll do it. Just you don't need to come here. I'll I'll just include you in the shoot. So what I'm gonna do is I'm gonna go back to the library module and I'm gonna scroll down to my collections. And there's the collection that I made on the way in. When I was making the Tethered shoot, I added, This collection on this collection is you can see based on that little lightning bolt is already synchronizing to the cloud. If it wasn't synchronizing cloud, you would see a little box instead. So it's already sinking to the cloud. And if I click on that and look at the grid mode, there are three images inside of this tethered shooting. I remember a collection is a virtual location. It's not a real locations virtual and so anything that's in here is being synchronized to the cloud and show...

n to whoever I give a link to on a website. So I can I can click the first image and delete it, and it's going to ask me, Do I want to keep this in the cloud? I'm going to say no, I don't need it in the cloud. So now I'm on Lee giving them two shots. So anything that I show inside of this But remember, the original images are still here. There are three of them, so I still have all the original images in the folder because the folder is where the actual photos are. The collection is just simply a reference to those images and so I can remove anything I want there, and I'll still have originals in the file. So if I right click this, if I right click the tethering collection and I go down to the light room links, I can make that collection a public collection. So now that it's a public collection, anybody I give a link to concur come in and see those files. I'm gonna right click that again, and this time I'm in a view it on the Web. So now we're viewing this on the Web, and there are two shots now. This is my portal. This is what I see. But I can go in. And I can either create just a simple website like this that a client can look at everything coming in or more importantly, for commercial shooting. I can click on this link here, which is to make a proofing site. So if I click on the proofing site and I come up to this little person plus image right here, if I click on that plus image, it's gonna ask me if I want to enable proofing. I'm going to say yes. And now here's the link and I can limit my client and say I only want you to choose one photo, copy this link, and then I'm going to send that link to my client. There we go. So the client is looking and could be anywhere on earth and look at what I'm shooting. And as I shoot, they will come in here. They'll just need to refresh every time, every couple minutes or whatever, because the websites only gonna feed in what was there when they were looking last. And so just tell him. Okay, refresh every couple of minutes and keep looking at what we're shooting, and if you have any comments, let us know and it'll take it. Takes maybe a second and 1/2 for it to get from the camera to the computer. And then it takes maybe, ah, 30th of a second to get it into the collection. And then it takes maybe five seconds to get it up to the cloud. And so, within about 30 seconds of you taking the photo, if they refresh, they'll see the photo here probably less than 30 seconds, depending on your Internet speed and so they can see almost in real time what you're shooting anywhere on earth. And then they could just say, Oh, this one's the one I want, so they collect it. Then they say, Hey, I just selected the one I want. You were done with the shoot. I think it's perfect, and they just if they want to look at him big, they can click on the image itself, and they can see him nice and big. And so that's how quickly you could have your shoot done because your client could be looking in on the shoot. Um, this could also be something you could do for friends and family that want to peek in on a photo shoot you're doing. You could just say if you want to see this cool thing I'm doing or if you want to teach and you're doing, ah, live, shoot And you're saying, Hey, anybody that wants to look at these images, just click on this link below and say, You're doing a Facebook live thing. You're taking pictures and they click on the link and it takes them to a website. They can see the images in real time. If I choose a website, not only can I let them see it in, you know I can change, you know the look and the feel of the Web site, but I can also go up to the little plus symbol up here with the with the little guy, that silhouette click on it and in the settings Aiken say, allow downloads of J pegs. So if you happen to be doing like a party and you're doing a photo shoot, that's kind of like a photo booth. You could just give him the link, and then they can go home and download their favorite picture. So it's really, really a useful way to share your images from a tethered shoot

Class Description

All lessons are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Efficiently cull and retouch photographs
  • Manage your files to enable seamless and immediate recall
  • Get your computer and software to run faster
  • Create impressive photo books and slideshows
  • Take advantage of global adjustments
  • Improve your mobile workflow with both your iPhone and iPad
  • Deliver and share your images directly from Lightroom

ABOUT JARED’S CLASS:

Adobe® Lightroom® is the industry standard for post-production workflow and in Adobe Lightroom: The Ultimate Guide, you’ll learn Jared Platt’s gold standard for retouching and managing files quickly and efficiently.

Jared will show the ins and outs of Lightroom Classic, Lightroom Mobile, and Lightroom Desktop. He’ll demystify the difference between each and demonstrate when to use each one for maximum output.

Jared will share tips on improving every phase of your workflow – from shooting to archiving. You’ll learn how to take advantage of the latest Lightroom tools and features and become faster and more skilled at adjusting your images.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Lightroom
  • Those who want to gain confidence in Adobe Lightroom and learn new features to help edit photos
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Lightroom fixes

SOFTWARE USED:

Adobe Lightroom Classic 9.2
Adobe Lightroom Desktop 3.2
Adobe Lightroom Mobile 5.2

ABOUT YOUR INSTRUCTOR:

Jared Platt is a professional wedding and lifestyle photographer from Phoenix, Arizona. Jared holds a Masters of Fine Arts in the Photographic Studies and a Bachelors of Fine Arts in Photography from Arizona State University and has been a professional photographer and college educator for the past 12 years and has been a speaking, debating and lecturing for the past 17 years. His attention to detail and craft make him a demanding photography instructor. Jared has lectured at major trade shows and photo conferences as well as at universities around the world on the subject of photography as well as workflow. Currently, Jared is traveling the United States and Canada teaching and lecturing on photography and post production workflow. Join him online for monthly "Office Hours" at www.jaredplattworkshops.com.

Class Materials

Bonus Materials with Purchase

Adobe Lightroom Mobile Cloud

Adobe Lightroom Image Pipeline System

Workflow in Adobe Lightroom

BW Preset Collection

Color Art Pro Profiles

Ratings and Reviews

Student Work

Related Classes

Reviews

Ira Richterman
 

I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com

Dan Clarke
 

This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.

Hannah
 

Thorough but very easy to follow. I've noticed a significant improvement in my work since starting this course a couple weeks ago, and I'm also spending noticeably less time editing my photos. I appreciate that it's up-to-date as of October, 2020, so the info is current (I wish CL would take down some of the older courses, since software changes make some of them obsolete).