Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
Gradient Tool
we're going to go beyond the brush tool into the Grady Int and the Grady. It you'll notice, has exactly the same tools in it. So it's just like it's. So if you've learned how to use the brush tool, you will also know how to use the Grady int tool. The only difference is that instead of brushing something in, you are creating ingredients. So I'm gonna grab up here and drag down, And I've just created a Grady int that 100% way up here at the top. That's 100% of whatever I'm doing and at the bottom is 0%. And Aiken grab on the middle and twisted around, I can expand it. Oops, I can expand it by grabbing the bottom line and expanding it, or I can move it and bring it in closer and further out. So now what I'm gonna do is I'm just gonna take this and bring in the highlights and bring the shadows. So I'm closing, getting in a little bit darker right there, and then I could do the same thing here and drag another one and notice that the second when I'm dragging, has the same settings is the 1...
st 1 So it's actually quite easy to just grab a number of these and just drag him in and create kind of a natural vignette. And speaking of natural vignettes, if I go beyond the Grady Int tool and I go to the radial filter tool, I can do the same thing. But just with a radio filter. So I'm gonna bring the exposure way down so you can see this. I'm gonna click on this and drag, and you can see how it's burning her face. But if I go and invert it so there's a little tool right here under the main Grady in effects. I can click on Invert, and now it's Everything outside of that circle is being affected and I can change the feather so there's no feather or a lot of feather, and then I could just take the exposure back out, and I can kind of just play with it. And actually, what I want toe happen is I wanted to have a little bit less contrast out there and maybe even a little less saturation. Um, and I want to take the clarity and not the clarity the D A's down, so I actually see I'm kind of lightening it up and making it a little bit foggy out there, So that's pretty cool. And I can then move this around until I have this centered exactly where I want it. And now I've done something completely different by creating a natural, uh, vignette. But it's a light vignette. Um, and I've done that with the radial filter. So if you get to know the controls inside of the brush and the Grady Int and the radio filter, they're all the same. The only difference is that inside of the radio filter or the Grady int, there's also an option to brush so you can go up to the top here, Um, right next to where you chose the radio grading and there's a brush option. You click on that brush option. You can then take a brush, and you can either add to the effect so I can kind of pain in these areas that weren't affected by the brush or I can erase from that area. So I'm erasing out the effect right here that's closer to the camera, and I'm that way. It's not hitting her hair, and it's not hitting her skin. So I now have mawr oven amoebic shape of If I hover over, see how I've got. It's not just a circular shape, it's actually exactly the way I want it to be. But I did the bulk of it with a Grady int or a radio grade in or the brush itself. So if you use these target, order these local adjustment settings, you can do a lot to your photograph and never even have to go to photo shop because you have the ability to not only do the global work inside of light room desktop, but you can also do that stuff burning and dodging and and a little bit of skins moving with the local adjustment brushes.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.
catherine Haggerty
Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!