Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
Panorama
we can also create a panel. A panoramic image is created very much in the same way. We simply choose an image. Now, in this case, you can see that I've done this is in Monument Valley and there's a whole series of photos here and there's and there's one under normal over under normal over and it's moving through the scene. So if I want to see what it's gonna look like, I simply click the third every third image, and that will give you an idea of what this is going to look like. When we're done, I'll show you. So if I click on end for survey and tab out, you can see that here's the first half of it and here's the second half of it. That's what's gonna look like. So that just gives me a good idea of what I'm going to get when I'm trying to find the image. But now what I'm gonna do is that so you can create a panel, and it's just simply when you take the picture, you're gonna take a bunch pictures, and it's best to do it vertically because if you do it vertically, you don't get as much, u...
m, Boeing in the image on the edges. Plus, you get a nice, high, tall image. So you get actually a bigger file if you do it that way. Um and so this is just me taking a picture like this, and I'm not on a tripod. I'm just whole hand holding and and breathing slowly and just saying click and then move and wait. Times stopped and then click and then move and you try and overlap each image by about 1/3. At least 1/2 is even better. So the more images you take, the better your panel is gonna be. Um, but also the longer it will take. So in this case, I could just make a normal panel. But before I make that Pano because that's a specialty HDR panel, which means it's actually HDR and panoramic all at the same time. Unfortunately, light room could do all of that for you rather than it used to be that you had toe. If you want to do an HDR panel, you had to make each individual hdr first. And then you have to stitch all the HD ours together as a panel now light room will just put it all together for you. It takes a while, though. But before we do that, I wanted to show you that there's more you can do with panoramic images than just a Pano. So I was in a situation where there was a tree and this tree waas It was a really cool tree. Like, I really liked the tree. Um but I couldn't get far enough away from it to get a good shot with it, Um, and get what I wanted. And it was just the tree. It was tricky and I had the wrong lens and so I wanted to get a shot of the tree, but I wanted it to be close, and then I needed a wider lens and I didn't have it. So what I did is I took a bunch of images of the tree. So these air, all the images that I took hoops that that I took of the tree, let me show you. So I just took all of those images of the tree. So technically, it's kind of a panoramic image, but it's more of ah, loosely moving your camera around on image that you don't have enough camera or you don't have a big enough lens to take. So I just took all of these photos and really, I was interested to see what it would do. And so I'm going to right click those images and I'm going to go to photo merge Panorama and I'm just gonna let it stitch. And it's looking at all these images, and it's trying to find the common points, and it's going to stitch them together based on those common points. So wait one second it's There you go. You say that now I've got the bulk of that tree. Look at that and it stitched it together quite nicely, is quite amazing. So it's bowed weird because of the way I was photographing it. But the beauty of this is that I can also take the boundary warp and just simply stretch it out, and it's going to bring that tree back into balance. There you go. See that? So now the tree looks back. It's not completely normal because, obviously a wide angle effect, but it's it's back to normal, and I don't have any weird edges. But the other thing that you have the ability to do just in case you didn't want to go that far with it. Say you wanted to go to their with it. You can also tell it to fill the edges, and when you fill the edges, it's going to automatically build sky, build extra branches and trees and build extra grass to make it look right. The only thing that didn't do very well is over here. Tried to make Mawr tree because the tree was touching the edge, so that's the only place it didn't really work. But in most cases, I like to just grab the boundary warp and stretch it out. It usually looks right and then hit Merge, and now it's going to take all of those images. Stitch them together, and it's going to put them on top as a d n g or digital negative. And it's going to put the rest of them in a in the bottom on a stack so that you can do whatever you want with those. But generally I just leave them closed. If you leave a stack closed and then you highlight a bunch of images and you export it on Lee exports the top of the stack, which is really useful in delivering images to people. But the thing that you need to do is you have to make sure that before you export you go up into the library menu. Actually, it's in the photo menu inside the library and you go to stacking and then inside, stacking you tell it to collapse, all stacks collapsing. All stacks is critical so that there are no stacks that air open when you go to export. That way, you could just highlight all an export and you get your your exports. So this is what that image looks like. Look how I mean it is. Look how amazing that is, because, remember, it's a whole bunch of images. So instead of it being a I don't know, I think it was ah, maybe a 16 megapixel camera instead of it being 16 megapixels. It is, ah, a lot. It's an 8000 pixel image. So it's It's a very big image
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.
catherine Haggerty
Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!