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Panorama

Lesson 55 from: Adobe Lightroom: The Ultimate Guide Bootcamp

Jared Platt

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Lesson Info

55. Panorama

Lessons

Class Trailer
1

Differences Between Lightroom Desktop and Lightroom Classic

19:42
2

Hard Drives

08:06
3

File Organization

08:31
4

30,000 Foot View of Workflow

05:36
5

Importing into Lightroom

04:10
6

Building Previews

07:14
7

Collections and Publish Services

05:11
8

Keywords

06:27
9

Hardware for Lightroom

06:08
10

Searching for Images

07:51
11

Selecting Images

14:15
12

Organizing Images

04:02
13

Collecting Images for Use

14:56
14

Develop Module Overview

10:15
15

Profiles

11:34
16

Basic Adjustments

11:45
17

Basics Panel: Texture, Clarity, and Dehaze

05:31
18

Basics Panel: Saturation and Vibrance

02:40
19

Tone Curve

09:26
20

HSL

04:48
21

Split Tone

08:19
22

Lens Corrections

08:32
23

Details

09:34
24

Transform Tool

05:52
25

Effects Panel

10:00
26

Synchronizing for Faster Editing

07:40
27

Spot Tool

17:51
28

Skin Softening and Brush Work

07:00
29

Range Masking

13:28
30

Dodge and Burn

17:36
31

Working with Specific Colors

08:30
32

Edit Quickly with Gradient Filters

11:22
33

Making Presets

13:24
34

Preparing Image in Lightroom

09:51
35

Content Aware Fill

11:14
36

Skin Repair

02:44
37

Skin Smoothing

14:39
38

Expanding a Canvas

04:30
39

Liquify

10:22
40

Layers and Composite Images

12:54
41

Sharing via Web

17:52
42

Exporting Files

10:47
43

Sharing with Slideshows

08:00
44

Archiving Photos and Catalogs

19:54
45

Designing

13:35
46

Making Prints

11:27
47

Color Management and Profiles

13:00
48

Archiving Photos and Catalogs

11:31
49

Using Cloud Storage

04:09
50

Adding Images to your Portfolio

09:23
51

Collecting for Your Portfolio

18:03
52

Publishing Unique Websites Per Project

19:48
53

Sharing to Instagram

07:06
54

HDR

15:32
55

Panorama

06:41
56

HDR Panorama

09:54
57

Making Presets

15:39
58

Creating Profiles

18:09
59

Maps

07:08
60

Setup for Tethered Shooting

23:21
61

Sharing with the Client

05:42
62

Watched Folder Process

07:04
63

Second Monitor and iPad

06:09
64

Backup at the Camera

03:50
65

Gnar Box Disk Backup

06:45
66

iPhone and iPad Review

12:52
67

Importing to Lightroom on iPad

02:59
68

Cloud Backup

04:39
69

Adjust, Edit, and Organize

07:46
70

Using Lightroom Between Devices

11:27
71

Lightroom Desktop

05:27
72

Removing Images from the Cloud

10:49
73

Profiles

09:34
74

Light

04:34
75

Color

05:36
76

Effects

15:22
77

Details

08:33
78

Optics

03:49
79

Geometry

04:12
80

Crop

04:39
81

Adding and Using Presets and Profiles

13:41
82

Local Adjustments

15:40
83

Healing Tool

03:29
84

Synchronizing Edits

04:57
85

Editing in Photoshop

08:54
86

Finding Images

07:09
87

Sharing and Exporting Albums on the Web

09:18
88

Posting Images to Social Media

14:01
89

Overview of Lightroom Desktop

07:35
90

The Workflow Overview

10:08
91

Organizing Images

05:10
92

Albums and Shared Albums

18:21
93

Lightroom Desktop Workspace Overview

04:36
94

Importing and Selecting Images

09:23
95

HDR and Panoramics

22:44
96

Light

07:47
97

Profiles

07:23
98

Tone Curves

02:57
99

Color

08:35
100

Effects

17:01
101

Details

12:43
102

Optics

04:05
103

Geometry and Crop Tool

06:01
104

Sync Settings

02:40
105

Making and Adding Presets

03:48
106

Healing Brush

02:21
107

Brush Tool

03:14
108

Gradient Tool

04:16
109

Edit in Photoshop

02:53
110

Finding Images with Sensei

06:32
111

Sharing Albums on the Web

04:57
112

Print through Photoshop

02:09
113

Exporting Images to Files or Web Services

04:36
114

Connecting with Lightroom Classic and Mobile Devices

05:24
115

Archiving Images for Storage

09:55
116

Review of the Workflow

07:20

Lesson Info

Panorama

we can also create a panel. A panoramic image is created very much in the same way. We simply choose an image. Now, in this case, you can see that I've done this is in Monument Valley and there's a whole series of photos here and there's and there's one under normal over under normal over and it's moving through the scene. So if I want to see what it's gonna look like, I simply click the third every third image, and that will give you an idea of what this is going to look like. When we're done, I'll show you. So if I click on end for survey and tab out, you can see that here's the first half of it and here's the second half of it. That's what's gonna look like. So that just gives me a good idea of what I'm going to get when I'm trying to find the image. But now what I'm gonna do is that so you can create a panel, and it's just simply when you take the picture, you're gonna take a bunch pictures, and it's best to do it vertically because if you do it vertically, you don't get as much, u...

m, Boeing in the image on the edges. Plus, you get a nice, high, tall image. So you get actually a bigger file if you do it that way. Um and so this is just me taking a picture like this, and I'm not on a tripod. I'm just whole hand holding and and breathing slowly and just saying click and then move and wait. Times stopped and then click and then move and you try and overlap each image by about 1/3. At least 1/2 is even better. So the more images you take, the better your panel is gonna be. Um, but also the longer it will take. So in this case, I could just make a normal panel. But before I make that Pano because that's a specialty HDR panel, which means it's actually HDR and panoramic all at the same time. Unfortunately, light room could do all of that for you rather than it used to be that you had toe. If you want to do an HDR panel, you had to make each individual hdr first. And then you have to stitch all the HD ours together as a panel now light room will just put it all together for you. It takes a while, though. But before we do that, I wanted to show you that there's more you can do with panoramic images than just a Pano. So I was in a situation where there was a tree and this tree waas It was a really cool tree. Like, I really liked the tree. Um but I couldn't get far enough away from it to get a good shot with it, Um, and get what I wanted. And it was just the tree. It was tricky and I had the wrong lens and so I wanted to get a shot of the tree, but I wanted it to be close, and then I needed a wider lens and I didn't have it. So what I did is I took a bunch of images of the tree. So these air, all the images that I took hoops that that I took of the tree, let me show you. So I just took all of those images of the tree. So technically, it's kind of a panoramic image, but it's more of ah, loosely moving your camera around on image that you don't have enough camera or you don't have a big enough lens to take. So I just took all of these photos and really, I was interested to see what it would do. And so I'm going to right click those images and I'm going to go to photo merge Panorama and I'm just gonna let it stitch. And it's looking at all these images, and it's trying to find the common points, and it's going to stitch them together based on those common points. So wait one second it's There you go. You say that now I've got the bulk of that tree. Look at that and it stitched it together quite nicely, is quite amazing. So it's bowed weird because of the way I was photographing it. But the beauty of this is that I can also take the boundary warp and just simply stretch it out, and it's going to bring that tree back into balance. There you go. See that? So now the tree looks back. It's not completely normal because, obviously a wide angle effect, but it's it's back to normal, and I don't have any weird edges. But the other thing that you have the ability to do just in case you didn't want to go that far with it. Say you wanted to go to their with it. You can also tell it to fill the edges, and when you fill the edges, it's going to automatically build sky, build extra branches and trees and build extra grass to make it look right. The only thing that didn't do very well is over here. Tried to make Mawr tree because the tree was touching the edge, so that's the only place it didn't really work. But in most cases, I like to just grab the boundary warp and stretch it out. It usually looks right and then hit Merge, and now it's going to take all of those images. Stitch them together, and it's going to put them on top as a d n g or digital negative. And it's going to put the rest of them in a in the bottom on a stack so that you can do whatever you want with those. But generally I just leave them closed. If you leave a stack closed and then you highlight a bunch of images and you export it on Lee exports the top of the stack, which is really useful in delivering images to people. But the thing that you need to do is you have to make sure that before you export you go up into the library menu. Actually, it's in the photo menu inside the library and you go to stacking and then inside, stacking you tell it to collapse, all stacks collapsing. All stacks is critical so that there are no stacks that air open when you go to export. That way, you could just highlight all an export and you get your your exports. So this is what that image looks like. Look how I mean it is. Look how amazing that is, because, remember, it's a whole bunch of images. So instead of it being a I don't know, I think it was ah, maybe a 16 megapixel camera instead of it being 16 megapixels. It is, ah, a lot. It's an 8000 pixel image. So it's It's a very big image

Class Materials

Bonus Materials with Purchase

Adobe Lightroom Mobile Cloud
Adobe Lightroom Image Pipeline System
Workflow in Adobe Lightroom
BW Preset Collection
Color Art Pro Profiles

Ratings and Reviews

Ira Richterman
 

I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com

Dan Clarke
 

This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.

Hannah
 

Thorough but very easy to follow. I've noticed a significant improvement in my work since starting this course a couple weeks ago, and I'm also spending noticeably less time editing my photos. I appreciate that it's up-to-date as of October, 2020, so the info is current (I wish CL would take down some of the older courses, since software changes make some of them obsolete).

Student Work