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Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 5 of 116

Importing into Lightroom

 

Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 5 of 116

Importing into Lightroom

 

Lesson Info

Importing into Lightroom

So we've put our photos in the right place. We've put him on a raid, one system so that it's backed up. We have. Our image is secure. And now it's time to start doing the fun part, which is looking at the photos themselves. Now. I talked to you about the idea that light room is kind of a library system. It's really the photos exist in the hard drive, but light room itself is never actually going to touch the photographs. They're always secure. They're always safe. It's a non destructive system. And so those images. We're just going to sit there in that hard drive, but we need to import them into light room. And when I say import in tow, light room, especially light room classic. The import process is not moving the files. It's not doing anything with the files. All it's doing is looking at the files, seeing what they look like and bringing them into light room as previews of the images. So you never actually adjusting the actual riel raw file. You never actually looking at the real raw...

file. You're looking at a preview of the file and then every time you adjust it. It's looking at the raw file, and it's making a new preview as to what it would look like if it were to export that file from the raw file. As with those changes, so you're really never doing anything to the raw file? And the only time that all those changes that you're gonna make inside a light room actually happen is when you export them when you send them out and share them somewhere, so we have to import them. But I need you to understand that you're not importing. You're not bringing him into light room. You're actually just making a reference. So let's go into the process of importing. So I'm going to the import button down here on the left hand side off the library module. I'm gonna open up. By the way, everywhere in light room, there are these little, um, these little triangles up at the top. They're over at the right hand side, the left hand side and the bottom side, and if you click on him, it shuts or opens that panel. So if you want to get rid of something and make more real estate, you can do that. You can also hit the shift tab key, and it will get rid of all of them at once. Shift tab brings them all back, or you can hit the tab key and it'll get rid of your side ones on the right on the left and bring them back. So whenever you want a little more, more real estate, get rid of all those things you're not using and just see your images. So what we're gonna be is in the lot were in the library module here, and we're in the import button here, So I'm clicking on the import button and there's a whole bunch of things I could do inside of the import dialog box and all of them bear mentioning here. So on the left hand side, this is where we're getting our images. This is the source up at the top. Here is what we can do to the photos. Now, If you were plugging in a card and that card popped up the import dialog box, it would ask you if you want to copy him if you want to move them from the card because it would have to actually take the photos off the card and put them somewhere on your hard drive, and that's what these options air for. But if you're not doing it from an external source, all you need to do is add them because, adding means, all I'm doing is looking at the files, seeing what they look like and drawing in that information and building previews. But I'm leaving the files exactly where they are. That is my preference, because my preference, as they mentioned, is that you know exactly where your files are at all times. That's critical to your workflow and to the file security of those images. So up top is what you're going to do with it, how you're going to get them, where into light room and then on the left hand side are all sorts of cool options for file handling and what to do with the images on the way in

Class Description

All lessons are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Efficiently cull and retouch photographs
  • Manage your files to enable seamless and immediate recall
  • Get your computer and software to run faster
  • Create impressive photo books and slideshows
  • Take advantage of global adjustments
  • Improve your mobile workflow with both your iPhone and iPad
  • Deliver and share your images directly from Lightroom

ABOUT JARED’S CLASS:

Adobe® Lightroom® is the industry standard for post-production workflow and in Adobe Lightroom: The Ultimate Guide, you’ll learn Jared Platt’s gold standard for retouching and managing files quickly and efficiently.

Jared will show the ins and outs of Lightroom Classic, Lightroom Mobile, and Lightroom Desktop. He’ll demystify the difference between each and demonstrate when to use each one for maximum output.

Jared will share tips on improving every phase of your workflow – from shooting to archiving. You’ll learn how to take advantage of the latest Lightroom tools and features and become faster and more skilled at adjusting your images.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Lightroom
  • Those who want to gain confidence in Adobe Lightroom and learn new features to help edit photos
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Lightroom fixes

SOFTWARE USED:

Adobe Lightroom Classic 9.2
Adobe Lightroom Desktop 3.2
Adobe Lightroom Mobile 5.2

ABOUT YOUR INSTRUCTOR:

Jared Platt is a professional wedding and lifestyle photographer from Phoenix, Arizona. Jared holds a Masters of Fine Arts in the Photographic Studies and a Bachelors of Fine Arts in Photography from Arizona State University and has been a professional photographer and college educator for the past 12 years and has been a speaking, debating and lecturing for the past 17 years. His attention to detail and craft make him a demanding photography instructor. Jared has lectured at major trade shows and photo conferences as well as at universities around the world on the subject of photography as well as workflow. Currently, Jared is traveling the United States and Canada teaching and lecturing on photography and post production workflow. Join him online for monthly "Office Hours" at www.jaredplattworkshops.com.

Lessons

  1. Differences Between Lightroom Mobile and Lightroom Desktop
  2. Hard Drives
  3. File Organization
  4. 30,000 Foot View of Workflow
  5. Importing into Lightroom
  6. Building Previews
  7. Collections and Publish Services
  8. Keywords
  9. Hardware for Lightroom
  10. Searching for Images
  11. Selecting Images
  12. Organizing Images
  13. Collecting Images for Use
  14. Develop Module Overview
  15. Profiles
  16. Basic Adjustments
  17. Basics Panel: Texture, Clarity, and Dehaze
  18. Basics Panel: Saturation and Vibrance
  19. Tone Curve
  20. HSL
  21. Split Tone
  22. Lens Corrections
  23. Details
  24. Transform Tool
  25. Effects Panel
  26. Synchronizing for Faster Editing
  27. Spot Tool
  28. Skin Softening and Brush Work
  29. Range Masking
  30. Dodge and Burn
  31. Working with Specific Colors
  32. Edit Quickly with Gradient Filters
  33. Making Presets
  34. Preparing Image in Lightroom
  35. Content Aware Fill
  36. Skin Repair
  37. Skin Smoothing
  38. Expanding a Canvas
  39. Liquify
  40. Layers and Composite Images
  41. Sharing via Web
  42. Exporting Files
  43. Sharing with Slideshows
  44. Archiving Photos and Catalogs
  45. Designing
  46. Making Prints
  47. Color Management and Profiles
  48. Archiving Photos and Catalogs
  49. Using Cloud Storage
  50. Adding Images to your Portfolio
  51. Collecting for Your Portfolio
  52. Publishing Unique Websites Per Project
  53. Sharing to Instagram
  54. HDR
  55. Panorama
  56. HDR Panorama
  57. Making Presets
  58. Creating Profiles
  59. Maps
  60. Setup for Tethered Shooting
  61. Sharing with the Client
  62. Watched Folder Process
  63. Second Monitor and iPad
  64. Backup at the Camera
  65. Gnar Box Disk Backup
  66. iPhone and iPad Review
  67. Importing to Lightroom on iPad
  68. Cloud Backup
  69. Adjust, Edit, and Organize
  70. Using Lightroom Between Devices
  71. Lightroom Desktop
  72. Removing Images from the Cloud
  73. Profiles
  74. Light
  75. Color
  76. Effects
  77. Details
  78. Optics
  79. Geometry
  80. Crop
  81. Adding and Using Presets and Profiles
  82. Local Adjustments
  83. Healing Tool
  84. Synchronizing Edits
  85. Editing in Photoshop
  86. Finding Images
  87. Sharing and Exporting Albums on the Web
  88. Posting Images to Social Media
  89. Overview of Lightroom Desktop
  90. The Workflow Overview
  91. Organizing Images
  92. Albums and Shared Albums
  93. Lightroom Desktop Workspace Overview
  94. Importing and Selecting Images
  95. HDR and Panoramics
  96. Light
  97. Profiles
  98. Tone Curves
  99. Color
  100. Effects
  101. Details
  102. Optics
  103. Geometry and Crop Tool
  104. Sync Settings
  105. Making and Adding Presets
  106. Healing Brush
  107. Brush Tool
  108. Gradient Tool
  109. Edit in Photoshop
  110. Finding Images with Sensei
  111. Sharing Albums on the Web
  112. Print through Photoshop
  113. Exporting Images to Files or Web Services
  114. Connecting with Lightroom Classic and Mobile Devices
  115. Archiving Images for Storage
  116. Review of the Workflow

Reviews

Hannah
 

Thorough but very easy to follow. I've noticed a significant improvement in my work since starting this course a couple weeks ago, and I'm also spending noticeably less time editing my photos. I appreciate that it's up-to-date as of October, 2020, so the info is current (I wish CL would take down some of the older courses, since software changes make some of them obsolete).

Han